Leica M Typ 240 versus Leica M Typ 262
The Leica M (Typ 240) and the Leica M (Typ 262) are two enthusiast cameras that were officially introduced, respectively, in September 2012 and November 2015. Both the M Typ 240 and the M Typ 262 are rangefinder-style mirrorless cameras that are equipped with a full frame sensor. Both cameras offer a resolution of 23.7 megapixel.
The side-by-side display below illustrates the physical size and weight of the Leica M Typ 240 and the Leica M Typ 262. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the M Typ 240 – represents 100 percent across all the size and weight measures).
In this particular case, the Leica M Typ 240 and the Leica M Typ 262 have exactly the same width and height, and, thus, have identically-sized bodies. Moreover, the two cameras also share the same weight. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Leica M Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Leica M Typ 240 (⇒ rgt)||139 mm||80 mm||42 mm||680 g||..||YES||2012||6,950||discont.||check|
|Leica M Typ 262 (⇒ lft)||139 mm||80 mm||42 mm||680 g||..||YES||2015||5,195||discont.||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon G3 X (⇒ lft | rgt)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Canon 6D (⇒ lft | rgt)||145 mm||111 mm||71 mm||770 g||1090||YES||2012||2,099||discont.||check|
|Leica M10 (⇒ lft | rgt)||139 mm||80 mm||39 mm||660 g||210||no||2017||6,595||latest||check|
|Leica SL (⇒ lft | rgt)||147 mm||104 mm||39 mm||847 g||400||YES||2015||7,450||latest||check|
|Leica Q Typ 116 (⇒ lft | rgt)||130 mm||80 mm||93 mm||640 g||..||no||2015||4,249||latest||check|
|Leica M9 (⇒ lft | rgt)||139 mm||80 mm||37 mm||585 g||..||no||2009||7,999||discont.||check|
|Nikon D5 (⇒ lft | rgt)||160 mm||159 mm||92 mm||1415 g||3780||YES||2016||6,499||latest||check|
|Nikon D7100 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||950||YES||2013||1,199||discont.||check|
|Nikon D610 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2013||1,999||latest||check|
|Sony RX10 (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||420||YES||2013||1,299||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M Typ 262 was launched at a somewhat lower price (by 25 percent) than the M Typ 240, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 23.7 megapixel. This similarity in sensor specs implies that both the M Typ 240 and the M Typ 262 have the same pixel density, as well as the same pixel size. It should, however, be noted that the M Typ 262 is much more recent (by 3 years and 2 months) than the M Typ 240, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the M Typ 262 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica M Typ 240 (⇒ rgt)||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|Leica M Typ 262 (⇒ lft)||Full Frame||23.7||5952||3976||no||-||-||-||-|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 6D (⇒ lft | rgt)||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Leica M10 (⇒ lft | rgt)||Full Frame||23.8||5952||3992||no||24.4||13.2||2133||86|
|Leica SL (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Leica Q Typ 116 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Leica M9 (⇒ lft | rgt)||Full Frame||18.1||5212||3472||no||22.5||11.7||884||69|
|Nikon D5 (⇒ lft | rgt)||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Nikon D7100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83|
|Nikon D610 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Sony RX10 (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The M Typ 240 indeed provides movie recording capabilities, while the M Typ 262 does not. The highest resolution format that the M Typ 240 can use is 1080/25p.
Apart from body and sensor, cameras can and do differ across a variety of features. The M Typ 240 and the M Typ 262 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Leica M Typ 240 and Leica M Typ 262 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Leica M Typ 240 (⇒ rgt)||optical||no||3.0||920||fixed||no||4000||3.0||no||no|
|Leica M Typ 262 (⇒ lft)||optical||no||3.0||921||fixed||no||4000||3.0||no||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Canon 6D (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||4000||4.5||no||no|
|Leica M10 (⇒ lft | rgt)||optical||no||3.0||1037||fixed||no||4000||5.0||no||no|
|Leica SL (⇒ lft | rgt)||4400||YES||3.0||1040||fixed||YES||8000||11.0||no||no|
|Leica Q Typ 116 (⇒ lft | rgt)||3680||no||3.0||1040||fixed||YES||2000||10.0||no||no|
|Leica M9 (⇒ lft | rgt)||optical||no||2.5||230||fixed||no||4000||2.0||no||no|
|Nikon D5 (⇒ lft | rgt)||optical||YES||3.2||2359||fixed||YES||8000||14.0||no||no|
|Nikon D7100 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D610 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||6.0||12||no|
|Sony RX10 (⇒ lft | rgt)||1440||YES||3.0||1229||tilting||no||3200||10.0||10.2||YES|
Both the M Typ 240 and the M Typ 262 have been discontinued, but can regularly be found used on ebay. The M Typ 240 was replaced by the Leica M Typ 262, while the M Typ 262 was followed by the Leica M10.
So how do things add up? Is there a clear favorite between the Leica M Typ 240 and the Leica M Typ 240? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica M (Typ 240):
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can record not only still images but also 1080/25p movies.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Advantages of the Leica M (Typ 262):
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
- More modern: Reflects 3 years and 2 months of technical progress since the M Typ 240 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (3 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the M Typ 240 or the M Typ 262 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Leica M Typ 240 (⇒ rgt)||-||-||4/5||-||-||2012||6,950||discont.||check|
|Leica M Typ 262 (⇒ lft)||-||-||-||-||-||2015||5,195||discont.||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon 6D (⇒ lft | rgt)||HiRec||83/100 Silver||4.5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Leica M10 (⇒ lft | rgt)||-||-||4/5||-||4.5/5||2017||6,595||latest||check|
|Leica SL (⇒ lft | rgt)||-||84/100||4.5/5||4/5||4/5||2015||7,450||latest||check|
|Leica Q Typ 116 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||-||4.5/5||2015||4,249||latest||check|
|Leica M9 (⇒ lft | rgt)||-||-||4.5/5||4.5/5||-||2009||7,999||discont.||check|
|Nikon D5 (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2016||6,499||latest||check|
|Nikon D7100 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2013||1,199||discont.||check|
|Nikon D610 (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,999||latest||check|
|Sony RX10 (⇒ lft | rgt)||Rec||80/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,299||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please send me an email, and I will try to update the database with the necessary infos.
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