Leica M-E Typ 240 vs Sony A7R IV
The Leica M-E (Typ 240) and the Sony Alpha A7R IV are two enthusiast cameras that were announced, respectively, in June 2019 and July 2019. The M-E Typ 240 is a fixed lens compact, while the A7R IV is a rangefinder-style mirrorless. Both cameras are equipped with a full frame sensor. The Leica has a resolution of 23.7 megapixels, whereas the Sony provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica M-E Typ 240||Sony A7R IV|
|Rangefinder camera||Mirrorless system camera|
|Leica M mount lenses||Sony E mount lenses|
|23.7 MP, Full Frame Sensor||60.2 MP, Full Frame Sensor|
|1080/25p Video||4K/30p Video|
|ISO 200-6400||ISO 100-32000 (50-102400)|
|Optical viewfinder||Electronic viewfinder (5760k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1440k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3 shutter flaps per second||10 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Weathersealed body||Weathersealed body|
|139 x 80 x 42 mm, 680 g||129 x 96 x 78 mm, 665 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M-E (Typ 240) and the Sony Alpha A7R IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica M-E Typ 240 and the Sony A7R IV are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R IV is notably larger (11 percent) than the Leica M-E Typ 240. However, the A7R IV is slightly lighter (2 percent) than the M-E Typ 240. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Leica M Lens Catalog (M-E Typ 240) and the Sony FE Lens Catalog (A7R IV).
The power pack in the A7R IV can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica M-E Typ 240»||139 mm||80 mm||42 mm||680 g||..||Y||Jun 2019||3,999||Leica M-E Typ 240|
|Sony A7R IV«||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499||Sony A7R IV|
|Fujifilm GFX 50R« »||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Leica Q2« »||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||Leica Q2|
|Leica V-LUX 5« »||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Leica M10-P« »||139 mm||80 mm||39 mm||660 g||210||Y||Aug 2018||7,995||Leica M10-P|
|Leica M10« »||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595||Leica M10|
|Leica M Typ 262« »||139 mm||80 mm||42 mm||680 g||..||Y||Nov 2015||5,195||Leica M Typ 262|
|Leica Q Typ 116« »||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249||Leica Q Typ 116|
|Leica M Typ 240« »||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950||Leica M Typ 240|
|Panasonic GH5s« »||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499||Panasonic GH5s|
|Sony A9 II« »||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||Sony A9 II|
|Sony A7 III« »||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony A7S II« »||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||Sony A7S II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A7R IV was launched at a somewhat lower price (by 13 percent) than the M-E Typ 240, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7R IV is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7R IV offers a higher resolution of 60.2 megapixels, compared with 23.7 MP of the M-E Typ 240. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 6.01μm for the M-E Typ 240). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the A7R IV has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R IV for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inch or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inch or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inch or 80.5 x 53.6 cm. The corresponding values for the Leica M-E Typ 240 are 29.8 x 19.9 inch or 75.6 x 50.5 cm for good quality, 23.8 x 15.9 inch or 60.5 x 40.4 cm for very good quality, and 19.8 x 13.3 inch or 50.4 x 33.7 cm for excellent quality prints.
The A7R IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the M-E Typ 240, the A7R IV has the capacity to capture high quality composite images (241MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica M-E (Typ 240) has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A7R IV are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..||Leica M-E Typ 240|
|Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||..||..||..||..||Sony A7R IV|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50R|
|Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica V-LUX 5|
|Leica M10-P||Full Frame||23.8||5952||3992||none||..||..||..||..||Leica M10-P|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86||Leica M10|
|Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..||Leica M Typ 262|
|Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85||Leica Q Typ 116|
|Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84||Leica M Typ 240|
|Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||..||..||..||..||Panasonic GH5s|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93||Sony A9 II|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R IV provides a better video resolution than the M-E Typ 240. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/25p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7R IV has an electronic viewfinder (5760k dots), while the M-E Typ 240 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7R IV has a higher magnification than the one of the M-E Typ 240 (0.78x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica M-E Typ 240 and Sony A7R IV in connection with corresponding information for a sample of similar cameras.
|Leica M-E Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M-E Typ 240|
|Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R IV|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n||Fujifilm GFX 50R|
|Leica Q2||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Leica M10-P||optical||n||3.0||1037||fixed||Y||1/4000s||5.0||n||n||Leica M10-P|
|Leica M10||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica M Typ 262||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n||Leica M Typ 262|
|Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y||Leica Q Typ 116|
|Leica M Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M Typ 240|
|Panasonic GH5s||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||n||Panasonic GH5s|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A9 II|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A7R IV has a touchscreen, while the M-E Typ 240 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R IV is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M-E Typ 240 and the A7R IV write their files to SDXC cards. The A7R IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the M-E Typ 240 only has one slot. The A7R IV supports UHS-II cards (on both slots), while the M-E Typ 240 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M-E (Typ 240) and Sony Alpha A7R IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica M-E Typ 240||Y||mono||none||-||-||none||2.0||-||-||-||Leica M-E Typ 240|
|Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R IV|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Leica Q2||Y||stereo||mono||-||-||none||none||Y||-||Y||Leica Q2|
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Leica M10-P||Y||none||none||-||-||none||none||Y||-||-||Leica M10-P|
|Leica M10||Y||none||none||-||-||none||none||Y||-||-||Leica M10|
|Leica M Typ 262||Y||none||none||-||-||none||2.0||-||-||-||Leica M Typ 262|
|Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica Q Typ 116|
|Leica M Typ 240||Y||stereo||mono||-||-||none||2.0||-||-||-||Leica M Typ 240|
|Panasonic GH5s||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5s|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A9 II|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
It is notable that the A7R IV offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the M-E Typ 240 does not offer wifi capability.
Studio photographers will appreciate that the Sony A7R IV (unlike the M-E Typ 240) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M-E Typ 240 and the A7R IV are recent models that are part of the current product line-up. The A7R IV replaced the earlier Sony A7R III, while the M-E Typ 240 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what is the bottom line? Which of the two cameras – the Leica M-E Typ 240 or the Sony A7R IV – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica M-E (Typ 240):
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
Reasons to prefer the Sony Alpha A7R IV:
- More detail: Has more megapixels (60.2 vs 23.7MP), which boosts linear resolution by 60%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.68x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was released into a lower priced segment (13 percent cheaper at launch).
If the count of individual advantages (bullet points above) is taken as a guide, the A7R IV is the clear winner of the contest (25 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M-E Typ 240 or the A7R IV. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 80D vs Sony A7R IV
- Canon SL2 vs Leica M-E Typ 240
- Canon SX70 vs Leica M-E Typ 240
- Canon T6s vs Sony A7R IV
- Leica M-E Typ 240 vs Nikon D600
- Leica M-E Typ 240 vs Panasonic LF1
- Leica M-E Typ 240 vs Sony A5000
- Leica Q Typ 116 vs Sony A7R IV
- Leica V-LUX 4 vs Sony A7R IV
- Olympus E-420 vs Sony A7R IV
- Olympus E-PL2 vs Sony A7R IV
- Olympus TG-6 vs Sony A7R IV
Specifications: Leica M-E Typ 240 vs Sony A7R IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M-E Typ 240||Sony A7R IV|
|Camera Type||Rangefinder camera||Mirrorless system camera|
|Camera Lens||Leica M mount lenses||Sony E mount lenses|
|Launch Date||June 2019||July 2019|
|Launch Price||USD 3999||USD 3499|
|Sensor Specs||Leica M-E Typ 240||Sony A7R IV|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.8 x 23.9 mm||35.7 x 23.8 mm|
|Sensor Area||855.62 mm2||849.66 mm2|
|Sensor Diagonal||43 mm||42.9 mm|
|Sensor Resolution||23.7 Megapixels||60.2 Megapixels|
|Image Resolution||5952 x 3976 pixels||9504 x 6336 pixels|
|Pixel Pitch||6.01 μm||3.76 μm|
|Pixel Density||2.77 MP/cm2||7.09 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/25p Video||4K/30p Video|
|ISO Setting||200-6400 ISO||100-32000 ISO|
|ISO Boost||100-6400 ISO||50-102400 ISO|
|Screen Specs||Leica M-E Typ 240||Sony A7R IV|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica M-E Typ 240||Sony A7R IV|
|Focus System||Manual Focus||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Leica M-E Typ 240||Sony A7R IV|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica M-E Typ 240||Sony A7R IV|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|In-Camera Charging||no USB charging||USB charging|
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
129 x 96 x 78 mm
(5.1 x 3.8 x 3.1 in)
|Camera Weight||680 g (24.0 oz)||665 g (23.5 oz)|
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