Leica M Typ 262 vs Sony A7S II

The Leica M (Typ 262) and the Sony Alpha 7S II are two digital cameras that were officially introduced, respectively, in November 2015 and September 2015. The M Typ 262 is a rangefinder-focusing mirrorless, while the A7S II is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Leica has a resolution of 23.7 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica M Typ 262		Sony A7S II
Rangefinder camera		Mirrorless system camera
Leica M mount lenses		Sony E mount lenses
23.7 MP – Full Frame sensor		12 MP – Full Frame sensor
no Video		4K/30p Video
ISO 200-6,400		ISO 100-102,400 (50 - 409,600)
Optical viewfinder		Electronic viewfinder (2400k dots)
3.0" LCD – 921k dots		3.0" LCD – 1229k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3 shutter flaps per second		5 shutter flaps per second
no shake reduction		In-body stabilization
Weathersealed body		Weathersealed body
400 shots per battery charge		370 shots per battery charge
139 x 80 x 42 mm, 680 g		127 x 96 x 60 mm, 627 g

Check M Typ 262 offers at
ebay.com
Check A7S II offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M (Typ 262) and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Leica M Typ 262 and the Sony A7S II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The M Typ 262 can be obtained in two different colors (black, silver), while the A7S II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably larger (10 percent) than the Leica M Typ 262. However, the A7S II is markedly lighter (8 percent) than the M Typ 262. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M Typ 262) and the Sony FE Lens Catalog (A7S II).

Concerning battery life, the M Typ 262 gets 400 shots out of its Leica BP-SCL2 battery, while the A7S II can take 370 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7S II can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica M Typ 262	139 mm	80 mm	42 mm	680 g	400	Y	Nov 2015	5,195	ebay.com
2.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
3.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
4.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	1,199	ebay.com
5.		Canon G3 X	123 mm	77 mm	105 mm	733 g	300	Y	Jun 2015	999	ebay.com
6.		Leica M-E Typ 240	139 mm	80 mm	42 mm	680 g	500	Y	Jun 2019	3,999	ebay.com
7.		Leica M10-P	139 mm	80 mm	39 mm	660 g	210	Y	Aug 2018	7,995	ebay.com
8.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
9.		Leica Q Typ 116	130 mm	80 mm	93 mm	640 g	300	n	Jun 2015	4,249	ebay.com
10.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
11.		Leica M Typ 240	139 mm	80 mm	42 mm	680 g	500	Y	Sep 2012	6,950	ebay.com
12.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	1,199	ebay.com
13.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
14.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
15.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
16.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
17.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A7S II was launched at a markedly lower price (by 42 percent) than the M Typ 262, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7S II is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 23.7MP, the M Typ 262 offers a higher resolution than the A7S II (12MP), but the M Typ 262 has smaller individual pixels (pixel pitch of 6.01μm versus 8.40μm for the A7S II). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the M Typ 262 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Leica M Typ 262 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M Typ 262 for good quality output (200 dots per inch) amounts to 29.8 x 19.9 inches or 75.6 x 50.5 cm, for very good quality (250 dpi) 23.8 x 15.9 inches or 60.5 x 40.4 cm, and for excellent quality (300 dpi) 19.8 x 13.3 inches or 50.4 x 33.7 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.

The Leica M (Typ 262) has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica M Typ 262	Full Frame	23.7	5952	3976	none	24.8	13.7	2478	90
2.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
3.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
4.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
5.		Canon G3 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	521	63
6.		Leica M-E Typ 240	Full Frame	23.7	5952	3976	1080/25p	25.2	14.2	2821	94
7.		Leica M10-P	Full Frame	23.8	5952	3992	none	25.1	14.1	2739	93
8.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
9.		Leica Q Typ 116	Full Frame	24.0	6000	4000	1080/60p	24.3	12.7	2221	85
10.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
11.		Leica M Typ 240	Full Frame	23.7	5952	3976	1080/25p	24.0	13.3	1860	84
12.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
13.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
14.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
15.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
16.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
17.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The A7S II indeed provides for movie recording, while the M Typ 262 does not. The highest resolution format that the A7S II can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7S II has an electronic viewfinder (2400k dots), while the M Typ 262 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7S II has a higher magnification than the one of the M Typ 262 (0.78x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica M Typ 262 and Sony A7S II in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica M Typ 262	optical	n	3.0 / 921	fixed	n	1/4000s	3.0/s	n	n
2.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
3.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
4.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
5.		Canon G3 X	optional	n	3.2 / 1620	tilting	Y	1/2000s	5.9/s	Y	Y
6.		Leica M-E Typ 240	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	n	n
7.		Leica M10-P	optical	n	3.0 / 1037	fixed	Y	1/4000s	5.0/s	n	n
8.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
9.		Leica Q Typ 116	3680	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	n	Y
10.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
11.		Leica M Typ 240	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	n	n
12.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
13.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
16.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
17.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The M Typ 262 writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M (Typ 262) and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica M Typ 262	Y	- / -	-	-	-	2.0	-	-	-
2.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
4.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
5.		Canon G3 X	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
6.		Leica M-E Typ 240	Y	mono / -	-	-	-	2.0	-	-	-
7.		Leica M10-P	Y	- / -	-	-	-	-	Y	-	-
8.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
9.		Leica Q Typ 116	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
11.		Leica M Typ 240	Y	stereo / mono	-	-	-	2.0	-	-	-
12.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
13.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the A7S II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the M Typ 262 does not provide wifi capability.

Both the M Typ 262 and the A7S II have been discontinued, but can regularly be found used on ebay. The A7S II was replaced by the Sony A7S III, while the M Typ 262 was followed by the Leica M10. Further information on the features and operation of the M Typ 262 and A7S II can be found, respectively, in the Leica M Typ 262 Manual (free pdf) or the online Sony A7S II Manual.

Review summary

So what conclusions can be drawn? Is the Leica M Typ 262 better than the Sony A7S II or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Leica M (Typ 262):

• More detail: Offers more megapixels (23.7 vs 12MP) with a 40% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.

Reasons to prefer the Sony Alpha 7S II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Broader imaging potential: Can capture not only stills but also 4K/30p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.68x).
• More detailed LCD: Has a higher resolution rear screen (1229k vs 921k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).

If the number of relative strengths (bullet points above) is taken as a guide, the A7S II is the clear winner of the contest (14 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the M Typ 262 or the A7S II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica M Typ 262	..	..	..	..	..	..	Nov 2015	5,195	ebay.com
2.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
3.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
4.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	1,199	ebay.com
5.		Canon G3 X	3.5/5	+	..	..	4.5/5	4/5	Jun 2015	999	ebay.com
6.		Leica M-E Typ 240	..	..	..	..	..	..	Jun 2019	3,999	ebay.com
7.		Leica M10-P	..	..	3/5	..	..	4/5	Aug 2018	7,995	ebay.com
8.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
9.		Leica Q Typ 116	5/5	..	..	80/100	4.5/5	4.5/5	Jun 2015	4,249	ebay.com
10.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
11.		Leica M Typ 240	4/5	..	..	..	4/5	..	Sep 2012	6,950	ebay.com
12.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	1,199	ebay.com
13.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
14.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
15.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
16.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
17.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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