Leica M Typ 240 vs Pentax K-70
The Leica M (Typ 240) and the Pentax K-70 are two digital cameras that were officially introduced, respectively, in September 2012 and June 2016. The M Typ 240 is a rangefinder-style mirrorless camera, while the K-70 is a DSLR. The cameras are based on a full frame (M Typ 240) and an APS-C (K-70) sensor. The Leica has a resolution of 23.7 megapixels, whereas the Pentax provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica M Typ 240||Pentax K-70|
|Rangefinder camera||Digital single lens reflex|
|Leica M mount lenses||Pentax K mount lenses|
|23.7 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|1080/25p Video||1080/60i Video|
|ISO 200-6400||ISO 100-102400|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 920k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|3 shutter flaps per second||6 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Weathersealed body||Weathersealed body|
|139 x 80 x 42 mm, 680 g||126 x 93 x 74 mm, 688 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M (Typ 240) and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica M Typ 240 and the Pentax K-70 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is notably larger (5 percent) than the Leica M Typ 240. Moreover, the K-70 is slightly heavier (1 percent) than the M Typ 240. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica M Typ 240»||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950||Leica M Typ 240|
|Pentax K-70«||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649||Pentax K-70|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||Canon 6D|
|Leica M-E Typ 240« »||139 mm||80 mm||42 mm||680 g||..||Y||Jun 2019||3,999||Leica M-E Typ 240|
|Leica M10-P« »||139 mm||80 mm||39 mm||660 g||210||Y||Aug 2018||7,995||Leica M10-P|
|Leica M10« »||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595||Leica M10|
|Leica M Typ 262« »||139 mm||80 mm||42 mm||680 g||..||Y||Nov 2015||5,195||Leica M Typ 262|
|Leica SL« »||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||Leica SL|
|Leica M9« »||139 mm||80 mm||37 mm||585 g||..||n||Sep 2009||7,999||Leica M9|
|Nikon D7500« »||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D7100« »||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||Nikon D7100|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Pentax KP« »||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax K-3 II« »||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||Pentax K-3|
|Sony RX10« »||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299||Sony RX10|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-70 was launched at a markedly lower price (by 91 percent) than the M Typ 240, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica M Typ 240 features a full frame sensor and the Pentax K-70 an APS-C sensor. The sensor area in the K-70 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the K-70 offers a slightly higher resolution of 24 megapixels, compared with 23.7 MP of the M Typ 240. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 6.01μm for the M Typ 240). However, it should be noted that the K-70 is much more recent (by 3 years and 8 months) than the M Typ 240, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the K-70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The K-70 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the M Typ 240, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica M (Typ 240) has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-6400. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84||Leica M Typ 240|
|Pentax K-70||APS-C||24.0||6000||4000||1080/60i||..||..||..||..||Pentax K-70|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..||Leica M-E Typ 240|
|Leica M10-P||Full Frame||23.8||5952||3992||none||..||..||..||..||Leica M10-P|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86||Leica M10|
|Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..||Leica M Typ 262|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69||Leica M9|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D7100||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Pentax KP||APS-C||24.1||6016||4000||1080/60i||..||..||..||..||Pentax KP|
|Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Pentax K-3||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Sony RX10||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the K-70 provides a faster frame rate than the M Typ 240. It can shoot movie footage at 1080/60i, while the Leica is limited to 1080/25p.
Beyond body and sensor, cameras can and do differ across a range of features. The M Typ 240 and the K-70 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the M Typ 240 has a higher magnification than the one of the K-70 (0.68x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica M Typ 240 and Pentax K-70 in connection with corresponding information for a sample of similar cameras.
|Leica M Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M Typ 240|
|Pentax K-70||optical||n||3.0||921||swivel||n||1/6000s||6.0||Y||Y||Pentax K-70|
|Canon 6D||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Leica M-E Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M-E Typ 240|
|Leica M10-P||optical||n||3.0||1037||fixed||Y||1/4000s||5.0||n||n||Leica M10-P|
|Leica M10||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica M Typ 262||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n||Leica M Typ 262|
|Leica SL||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Leica M9||optical||n||2.5||230||fixed||n||1/4000s||2.0||n||n||Leica M9|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D7100||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic GH5||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Pentax KP||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Pentax K-3 II||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Pentax K-3||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Sony RX10||1440||Y||3.0||1229||tilting||n||1/3200s||10.0||Y||Y||Sony RX10|
One difference between the cameras concerns the presence of an on-board flash. The K-70 has one, while the M Typ 240 does not. While the built-in flash of the K-70 is not very powerful, it can at times be useful as a fill-in light.The K-70 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the M Typ 240 does not have a selfie-screen.
The Pentax K-70 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M Typ 240 and the K-70 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M (Typ 240) and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica M Typ 240||Y||stereo||mono||-||-||none||2.0||-||-||-||Leica M Typ 240|
|Pentax K-70||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Pentax K-70|
|Canon 6D||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Leica M-E Typ 240||Y||mono||none||-||-||none||2.0||-||-||-||Leica M-E Typ 240|
|Leica M10-P||Y||none||none||-||-||none||none||Y||-||-||Leica M10-P|
|Leica M10||Y||none||none||-||-||none||none||Y||-||-||Leica M10|
|Leica M Typ 262||Y||none||none||-||-||none||2.0||-||-||-||Leica M Typ 262|
|Leica SL||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Leica M9||Y||none||none||-||-||none||2.0||-||-||-||Leica M9|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D7100||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic GH5||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Pentax KP||Y||stereo||mono||Y||-||none||2.0||Y||-||-||Pentax KP|
|Pentax K-3 II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Pentax K-3||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Sony RX10||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
It is notable that the K-70 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the M Typ 240 does not offer wifi capability.
The K-70 is a recent model that features in the current product line-up of Pentax. In contrast, the M Typ 240 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the M Typ 240 was succeeded by the Leica M Typ 262. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Pentax websites.
So what conclusions can be drawn? Is the Leica M Typ 240 better than the Pentax K-70 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica M (Typ 240):
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.68x vs 0.63x).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Reasons to prefer the Pentax K-70:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (1080/60i versus 1080/25p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
- More modern: Reflects 3 years and 8 months of technical progress since the M Typ 240 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the K-70 is the clear winner of the contest (15 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the M Typ 240 and the K-70 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1100D vs Pentax K-70
- Canon G1 X vs Pentax K-70
- Canon SX740 vs Pentax K-70
- Canon T6 vs Leica M Typ 240
- Fujifilm X-E2S vs Pentax K-70
- Fujifilm XP130 vs Leica M Typ 240
- Leica M Typ 240 vs Nikon D300S
- Leica M Typ 240 vs Nikon D610
- Leica M Typ 240 vs Panasonic GX850
- Leica M Typ 240 vs Sony A7 II
- Nikon D70s vs Pentax K-70
- Panasonic FZ330 vs Pentax K-70
Specifications: Leica M Typ 240 vs Pentax K-70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M Typ 240||Pentax K-70|
|Camera Type||Rangefinder camera||Digital single lens reflex|
|Camera Lens||Leica M mount lenses||Pentax K mount lenses|
|Launch Date||September 2012||June 2016|
|Launch Price||USD 6950||USD 649|
|Sensor Specs||Leica M Typ 240||Pentax K-70|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.8 x 23.9 mm||23.5 x 15.6 mm|
|Sensor Area||855.62 mm2||366.6 mm2|
|Sensor Diagonal||43 mm||28.2 mm|
|Sensor Resolution||23.7 Megapixels||24 Megapixels|
|Image Resolution||5952 x 3976 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.01 μm||3.91 μm|
|Pixel Density||2.77 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/25p Video||1080/60i Video|
|ISO Setting||200-6400 ISO||100-102400 ISO|
|ISO Boost||100-6400 ISO||no Enhancement|
|DXO Sensor Quality (score)||84||..|
|DXO Color Depth (bits)||24.0||..|
|DXO Dynamic Range (EV)||13.3||..|
|DXO Low Light (ISO)||1860||..|
|Screen Specs||Leica M Typ 240||Pentax K-70|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Leica M Typ 240||Pentax K-70|
|Focus System||Manual Focus||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/6000/s|
|Continuous Shooting||3 shutter flaps/s||6 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica M Typ 240||Pentax K-70|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Leica M Typ 240||Pentax K-70|
|Environmental Sealing||Weathersealed body||Weathersealed body|
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
126 x 93 x 74 mm
(5.0 x 3.7 x 2.9 in)
|Camera Weight||680 g (24.0 oz)||688 g (24.3 oz)|
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