Leica M-E Typ 240 vs Pentax K-1 II
The Leica M-E (Typ 240) and the Pentax K-1 II are two enthusiast cameras that were revealed to the public, respectively, in June 2019 and February 2018. The M-E Typ 240 is a rangefinder-style mirrorless camera, while the K-1 II is a DSLR. Both cameras are equipped with a full frame sensor. The Leica has a resolution of 23.7 megapixels, whereas the Pentax provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica M-E Typ 240||Pentax K-1 II|
|Rangefinder camera||Digital single lens reflex|
|Leica M mount lenses||Pentax K mount lenses|
|23.7 MP, Full Frame Sensor||36.2 MP, Full Frame Sensor|
|1080/25p Video||1080/60i Video|
|ISO 200-6,400||ISO 100-819,200|
|Optical viewfinder||Optical viewfinder|
|3.0 LCD, 920k dots||3.2 LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Fully flexible screen (no touchscreen)|
|3 shutter flaps per second||4.4 shutter flaps per second|
|no shake reduction||In-body stabilization|
|Weathersealed body||Weathersealed body|
|139 x 80 x 42 mm, 680 g||137 x 110 x 86 mm, 1010 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica M-E (Typ 240) and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica M-E Typ 240 and the Pentax K-1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The K-1 II can be obtained in two different colors (black, silver), while the M-E Typ 240 is only available in silver.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is notably larger (36 percent) than the Leica M-E Typ 240. Moreover, the K-1 II is substantially heavier (49 percent) than the M-E Typ 240. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica M-E Typ 240||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Jun 2019||3,999|
|Pentax K-1 II||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999|
|Leica M10-R||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jul 2020||8,295|
|Leica Q2||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995|
|Leica M10-P||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Aug 2018||7,995|
|Leica M10||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595|
|Leica M Typ 262||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Nov 2015||5,195|
|Leica Q Typ 116||5.1 in||3.1 in||3.7 in||22.6 oz||300||n||Jun 2015||4,249|
|Leica M Typ 240||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Sep 2012||6,950|
|Nikon Z6||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999|
|Panasonic S1R||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699|
|Pentax K-1||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799|
|Sony A9 II||5.1 in||3.8 in||3.0 in||23.9 oz||690||Y||Oct 2019||4,499|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A7R III||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Sony A99 II||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony A850||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-1 II was launched at a markedly lower price (by 50 percent) than the M-E Typ 240, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the K-1 II is 1 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the K-1 II offers a higher resolution than the M-E Typ 240 (23.7MP), but the K-1 II has smaller individual pixels (pixel pitch of 4.88μm versus 6.01μm for the M-E Typ 240). It is noteworthy in this context that the M-E Typ 240 is a somewhat more recent model (by 1 year and 4 months) than the K-1 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Leica M-E Typ 240 are 29.8 x 19.9 inches or 75.6 x 50.5 cm for good quality, 23.8 x 15.9 inches or 60.5 x 40.4 cm for very good quality, and 19.8 x 13.3 inches or 50.4 x 33.7 cm for excellent quality prints.
Unlike the M-E Typ 240, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica M-E (Typ 240) has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-6400. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..|
|Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|Leica M10-R||Full Frame||40.9||7864||5200||none||..||..||..||..|
|Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|Leica M10-P||Full Frame||23.8||5952||3992||none||..||..||..||..|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..|
|Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|Pentax K-1||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the K-1 II provides a faster frame rate than the M-E Typ 240. It can shoot movie footage at 1080/60i, while the Leica is limited to 1080/25p.
Apart from body and sensor, cameras can and do differ across a range of features. The M-E Typ 240 and the K-1 II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-1 II has a higher magnification than the one of the M-E Typ 240 (0.70x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica M-E Typ 240, the Pentax K-1 II, and comparable cameras.
|Leica M-E Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
|Pentax K-1 II||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y|
|Leica M Typ 262||optical||n||3.0||921||fixed||n||1/4000s||3.0||n||n|
|Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y|
|Leica M Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
One feature that is present on the K-1 II, but is missing on the M-E Typ 240 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Pentax K-1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M-E Typ 240 and the K-1 II write their files to SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the M-E Typ 240 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica M-E (Typ 240) and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica M-E Typ 240||Y||mono||-||-||-||-||2.0||-||-||-|
|Pentax K-1 II||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-|
|Leica M Typ 262||Y||-||-||-||-||-||2.0||-||-||-|
|Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Leica M Typ 240||Y||stereo||mono||-||-||-||2.0||-||-||-|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
It is notable that the K-1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the M-E Typ 240 does not provide wifi capability.
Studio photographers will appreciate that the Pentax K-1 II (unlike the M-E Typ 240) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the M-E Typ 240 and the K-1 II are recent models that are part of the current product line-up. The K-1 II replaced the earlier Pentax K-1, while the M-E Typ 240 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Pentax websites.
So what is the bottom line? Is the Leica M-E Typ 240 better than the Pentax K-1 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica M-E (Typ 240):
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (139x80mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 330g or 33 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 1 year and 4 months after the K-1 II).
Arguments in favor of the Pentax K-1 II:
- More detail: Has more megapixels (36.2 vs 23.7MP), which boosts linear resolution by 24%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (1080/60i versus 1080/25p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.68x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (4.4 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the K-1 II is the clear winner of the contest (21 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M-E Typ 240 or the K-1 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica M-E Typ 240||..||..||..||..||..||Jun 2019||3,999|
|Pentax K-1 II||..||79/100||4.5/5||4.5/5||4.5/5||Feb 2018||1,999|
|Leica M10-R||..||..||..||..||..||Jul 2020||8,295|
|Leica Q2||..||84/100||4.5/5||..||4/5||Mar 2019||4,995|
|Leica M10-P||..||..||..||..||4/5||Aug 2018||7,995|
|Leica M10||..||..||4/5||..||4.5/5||Jan 2017||6,595|
|Leica M Typ 262||..||..||..||..||..||Nov 2015||5,195|
|Leica Q Typ 116||..||80/100||4.5/5||..||4.5/5||Jun 2015||4,249|
|Leica M Typ 240||..||..||4/5||..||..||Sep 2012||6,950|
|Nikon Z6||..||..||4.5/5||4.5/5||5/5||Aug 2018||1,999|
|Panasonic S1R||..||89/100||4.5/5||5/5||4.5/5||Feb 2019||3,699|
|Pentax K-1||..||84/100||5/5||4.5/5||5/5||Feb 2016||1,799|
|Sony A9 II||..||..||5/5||..||5/5||Oct 2019||4,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A7R III||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Sony A99 II||..||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A850||..||75/100||..||4/5||4.5/5||Aug 2009||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 90D vs Pentax K-1 II
- Fujifilm X-T2 vs Leica M-E Typ 240
- Fujifilm X10 vs Pentax K-1 II
- Fujifilm XP140 vs Pentax K-1 II
- Leica M-E Typ 240 vs Nikon D100
- Leica M-E Typ 240 vs Nikon D610
- Leica M-E Typ 240 vs Panasonic G7
- Panasonic G2 vs Pentax K-1 II
- Pentax K-1 II vs Sony A7 II
- Pentax K-1 II vs Sony A9
- Pentax K-1 II vs Sony HX90V
- Pentax K-1 II vs Sony RX100 V
Specifications: Leica M-E Typ 240 vs Pentax K-1 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica M-E Typ 240||Pentax K-1 II|
|Camera Type||Rangefinder camera||Digital single lens reflex|
|Camera Lens||Leica M mount lenses||Pentax K mount lenses|
|Launch Date||June 2019||February 2018|
|Launch Price||USD 3,999||USD 1,999|
|Sensor Specs||Leica M-E Typ 240||Pentax K-1 II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.8 x 23.9 mm||35.9 x 24.0 mm|
|Sensor Area||855.62 mm2||861.6 mm2|
|Sensor Diagonal||43 mm||43.2 mm|
|Sensor Resolution||23.7 Megapixels||36.2 Megapixels|
|Image Resolution||5952 x 3976 pixels||7360 x 4912 pixels|
|Pixel Pitch||6.01 μm||4.88 μm|
|Pixel Density||2.77 MP/cm2||4.20 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/25p Video||1080/60i Video|
|ISO Setting||200 - 6,400 ISO||100 - 819,200 ISO|
|ISO Boost||100 - 6,400 ISO||no Enhancement|
|Screen Specs||Leica M-E Typ 240||Pentax K-1 II|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||920k dots||1037k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Leica M-E Typ 240||Pentax K-1 II|
|Focus System||Manual Focus||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||4.4 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||no shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica M-E Typ 240||Pentax K-1 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Leica M-E Typ 240||Pentax K-1 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
|Camera Weight||680 g (24.0 oz)||1010 g (35.6 oz)|
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