Leica M Typ 262 versus Fujifilm X-Pro1
The Leica M (Typ 262) and the Fujifilm X-Pro1 are two enthusiast cameras that were revealed to the public, respectively, in November 2015 and January 2012. The M Typ 262 is a fixed lens compact, while the X-Pro1 is a rangefinder-style mirrorless. The cameras are based on a full frame (M Typ 262) and an APS-C (X-Pro1) sensor. The Leica has a resolution of 23.7 megapixel, whereas the Fujifilm provides 16 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Leica M Typ 262 vs Fujifilm X-Pro1
The physical size and weight of the Leica M Typ 262 and the Fujifilm X-Pro1 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the M Typ 262 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro1 is somewhat larger (3 percent) than the Leica M Typ 262. However, the X-Pro1 is markedly lighter (34 percent) than the M Typ 262. It is worth mentioning in this context that the M Typ 262 is splash and dust resistant, while the X-Pro1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Leica M Lens Catalog (M Typ 262) and the Fujinon X Lens Catalog (X-Pro1).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Leica M Typ 262 (⇒ rgt)||139 mm||80 mm||42 mm||680 g||..||YES||2015||5,195||discont.||check|
|Fujifilm X-Pro1 (⇒ lft)||140 mm||82 mm||43 mm||450 g||300||no||2012||1,699||discont.||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon G3 X (⇒ lft | rgt)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||141 mm||83 mm||46 mm||495 g||350||YES||2016||1,699||latest||check|
|Fujifilm X-E2 (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2013||999||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||117 mm||67 mm||39 mm||330 g||350||no||2013||699||latest||check|
|Fujifilm X-A1 (⇒ lft | rgt)||117 mm||67 mm||39 mm||330 g||350||no||2013||399||discont.||check|
|Fujifilm X-E1 (⇒ lft | rgt)||129 mm||75 mm||38 mm||350 g||350||no||2012||999||discont.||check|
|Leica M10 (⇒ lft | rgt)||139 mm||80 mm||39 mm||660 g||210||no||2017||6,595||latest||check|
|Leica X-U Typ 113 (⇒ lft | rgt)||140 mm||79 mm||88 mm||635 g||450||YES||2016||2,950||latest||check|
|Leica SL (⇒ lft | rgt)||147 mm||104 mm||39 mm||847 g||400||YES||2015||7,450||latest||check|
|Leica Q Typ 116 (⇒ lft | rgt)||130 mm||80 mm||93 mm||640 g||300||no||2015||4,249||latest||check|
|Leica M Typ 240 (⇒ lft | rgt)||139 mm||80 mm||42 mm||680 g||..||YES||2012||6,950||discont.||check|
|Nikon D7200 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||1110||YES||2015||1,199||discont.||check|
|Nikon D750 (⇒ lft | rgt)||141 mm||113 mm||78 mm||750 g||1230||YES||2014||2,299||latest||check|
|Sony RX10 II (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||400||YES||2015||1,299||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-Pro1 was launched at a markedly lower price (by 67 percent) than the M Typ 262, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Leica M Typ 262 vs Fujifilm X-Pro1
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica M Typ 262 features a full frame sensor and the Fujifilm X-Pro1 an APS-C sensor. The sensor area in the X-Pro1 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 23.7MP, the M Typ 262 offers a higher resolution than the X-Pro1 (16MP), but the M Typ 262 nevertheless has larger individual pixels (pixel pitch of 6.01μm versus 4.80μm for the X-Pro1) due to its larger sensor. Moreover, the M Typ 262 is a somewhat more recent model (by 3 years and 10 months) than the X-Pro1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica M Typ 262 (⇒ rgt)||Full Frame||23.7||5952||3976||no||-||-||-||-|
|Fujifilm X-Pro1 (⇒ lft)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Fujifilm X-Pro2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-M1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-A1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-E1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Leica M10 (⇒ lft | rgt)||Full Frame||23.8||5952||3992||no||24.4||13.2||2133||86|
|Leica X-U Typ 113 (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Leica SL (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Leica Q Typ 116 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Leica M Typ 240 (⇒ lft | rgt)||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|Nikon D7200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Nikon D750 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras are not only capable of taking still images, but can also record movies. The X-Pro1 indeed provides for movie recording, while the M Typ 262 does not. The highest resolution format that the X-Pro1 can use is 1080/24p.
Feature comparison: Leica M Typ 262 vs Fujifilm X-Pro1
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro1 has an electronic viewfinder (1440k dots), while the M Typ 262 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Leica M Typ 262 and Fujifilm X-Pro1 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Leica M Typ 262 (⇒ rgt)||optical||no||3.0||921||fixed||no||4000||3.0||no||no|
|Fujifilm X-Pro1 (⇒ lft)||1440||no||3.0||1230||fixed||no||4000||6.0||no||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Fujifilm X-Pro2 (⇒ lft | rgt)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Fujifilm X-E2 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-M1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-A1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-E1 (⇒ lft | rgt)||2360||no||2.8||460||fixed||no||4000||6.0||YES||no|
|Leica M10 (⇒ lft | rgt)||optical||no||3.0||1037||fixed||no||4000||5.0||no||no|
|Leica X-U Typ 113 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||2000||5.0||YES||no|
|Leica SL (⇒ lft | rgt)||4400||YES||3.0||1040||fixed||YES||8000||11.0||no||no|
|Leica Q Typ 116 (⇒ lft | rgt)||3680||no||3.0||1040||fixed||YES||2000||10.0||no||no|
|Leica M Typ 240 (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||no||no|
|Nikon D7200 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D750 (⇒ lft | rgt)||optical||YES||3.2||1229||tilting||no||4000||6.0||12||no|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||YES|
Both the M Typ 262 and the X-Pro1 have been discontinued, but can regularly be found used on eBay. The X-Pro1 was replaced by the Fujifilm X-Pro2, while the M Typ 262 was followed by the Leica M10.
Review summary: Leica M Typ 262 vs Fujifilm X-Pro1
So how do things add up? Is there a clear favorite between the Leica M Typ 262 and the Fujifilm X-Pro1? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica M (Typ 262):
- More detail: Offers more megapixels (23.7 vs 16MP) with a 22% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 3 years and 10 months of technical progress since the X-Pro1 launch.
Advantages of the Fujifilm X-Pro1:
- Broader imaging potential: Can capture not only stills but also 1080/24p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 921k dots).
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 230g or 34 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro1 comes out slightly ahead of the M Typ 262 (7 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the M Typ 262 or the X-Pro1 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Leica M Typ 262 (⇒ rgt)||-||-||-||-||-||2015||5,195||discont.||check|
|Fujifilm X-Pro1 (⇒ lft)||HiRec||79/100 Silver||4.5/5||4/5||4.5/5||2012||1,699||discont.||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Fujifilm X-E2 (⇒ lft | rgt)||-||80/100 Gold||4.5/5||-||5/5||2013||999||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||Rec||77/100 Gold||4.5/5||-||4.5/5||2013||699||latest||check|
|Fujifilm X-A1 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2013||399||discont.||check|
|Fujifilm X-E1 (⇒ lft | rgt)||HiRec||79/100 Gold||4.5/5||4.5/5||4.5/5||2012||999||discont.||check|
|Leica M10 (⇒ lft | rgt)||-||-||4/5||-||4.5/5||2017||6,595||latest||check|
|Leica X-U Typ 113 (⇒ lft | rgt)||-||-||-||-||3.5/5||2016||2,950||latest||check|
|Leica SL (⇒ lft | rgt)||-||84/100||4.5/5||4/5||4/5||2015||7,450||latest||check|
|Leica Q Typ 116 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||-||4.5/5||2015||4,249||latest||check|
|Leica M Typ 240 (⇒ lft | rgt)||-||-||4/5||-||-||2012||6,950||discont.||check|
|Nikon D7200 (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4/5||4.5/5||2015||1,199||discont.||check|
|Nikon D750 (⇒ lft | rgt)||HiRec||90/100 Gold||4.5/5||5/5||4.5/5||2014||2,299||latest||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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