Leica M10 vs Fujifilm X-Pro2
The Leica M10 (Typ 3656) and the Fujifilm X-Pro2 are two enthusiast cameras that were announced, respectively, in January 2017 and January 2016. The M10 is a rangefinder-focusing mirrorless, while the X-Pro2 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (M10) and an APS-C (X-Pro2) sensor. The Leica has a resolution of 23.8 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M10 (Typ 3656) and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Leica M10 and the Fujifilm X-Pro2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The M10 can be obtained in two different colors (black, silver), while the X-Pro2 is also available in two color-versions, but different ones (black, graphite).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is notably larger (5 percent) than the Leica M10. However, the X-Pro2 is markedly lighter (25 percent) than the M10. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M10) and the Fujinon X Lens Catalog (X-Pro2).
Concerning battery life, the M10 gets 210 shots out of its Leica BP-SCL5 battery, while the X-Pro2 can take 350 images on a single charge of its Fujifilm NP-W126 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
2. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ebay.com | |
3. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
5. | Fujifilm X100V | 128 mm | 75 mm | 53 mm | 478 g | 420 | Y | Feb 2020 | 1,399 | ebay.com | |
6. | Fujifilm X-Pro3 | 141 mm | 83 mm | 46 mm | 497 g | 440 | Y | Oct 2019 | 1,799 | amazon.com | |
7. | Fujifilm X-T3 | 133 mm | 93 mm | 59 mm | 539 g | 390 | Y | Sep 2018 | 1,499 | ebay.com | |
8. | Fujifilm X-T2 | 133 mm | 92 mm | 49 mm | 507 g | 340 | Y | Jul 2016 | 1,599 | ebay.com | |
9. | Fujifilm X-Pro1 | 140 mm | 82 mm | 43 mm | 450 g | 300 | n | Jan 2012 | 1,699 | ebay.com | |
10. | Leica M11 | 139 mm | 80 mm | 39 mm | 640 g | 700 | Y | Jan 2022 | 8,995 | amazon.com | |
11. | Leica M-E Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Jun 2019 | 3,999 | ebay.com | |
12. | Leica M10-P | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Aug 2018 | 7,995 | ebay.com | |
13. | Leica M Typ 262 | 139 mm | 80 mm | 42 mm | 680 g | 400 | Y | Nov 2015 | 5,195 | ebay.com | |
14. | Leica Q Typ 116 | 130 mm | 80 mm | 93 mm | 640 g | 300 | n | Jun 2015 | 4,249 | ebay.com | |
15. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
16. | Leica M Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Sep 2012 | 6,950 | ebay.com | |
17. | Nikon D5 | 160 mm | 159 mm | 92 mm | 1415 g | 3780 | Y | Jan 2016 | 6,499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-Pro2 was launched at a markedly lower price (by 74 percent) than the M10, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica M10 features a full frame sensor and the Fujifilm X-Pro2 an APS-C sensor. The sensor area in the X-Pro2 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the X-Pro2 offers a slightly higher resolution of 24 megapixels, compared with 23.8 MP of the M10. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 6.00μm for the M10). Moreover, it should be noted that the M10 is a somewhat more recent model (by 1 year) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica M10 (Typ 3656) has a native sensitivity range from ISO 100 to ISO 50000. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the M10 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-Pro2 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
2. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
3. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
4. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
5. | Fujifilm X100V | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.6 | 1996 | 84 | |
6. | Fujifilm X-Pro3 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.6 | 1968 | 84 | |
7. | Fujifilm X-T3 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.0 | 13.4 | 1853 | 83 | |
8. | Fujifilm X-T2 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.1 | 1653 | 81 | |
9. | Fujifilm X-Pro1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.1 | 12.3 | 1238 | 74 | |
10. | Leica M11 | Full Frame | 60.3 | 9528 | 6328 | none | 26.3 | 14.8 | 3376 | 100 | |
11. | Leica M-E Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 25.2 | 14.2 | 2821 | 94 | |
12. | Leica M10-P | Full Frame | 23.8 | 5952 | 3992 | none | 25.1 | 14.1 | 2739 | 93 | |
13. | Leica M Typ 262 | Full Frame | 23.7 | 5952 | 3976 | none | 24.8 | 13.7 | 2478 | 90 | |
14. | Leica Q Typ 116 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.7 | 2221 | 85 | |
15. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
16. | Leica M Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 24.0 | 13.3 | 1860 | 84 | |
17. | Nikon D5 | Full Frame | 20.7 | 5588 | 3712 | 4K/30p | 25.1 | 12.3 | 2343 | 88 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The X-Pro2 indeed provides for movie recording, while the M10 does not. The highest resolution format that the X-Pro2 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the M10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the M10 has a higher magnification than the one of the X-Pro2 (0.73x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica M10 and Fujifilm X-Pro2 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
2. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
3. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
4. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
5. | Fujifilm X100V | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | n | |
6. | Fujifilm X-Pro3 | 3690 | n | 3.0 / 1620 | tilting | Y | 1/8000s | 8.0/s | n | n | |
7. | Fujifilm X-T3 | 3690 | n | 3.0 / 1040 | full-flex | Y | 1/8000s | 11.0/s | n | n | |
8. | Fujifilm X-T2 | 2360 | n | 3.0 / 1040 | full-flex | n | 1/8000s | 8.0/s | n | n | |
9. | Fujifilm X-Pro1 | 1440 | n | 3.0 / 1230 | fixed | n | 1/4000s | 6.0/s | n | n | |
10. | Leica M11 | optical | n | 3.0 / 2333 | fixed | Y | 1/4000s | 4.5/s | n | n | |
11. | Leica M-E Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
12. | Leica M10-P | optical | n | 3.0 / 1037 | fixed | Y | 1/4000s | 5.0/s | n | n | |
13. | Leica M Typ 262 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 3.0/s | n | n | |
14. | Leica Q Typ 116 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
15. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
16. | Leica M Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
17. | Nikon D5 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica M10 and the Fujifilm X-Pro2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M10 and the X-Pro2 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M10 only has one slot. The X-Pro2 supports UHS-II cards (on its first slot), while the M10 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M10 (Typ 3656) and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
2. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
3. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
5. | Fujifilm X100V | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
6. | Fujifilm X-Pro3 | Y | stereo / mono | Y | - | - | 3.1 | Y | - | Y | |
7. | Fujifilm X-T3 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
8. | Fujifilm X-T2 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
9. | Fujifilm X-Pro1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Leica M11 | Y | - / - | - | - | - | 3.2 | Y | - | Y | |
11. | Leica M-E Typ 240 | Y | mono / - | - | - | - | 2.0 | - | - | - | |
12. | Leica M10-P | Y | - / - | - | - | - | - | Y | - | - | |
13. | Leica M Typ 262 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Leica Q Typ 116 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
16. | Leica M Typ 240 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
17. | Nikon D5 | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - |
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the M10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M10 and the X-Pro2 have been discontinued, but can regularly be found used on ebay. The X-Pro2 was replaced by the Fujifilm X-Pro3, while the M10 was followed by the Leica M11. Further information on the features and operation of the M10 and X-Pro2 can be found, respectively, in the Leica M10 Manual (free pdf) or the online Fujifilm X-Pro2 Manual.
Review summary
So what is the bottom line? Is the Leica M10 better than the Fujifilm X-Pro2 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Leica M10 (Typ 3656):
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.39x).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 1 year after the X-Pro2).
Arguments in favor of the Fujifilm X-Pro2:
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1037k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Less heavy: Has a lower weight (by 165g or 25 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (350 versus 210) out of a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro2 is the clear winner of the contest (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M10 or the X-Pro2. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
2. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ebay.com | |
3. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
5. | Fujifilm X100V | 5/5 | + + | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Feb 2020 | 1,399 | ebay.com | |
6. | Fujifilm X-Pro3 | 4/5 | + | 4/5 | 85/100 | 4/5 | .. | Oct 2019 | 1,799 | amazon.com | |
7. | Fujifilm X-T3 | 5/5 | + + | 4.5/5 | 88/100 | 5/5 | 5/5 | Sep 2018 | 1,499 | ebay.com | |
8. | Fujifilm X-T2 | 5/5 | + + | .. | 86/100 | 4.5/5 | 5/5 | Jul 2016 | 1,599 | ebay.com | |
9. | Fujifilm X-Pro1 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2012 | 1,699 | ebay.com | |
10. | Leica M11 | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Jan 2022 | 8,995 | amazon.com | |
11. | Leica M-E Typ 240 | .. | .. | .. | .. | .. | .. | Jun 2019 | 3,999 | ebay.com | |
12. | Leica M10-P | .. | .. | 3/5 | .. | .. | 4/5 | Aug 2018 | 7,995 | ebay.com | |
13. | Leica M Typ 262 | .. | .. | .. | .. | .. | .. | Nov 2015 | 5,195 | ebay.com | |
14. | Leica Q Typ 116 | 5/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Jun 2015 | 4,249 | ebay.com | |
15. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
16. | Leica M Typ 240 | 4/5 | .. | .. | .. | 4/5 | .. | Sep 2012 | 6,950 | ebay.com | |
17. | Nikon D5 | .. | .. | 4/5 | 89/100 | 4.5/5 | 5/5 | Jan 2016 | 6,499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1200D vs Leica M10
- Canon G12 vs Fujifilm X-Pro2
- Fujifilm GFX 50S vs Fujifilm X-Pro2
- Fujifilm X-E1 vs Leica M10
- Fujifilm X-E2 vs Fujifilm X-Pro2
- Fujifilm X-Pro2 vs Nikon D750
- Fujifilm X-Pro2 vs Olympus E-400
- Fujifilm X-Pro2 vs Olympus E-PM1
- Leica M10 vs Leica Q Typ 116
- Leica M10 vs Olympus E-5
- Leica M10 vs Panasonic LX7
- Leica M10 vs Sony NEX-5T
Specifications: Leica M10 vs Fujifilm X-Pro2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica M10 | Fujifilm X-Pro2 |
---|---|---|
Camera Type | Rangefinder camera | Mirrorless system camera |
Camera Lens | Leica M mount lenses | Fujifilm X mount lenses |
Launch Date | January 2017 | January 2016 |
Launch Price | USD 6,595 | USD 1,699 |
Sensor Specs | Leica M10 | Fujifilm X-Pro2 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | APS-C Sensor |
Sensor Size | 35.8 x 23.9 mm | 23.6 x 15.6 mm |
Sensor Area | 855.62 mm2 | 368.16 mm2 |
Sensor Diagonal | 43 mm | 28.3 mm |
Crop Factor | 1.0x | 1.5x |
Sensor Resolution | 23.8 Megapixels | 24 Megapixels |
Image Resolution | 5952 x 3992 pixels | 6000 x 4000 pixels |
Pixel Pitch | 6.00 μm | 3.92 μm |
Pixel Density | 2.78 MP/cm2 | 6.52 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 100 - 50,000 ISO | 200 - 12,800 ISO |
ISO Boost | no Enhancement | 100 - 51,200 ISO |
Image Processor | Maestro II | X Processor Pro |
DXO Sensor Quality (score) | 86 | .. |
DXO Color Depth (bits) | 24.4 | .. |
DXO Dynamic Range (EV) | 13.2 | .. |
DXO Low Light (ISO) | 2133 | .. |
Screen Specs | Leica M10 | Fujifilm X-Pro2 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.73x | 0.39x |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1037k dots | 1620k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Leica M10 | Fujifilm X-Pro2 |
Focus System | Manual Focus | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 5 shutter flaps/s | 8 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Single UHS-II |
Connectivity Specs | Leica M10 | Fujifilm X-Pro2 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | no USB | USB 2.0 |
HDMI Port | no HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | Wifi built-in | Wifi built-in |
Body Specs | Leica M10 | Fujifilm X-Pro2 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Leica BP-SCL5 | Fujifilm NP-W126 |
Battery Life (CIPA) | 210 shots per charge | 350 shots per charge |
Body Dimensions |
139 x 80 x 39 mm (5.5 x 3.1 x 1.5 in) |
141 x 83 x 46 mm (5.6 x 3.3 x 1.8 in) |
Camera Weight | 660 g (23.3 oz) | 495 g (17.5 oz) |
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