Leica M-E Typ 240 vs Sony NEX-7
The Leica M-E (Typ 240) and the Sony Alpha NEX-7 are two enthusiast cameras that were officially introduced, respectively, in June 2019 and August 2011. The M-E Typ 240 is a rangefinder-style mirrorless, while the NEX-7 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (M-E Typ 240) and an APS-C (NEX-7) sensor. The Leica has a resolution of 23.7 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M-E (Typ 240) and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica M-E Typ 240 and the Sony NEX-7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is notably smaller (28 percent) than the Leica M-E Typ 240. Moreover, the NEX-7 is substantially lighter (41 percent) than the M-E Typ 240. It is worth mentioning in this context that the M-E Typ 240 is splash and dust resistant, while the NEX-7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M-E Typ 240) and the Sony E-Mount Lens Catalog (NEX-7).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica M-E Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Jun 2019||3,999|
|2.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
|3.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|4.||Leica M10-R||139 mm||80 mm||39 mm||660 g||210||Y||Jul 2020||8,295|
|5.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|6.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|7.||Leica M10-P||139 mm||80 mm||39 mm||660 g||210||Y||Aug 2018||7,995|
|8.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|9.||Leica M Typ 262||139 mm||80 mm||42 mm||680 g||..||Y||Nov 2015||5,195|
|10.||Leica Q Typ 116||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249|
|11.||Leica M Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950|
|12.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|13.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|14.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|15.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|16.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|17.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The NEX-7 was launched at a markedly lower price (by 66 percent) than the M-E Typ 240, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica M-E Typ 240 features a full frame sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the NEX-7 offers a slightly higher resolution of 24 megapixels, compared with 23.7 MP of the M-E Typ 240. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.90μm versus 6.01μm for the M-E Typ 240). Moreover, it should be noted that the M-E Typ 240 is much more recent (by 7 years and 10 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Leica M-E (Typ 240) has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..|
|3.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|4.||Leica M10-R||Full Frame||40.9||7864||5200||none||..||..||..||..|
|5.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|6.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|7.||Leica M10-P||Full Frame||23.8||5952||3992||none||..||..||..||..|
|8.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|9.||Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..|
|10.||Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|11.||Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|12.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|17.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the NEX-7 provides a faster frame rate than the M-E Typ 240. It can shoot movie footage at 1080/60i, while the Leica is limited to 1080/25p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), while the M-E Typ 240 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the NEX-7 has a higher magnification than the one of the M-E Typ 240 (0.73x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica M-E Typ 240 and Sony NEX-7 along with similar information for a selection of comparators.
|1.||Leica M-E Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
|3.||Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|6.||Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|9.||Leica M Typ 262||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n|
|10.||Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y|
|11.||Leica M Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
|12.||Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The NEX-7 has one, while the M-E Typ 240 does not. While the built-in flash of the NEX-7 is not very powerful, it can at times be useful as a fill-in light.
The M-E Typ 240 writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The M-E Typ 240 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M-E (Typ 240) and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Leica M-E Typ 240||Y||mono||-||-||-||-||2.0||-||-||-|
|3.||Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|6.||Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|9.||Leica M Typ 262||Y||-||-||-||-||-||2.0||-||-||-|
|10.||Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|11.||Leica M Typ 240||Y||stereo||mono||-||-||-||2.0||-||-||-|
|12.||Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the NEX-7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The M-E Typ 240 does not feature such a mic input.
The M-E Typ 240 is a recent model that features in the current product line-up of Leica. In contrast, the NEX-7 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the NEX-7 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So how do things add up? Which of the two cameras – the Leica M-E Typ 240 or the Sony NEX-7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Leica M-E (Typ 240):
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 7 years and 10 months of technical progress since the NEX-7 launch.
Advantages of the Sony Alpha NEX-7:
- Better video: Provides higher movie framerates (1080/60i versus 1080/25p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.68x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 139x80mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 280g or 41 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (66 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-7 emerges as the winner of the match-up (11 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M-E Typ 240 or the NEX-7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica M-E Typ 240||..||..||..||..||..||Jun 2019||3,999|
|2.||Sony NEX-7||5/5||+ +||81/100||4.5/5||5/5||Aug 2011||1,349|
|3.||Fujifilm GFX 50R||5/5||..||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|4.||Leica M10-R||4.5/5||..||..||..||4/5||Jul 2020||8,295|
|5.||Leica Q2||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|6.||Leica V-LUX 5||..||..||..||4/5||4/5||Jul 2019||1,249|
|7.||Leica M10-P||..||..||..||..||4/5||Aug 2018||7,995|
|8.||Leica M10||4.5/5||..||..||4/5||4.5/5||Jan 2017||6,595|
|9.||Leica M Typ 262||..||..||..||..||..||Nov 2015||5,195|
|10.||Leica Q Typ 116||5/5||..||80/100||4.5/5||4.5/5||Jun 2015||4,249|
|11.||Leica M Typ 240||4/5||..||..||4/5||..||Sep 2012||6,950|
|12.||Sony A9 II||..||..||90/100||5/5||5/5||Oct 2019||4,499|
|13.||Sony A6400||4/5||+||85/100||4.5/5||4/5||Jan 2019||899|
|14.||Sony A6000||5/5||+||80/100||4.5/5||5/5||Feb 2014||599|
|15.||Sony A3000||3/5||+||..||4/5||4/5||Aug 2013||329|
|16.||Sony NEX-6||5/5||+ +||78/100||4.5/5||4.5/5||Sep 2012||999|
|17.||Sony RX1||5/5||..||79/100||4/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Leica M-E Typ 240 vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M-E Typ 240||Sony NEX-7|
|Camera Type||Rangefinder camera||Mirrorless system camera|
|Camera Lens||Leica M mount lenses||Sony E mount lenses|
|Launch Date||June 2019||August 2011|
|Launch Price||USD 3,999||USD 1,349|
|Sensor Specs||Leica M-E Typ 240||Sony NEX-7|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.8 x 23.9 mm||23.4 x 15.6 mm|
|Sensor Area||855.62 mm2||365.04 mm2|
|Sensor Diagonal||43 mm||28.1 mm|
|Sensor Resolution||23.7 Megapixels||24 Megapixels|
|Image Resolution||5952 x 3976 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.01 μm||3.90 μm|
|Pixel Density||2.77 MP/cm2||6.57 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/25p Video||1080/60i Video|
|ISO Setting||200 - 6,400 ISO||100 - 16,000 ISO|
|ISO Boost||100 - 6,400 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||81|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||1016|
|Screen Specs||Leica M-E Typ 240||Sony NEX-7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica M-E Typ 240||Sony NEX-7|
|Focus System||Manual Focus||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Leica M-E Typ 240||Sony NEX-7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica M-E Typ 240||Sony NEX-7|
|Environmental Sealing||Weathersealed body||not weather sealed|
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||680 g (24.0 oz)||400 g (14.1 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.