Leica Digilux 3 vs Sony A6300
The Leica Digilux 3 and the Sony Alpha A6300 are two digital cameras that were announced, respectively, in September 2006 and February 2016. The Digilux 3 is a DSLR, while the A6300 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (Digilux 3) and an APS-C (A6300) sensor. The Leica has a resolution of 7.4 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica Digilux 3 and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica Digilux 3 and the Sony A6300. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The A6300 can be obtained in two different colors (black, silver), while the Digilux 3 is only available in silver.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is considerably smaller (37 percent) than the Leica Digilux 3. Moreover, the A6300 is markedly lighter (33 percent) than the Digilux 3. It is noteworthy in this context that the A6300 is splash and dust-proof, while the Digilux 3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (Digilux 3) and the Sony E-Mount Lens Catalog (A6300). Mirrorless cameras, such as the A6300, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Leica Digilux 3||5.7 in||3.4 in||3.0 in||21.4 oz||750||n||Sep 2006||1,499|
|Sony A6300||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999|
|Canon 30D||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399|
|Canon XT||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899|
|Leica M8||5.5 in||3.1 in||1.5 in||20.8 oz||..||n||Sep 2006||5,499|
|Leica V-LUX 1||5.6 in||3.4 in||5.6 in||25.9 oz||360||n||Sep 2006||849|
|Nikon D5500||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899|
|Nikon D7200||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199|
|Olympus E-30||5.6 in||4.3 in||3.0 in||24.7 oz||750||n||Nov 2008||1,299|
|Olympus E-330||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999|
|Olympus E-500||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599|
|Olympus E-300||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799|
|Panasonic L10||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599|
|Panasonic L1||5.7 in||3.4 in||2.5 in||21.4 oz||750||n||Feb 2006||999|
|Sony A6500||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399|
|Sony A6000||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599|
|Sony A3000||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6300 was launched at a markedly lower price (by 33 percent) than the Digilux 3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica Digilux 3 features a Four Thirds sensor and the Sony A6300 an APS-C sensor. The sensor area in the A6300 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the Digilux 3 has a native 4:3 aspect ratio, while the one in the A6300 offers a 3:2 aspect.
With 24MP, the A6300 offers a higher resolution than the Digilux 3 (7.4MP), but the A6300 has smaller individual pixels (pixel pitch of 3.91μm versus 5.51μm for the Digilux 3). Yet, the A6300 is a much more recent model (by 9 years and 4 months) than the Digilux 3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica Digilux 3 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica Digilux 3 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..|
|Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. The A6300 indeed provides for movie recording, while the Digilux 3 does not. The highest resolution format that the A6300 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), while the Digilux 3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6300 offers a wider field of view (100%) than the one in the Digilux 3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6300 has a higher magnification (0.70x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica Digilux 3 and Sony A6300 along with similar information for a selection of comparators.
|Leica Digilux 3||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n|
|Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Digilux 3 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. The A6300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Digilux 3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica Digilux 3 and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica Digilux 3||Y||stereo||mono||-||-||-||2.0||-||-||-|
|Leica V-LUX 1||Y||mono||mono||-||-||-||2.0||-||-||-|
It is notable that the A6300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the Digilux 3 does not provide wifi capability.
Both the Digilux 3 and the A6300 have been discontinued, but can regularly be found used on eBay. The A6300 was replaced by the Sony A6500, while the Digilux 3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what is the bottom line? Is the Leica Digilux 3 better than the Sony A6300 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Leica Digilux 3:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (750 versus 400) on a single battery charge.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2006).
Arguments in favor of the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 7.4MP), which boosts linear resolution by 84%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.47x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 207k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 146x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 202g or 33 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More modern: Reflects 9 years and 4 months of technical progress since the Digilux 3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6300 is the clear winner of the contest (25 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica Digilux 3 and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the Digilux 3 and the A6300 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica Digilux 3||..||..||..||..||..||Sep 2006||1,499|
|Sony A6300||+||85/100||5/5||5/5||5/5||Feb 2016||999|
|Canon 30D||+ +||+ +||o||o||..||Feb 2006||1,399|
|Canon XT||80/100||+ +||o||o||..||Feb 2005||899|
|Leica M8||..||+ +||..||..||..||Sep 2006||5,499|
|Leica V-LUX 1||..||..||..||..||..||Sep 2006||849|
|Nikon D5500||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899|
|Nikon D7200||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199|
|Olympus E-30||..||71/100||4.5/5||..||4/5||Nov 2008||1,299|
|Olympus E-330||..||+||o||3.5/5||..||Jan 2006||999|
|Olympus E-500||76/100||+ +||..||..||..||Sep 2005||599|
|Olympus E-300||..||+||o||o||4.5/5||Sep 2004||799|
|Panasonic L10||85/100||+||3.5/5||o||4/5||Aug 2007||599|
|Panasonic L1||85/100||+||..||o||3.5/5||Feb 2006||999|
|Sony A6500||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399|
|Sony A6000||+||80/100||4.5/5||5/5||5/5||Feb 2014||599|
|Sony A3000||+||..||4/5||4.5/5||4/5||Aug 2013||329|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark IV vs Sony A6300
- Canon 600D vs Leica Digilux 3
- Canon G16 vs Sony A6300
- Canon M5 vs Sony A6300
- Canon SX70 vs Leica Digilux 3
- Canon XTi vs Leica Digilux 3
- Fujifilm XF10 vs Sony A6300
- Leica Digilux 3 vs Nikon B700
- Leica Digilux 3 vs Olympus E-PL6
- Leica Digilux 3 vs Sony WX800
- Nikon D610 vs Sony A6300
- Olympus E-P2 vs Sony A6300
Specifications: Leica Digilux 3 vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica Digilux 3||Sony A6300|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2006||February 2016|
|Launch Price||USD 1,499||USD 999|
|Sensor Specs||Leica Digilux 3||Sony A6300|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||7.4 Megapixels||24 Megapixels|
|Image Resolution||3136 x 2352 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.51 μm||3.91 μm|
|Pixel Density||3.28 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.4|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1437|
|Screen Specs||Leica Digilux 3||Sony A6300|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||207k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica Digilux 3||Sony A6300|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica Digilux 3||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica Digilux 3||Sony A6300|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
146 x 87 x 77 mm
(5.7 x 3.4 x 3.0 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||606 g (21.4 oz)||404 g (14.3 oz)|
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