Leica M Typ 262 vs Sony A6300
The Leica M (Typ 262) and the Sony Alpha A6300 are two enthusiast cameras that were revealed to the public, respectively, in November 2015 and February 2016. The M Typ 262 is a fixed lens compact, while the A6300 is a rangefinder-style mirrorless. The cameras are based on a full frame (M Typ 262) and an APS-C (A6300) sensor. The Leica has a resolution of 23.7 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica M Typ 262||Sony A6300|
|Rangefinder camera||Mirrorless system camera|
|Leica M mount lenses||Sony E mount lenses|
|23.7 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|no Video||4K/30p Video|
|ISO 200-6400||ISO 100-25600 (100-51200)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3 shutter flaps per second||11 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|139 x 80 x 42 mm, 680 g||120 x 67 x 49 mm, 404 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M (Typ 262) and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Leica M Typ 262 vs Sony A6300
The physical size and weight of the Leica M Typ 262 and the Sony A6300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is notably smaller (28 percent) than the Leica M Typ 262. Moreover, the A6300 is substantially lighter (41 percent) than the M Typ 262. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M Typ 262) and the Sony E-Mount Lens Catalog (A6300).
The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica M Typ 262»||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Nov 2015||5,195||-||Leica M Typ 262|
|Sony A6300«||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Leica Q2« »||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995||Leica Q2|
|Leica M10-P« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||n||Aug 2018||7,995||Leica M10-P|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||n||Jan 2017||6,595||Leica M10|
|Leica Q Typ 116« »||5.1 in||3.1 in||3.7 in||22.6 oz||300||n||Jun 2015||4,249||-||Leica Q Typ 116|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Leica M Typ 240« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Sep 2012||6,950||-||Leica M Typ 240|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6300 was launched at a markedly lower price (by 81 percent) than the M Typ 262, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Leica M Typ 262 vs Sony A6300
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica M Typ 262 features a full frame sensor and the Sony A6300 an APS-C sensor. The sensor area in the A6300 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the A6300 offers a slightly higher resolution of 24 megapixels, compared with 23.7 MP of the M Typ 262. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 6.01μm for the M Typ 262). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the M Typ 262 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica M (Typ 262) has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica M Typ 262»||Full Frame||23.7||5952||3976||-||-||-||-||-||Leica M Typ 262|
|Sony A6300«||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Leica Q2« »||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Leica M10-P« »||Full Frame||23.8||5952||3992||-||-||-||-||-||Leica M10-P|
|Leica M10« »||Full Frame||23.8||5952||3992||-||24.4||13.2||2133||86||Leica M10|
|Leica Q Typ 116« »||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85||Leica Q Typ 116|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Leica M Typ 240« »||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84||Leica M Typ 240|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
Many modern cameras are not only capable of taking still images, but can also record movies. The A6300 indeed provides for movie recording, while the M Typ 262 does not. The highest resolution format that the A6300 can use is 4K/30p.
Feature comparison: Leica M Typ 262 vs Sony A6300
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6300 has an electronic viewfinder (2359k dots), while the M Typ 262 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A6300 has a higher magnification than the one of the M Typ 262 (0.70x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica M Typ 262, the Sony A6300, and comparable cameras.
|Leica M Typ 262»||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n||Leica M Typ 262|
|Sony A6300«||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Leica Q2« »||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Leica M10-P« »||optical||n||3.0||1037||fixed||Y||1/4000s||5.0||n||n||Leica M10-P|
|Leica M10« »||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica Q Typ 116« »||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y||Leica Q Typ 116|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Leica M Typ 240« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M Typ 240|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
One difference between the cameras concerns the presence of an on-board flash. The A6300 has one, while the M Typ 262 does not. While the built-in flash of the A6300 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The M Typ 262 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Leica M Typ 262 vs Sony A6300
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M (Typ 262) and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica M Typ 262»||Y||-||-||-||-||-||2.0||-||-||-||Leica M Typ 262|
|Sony A6300«||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Leica Q2« »||Y||stereo||mono||-||-||-||-||Y||-||Y||Leica Q2|
|Leica M10-P« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10-P|
|Leica M10« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10|
|Leica Q Typ 116« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica Q Typ 116|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Leica M Typ 240« »||Y||stereo||mono||-||-||-||2.0||Y||-||-||Leica M Typ 240|
|Nikon D5500« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
It is notable that the A6300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the M Typ 262 does not offer wifi capability.
Both the M Typ 262 and the A6300 have been discontinued, but can regularly be found used on eBay. The M Typ 262 was replaced by the Leica M10, while the A6300 was followed by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
Review summary: Leica M Typ 262 vs Sony A6300
So how do things add up? Is the Leica M Typ 262 better than the Sony A6300 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica M (Typ 262):
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
Reasons to prefer the Sony Alpha A6300:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.68x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 139x80mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 276g or 41 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (81 percent cheaper at launch).
If the number of relative strengths (bullet points above) is taken as a guide, the A6300 is the clear winner of the contest (14 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the M Typ 262 and the A6300 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Leica M Typ 262 vs Sony A6300
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica M Typ 262»||-||-||-||-||-||Nov 2015||5,195||-||Leica M Typ 262|
|Sony A6300«||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon G3 X« »||+||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Leica Q2« »||-||84/100||-||-||-||Mar 2019||4,995||Leica Q2|
|Leica M10-P« »||-||-||-||-||4/5||Aug 2018||7,995||Leica M10-P|
|Leica M10« »||-||-||4/5||-||4.5/5||Jan 2017||6,595||Leica M10|
|Leica Q Typ 116« »||-||80/100||4.5/5||-||4.5/5||Jun 2015||4,249||-||Leica Q Typ 116|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Leica M Typ 240« »||-||-||4/5||-||-||Sep 2012||6,950||-||Leica M Typ 240|
|Nikon D5500« »||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Nikon D750« »||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||Sony A6500|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark III vs Sony A6300
- Canon M3 vs Sony A6300
- Canon R vs Leica M Typ 262
- Canon SL1 vs Sony A6300
- Canon SX70 vs Sony A6300
- Canon T5i vs Sony A6300
- Fujifilm X-H1 vs Sony A6300
- Leica D-LUX 7 vs Sony A6300
- Leica M Typ 262 vs Leica M9
- Leica M Typ 262 vs Sony RX1R II
- Sony A6300 vs Sony A6400
- Sony A6300 vs Sony A7R III
Specifications: Leica M Typ 262 vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M Typ 262||Sony A6300|
|Camera Type||Rangefinder camera||Mirrorless system camera|
|Camera Lens||Leica M mount lenses||Sony E mount lenses|
|Launch Date||November 2015||February 2016|
|Launch Price||USD 5195||USD 999|
|Sensor Specs||Leica M Typ 262||Sony A6300|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.8 x 23.9 mm||23.5 x 15.6 mm|
|Sensor Area||855.62 mm2||366.6 mm2|
|Sensor Diagonal||43 mm||28.2 mm|
|Sensor Resolution||23.7 Megapixels||24 Megapixels|
|Image Resolution||5952 x 3976 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.01 μm||3.91 μm|
|Pixel Density||2.77 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||200-6400 ISO||100-25600 ISO|
|ISO Boost||100-6400 ISO||100-51200 ISO|
|Image Processor||Maestro||BIONZ X|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.4|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1437|
|Screen Specs||Leica M Typ 262||Sony A6300|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica M Typ 262||Sony A6300|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||3 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica M Typ 262||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica M Typ 262||Sony A6300|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||BP-SCL2 power pack||NP-FW50 power pack|
|In-Camera Charging||no USB charging||USB charging|
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||680 g (24.0 oz)||404 g (14.3 oz)|
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