Leica M Typ 240 vs Nikon D5
The Leica M (Typ 240) and the Nikon D5 are two digital cameras that were revealed to the public, respectively, in September 2012 and January 2016. The M Typ 240 is a rangefinder-style mirrorless camera, while the D5 is a DSLR. Both cameras are equipped with a full frame sensor. The Leica has a resolution of 23.7 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica M Typ 240||Nikon D5|
|Rangefinder camera||Digital single lens reflex|
|Leica M mount lenses||Nikon F mount lenses|
|23.7 MP, Full Frame Sensor||20.7 MP, Full Frame Sensor|
|1080/25p Video||4K/30p Video|
|ISO 200-6,400||ISO 100-102,400 (50 - 3,280,000)|
|Optical viewfinder||Optical viewfinder|
|3.0 LCD, 920k dots||3.2 LCD, 2359k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|3 shutter flaps per second||14 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|139 x 80 x 42 mm, 680 g||160 x 159 x 92 mm, 1415 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M (Typ 240) and the Nikon D5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica M Typ 240 and the Nikon D5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The M Typ 240 can be obtained in two different colors (black, silver), while the D5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5 is considerably larger (129 percent) than the Leica M Typ 240. Moreover, the D5 is substantially heavier (108 percent) than the M Typ 240. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M Typ 240) and the Nikon Lens Catalog (D5).
As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica M Typ 240||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Sep 2012||6,950|
|Nikon D5||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499|
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Canon 1D X Mark II||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 6D||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099|
|Leica M10-R||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jul 2020||8,295|
|Leica M-E Typ 240||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Jun 2019||3,999|
|Leica M10-P||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Aug 2018||7,995|
|Leica M10||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595|
|Leica M Typ 262||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Nov 2015||5,195|
|Leica SL||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450|
|Leica M9||5.5 in||3.1 in||1.5 in||20.6 oz||..||n||Sep 2009||7,999|
|Nikon D6||6.3 in||6.4 in||3.6 in||44.8 oz||3580||Y||Feb 2020||6,499|
|Nikon D4S||6.3 in||6.2 in||3.6 in||47.6 oz||3020||Y||Feb 2014||6,499|
|Nikon D750||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299|
|Nikon D610||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5 was somewhat cheaper (by 6 percent) than the M Typ 240 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Leica M Typ 240 offers a higher resolution of 23.7 megapixels, compared with 20.7 MP of the Nikon D5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 6.01μm versus 6.44μm for the D5). Moreover, it should be noted that the D5 is much more recent (by 3 years and 3 months) than the M Typ 240, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Leica M Typ 240 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M Typ 240 for good quality output (200 dots per inch) amounts to 29.8 x 19.9 inches or 75.6 x 50.5 cm, for very good quality (250 dpi) 23.8 x 15.9 inches or 60.5 x 40.4 cm, and for excellent quality (300 dpi) 19.8 x 13.3 inches or 50.4 x 33.7 cm. The corresponding values for the Nikon D5 are 27.9 x 18.6 inches or 71 x 47.1 cm for good quality, 22.4 x 14.8 inches or 56.8 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.3 x 31.4 cm for excellent quality prints.
The Leica M (Typ 240) has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-6400. The corresponding ISO settings for the Nikon D5 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-3280000.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the D5 has a markedly higher DXO score than the M Typ 240 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 1.1 bits higher color depth, 1 EV of lower dynamic range, and 0.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Leica M10-R||Full Frame||40.9||7864||5200||none||..||..||..||..|
|Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..|
|Leica M10-P||Full Frame||23.8||5952||3992||none||..||..||..||..|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69|
|Nikon D6||Full Frame||20.7||5568||3712||4K/30p||..||..||..||..|
|Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D5 provides a better video resolution than the M Typ 240. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/25p.
Beyond body and sensor, cameras can and do differ across a range of features. The M Typ 240 and the D5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D5 has a higher magnification than the one of the M Typ 240 (0.72x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica M Typ 240 and Nikon D5 along with similar information for a selection of comparators.
|Leica M Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|Leica M-E Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
|Leica M Typ 262||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D5 has a touchscreen, while the M Typ 240 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The M Typ 240 writes its imaging data to SDXC cards, while the D5 uses Compact Flash or XQD cards. The D5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M Typ 240 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M (Typ 240) and Nikon D5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica M Typ 240||Y||stereo||mono||-||-||-||2.0||-||-||-|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|Leica M-E Typ 240||Y||mono||-||-||-||-||2.0||-||-||-|
|Leica M Typ 262||Y||-||-||-||-||-||2.0||-||-||-|
It is notable that the D5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The M Typ 240 does not feature such a mic input.
Studio photographers will appreciate that the Nikon D5 (unlike the M Typ 240) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M Typ 240 and the D5 have been discontinued, but can regularly be found used on eBay. The M Typ 240 was replaced by the Leica M Typ 262, while the D5 was followed by the Nikon D6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Nikon websites.
So what is the bottom line? Is the Leica M Typ 240 better than the Nikon D5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica M (Typ 240):
- More detail: Offers more megapixels (23.7 vs 20.7MP) with a 7% higher linear resolution.
- More dynamic range: Captures a larger spectrum of light and dark details (1 EV of extra DR).
- More compact: Is smaller (139x80mm vs 160x159mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 735g or 52 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Advantages of the Nikon D5:
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (0.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.68x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 3 years and 3 months of technical progress since the M Typ 240 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the D5 is the clear winner of the contest (19 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M Typ 240 or the D5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica M Typ 240||..||..||4/5||..||..||Sep 2012||6,950|
|Nikon D5||..||89/100||4.5/5||5/5||5/5||Jan 2016||6,499|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 1D X Mark II||..||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Leica M10-R||..||..||..||..||4/5||Jul 2020||8,295|
|Leica M-E Typ 240||..||..||..||..||..||Jun 2019||3,999|
|Leica M10-P||..||..||..||..||4/5||Aug 2018||7,995|
|Leica M10||..||..||4/5||..||4.5/5||Jan 2017||6,595|
|Leica M Typ 262||..||..||..||..||..||Nov 2015||5,195|
|Leica SL||..||84/100||4.5/5||4/5||4/5||Oct 2015||7,450|
|Leica M9||..||..||4.5/5||4.5/5||..||Sep 2009||7,999|
|Nikon D6||..||..||4.5/5||..||4.5/5||Feb 2020||6,499|
|Nikon D4S||..||..||4.5/5||5/5||4.5/5||Feb 2014||6,499|
|Nikon D750||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299|
|Nikon D610||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 550D vs Leica M Typ 240
- Canon 800D vs Leica M Typ 240
- Canon D30 vs Leica M Typ 240
- Canon T6s vs Nikon D5
- Fujifilm X-E2S vs Nikon D5
- Fujifilm X-Pro1 vs Leica M Typ 240
- Fujifilm X-T10 vs Nikon D5
- Leica M Typ 240 vs Nikon D2X
- Leica M Typ 240 vs Samsung NX30
- Nikon D5 vs Olympus E-M10 II
- Nikon D5 vs Samsung NX500
- Nikon D5 vs Sony A7R IV
Specifications: Leica M Typ 240 vs Nikon D5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M Typ 240||Nikon D5|
|Camera Type||Rangefinder camera||Digital single lens reflex|
|Camera Lens||Leica M mount lenses||Nikon F mount lenses|
|Launch Date||September 2012||January 2016|
|Launch Price||USD 6,950||USD 6,499|
|Sensor Specs||Leica M Typ 240||Nikon D5|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.8 x 23.9 mm||35.9 x 23.9 mm|
|Sensor Area||855.62 mm2||858.01 mm2|
|Sensor Diagonal||43 mm||43.1 mm|
|Sensor Resolution||23.7 Megapixels||20.7 Megapixels|
|Image Resolution||5952 x 3976 pixels||5588 x 3712 pixels|
|Pixel Pitch||6.01 μm||6.44 μm|
|Pixel Density||2.77 MP/cm2||2.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/25p Video||4K/30p Video|
|ISO Setting||200 - 6,400 ISO||100 - 102,400 ISO|
|ISO Boost||100 - 6,400 ISO||50 - 3,280,000 ISO|
|DXO Sensor Quality (score)||84||88|
|DXO Color Depth (bits)||24.0||25.1|
|DXO Dynamic Range (EV)||13.3||12.3|
|DXO Low Light (ISO)||1860||2343|
|Screen Specs||Leica M Typ 240||Nikon D5|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||920k dots||2359k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica M Typ 240||Nikon D5|
|Focus System||Manual Focus||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||14 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Leica M Typ 240||Nikon D5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica M Typ 240||Nikon D5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
160 x 159 x 92 mm
(6.3 x 6.3 x 3.6 in)
|Camera Weight||680 g (24.0 oz)||1415 g (49.9 oz)|
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