Leica Digilux 3 vs Panasonic GM1
The Leica Digilux 3 and the Panasonic Lumix DMC-GM1 are two digital cameras that were officially introduced, respectively, in September 2006 and October 2013. The Digilux 3 is a DSLR, while the GM1 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Leica has a resolution of 7.4 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica Digilux 3 and the Panasonic Lumix DMC-GM1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica Digilux 3 and the Panasonic GM1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The GM1 can be obtained in three different colors (black, silver, red), while the Digilux 3 is only available in silver.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM1 is considerably smaller (57 percent) than the Leica Digilux 3. Moreover, the GM1 is substantially lighter (66 percent) than the Digilux 3. In this context, it is worth noting that neither the Digilux 3 nor the GM1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (Digilux 3) and the Micro Four Thirds Lens Catalog (GM1). Mirrorless cameras, such as the GM1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499||ebay.com|
|2.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|3.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399||ebay.com|
|4.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899||ebay.com|
|5.||Leica M8||139 mm||80 mm||37 mm||591 g||..||n||Sep 2006||5,499||ebay.com|
|6.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849||ebay.com|
|7.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299||ebay.com|
|8.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||ebay.com|
|9.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||ebay.com|
|10.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||ebay.com|
|11.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|12.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|13.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|14.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|15.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|16.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||ebay.com|
|17.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GM1 was launched at a markedly lower price (by 50 percent) than the Digilux 3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GM1 offers a higher resolution of 15.8 megapixels, compared with 7.4 MP of the Digilux 3. This megapixels advantage translates into a 46 percent gain in linear resolution. On the other hand, these sensor specs imply that the GM1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 5.51μm for the Digilux 3). However, it should be noted that the GM1 is much more recent (by 7 years and 1 month) than the Digilux 3, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic GM1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM1 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Leica Digilux 3 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Leica Digilux 3 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-GM1 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 125-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||21.0||10.6||127||53|
|2.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|6.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||18.4||9.5||-727||29|
|7.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|8.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|9.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|10.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|11.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|12.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|13.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|14.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|15.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|16.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|17.||Panasonic L1||Four Thirds||7.4||3136||2352||none||20.8||10.4||80||52|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The GM1 indeed provides for movie recording, while the Digilux 3 does not. The highest resolution format that the GM1 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Digilux 3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GM1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Leica Digilux 3, the Panasonic GM1, and comparable cameras.
|1.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|3.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|4.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Leica M8||optical||n||2.5 / 230||fixed||n||1/8000s||2.0/s||n||n|
|6.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0/s||Y||Y|
|7.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|8.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|9.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5/s||Y||n|
|10.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|11.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|12.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|13.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|14.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|15.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|16.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|17.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GM1 has a touchscreen, while the Digilux 3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Digilux 3 and the GM1 write their files to SDXC cards. The GM1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Digilux 3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica Digilux 3 and Panasonic Lumix DMC-GM1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|2.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Leica M8||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|7.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|13.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|14.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the Digilux 3 has a hotshoe, while the GM1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the Digilux 3 and the GM1 have been discontinued, but can regularly be found used on ebay. The GM1 was replaced by the Panasonic GM5, while the Digilux 3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica Digilux 3 and the Panasonic GM1? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Leica Digilux 3:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (750 versus 230) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2006).
Reasons to prefer the Panasonic Lumix DMC-GM1:
- More detail: Has more megapixels (15.8 vs 7.4MP), which boosts linear resolution by 46%.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 207k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (99x55mm vs 146x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 402g or 66 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Reflects 7 years and 1 month of technical progress since the Digilux 3 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GM1 is the clear winner of the contest (15 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica Digilux 3 and the Panasonic GM1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the Digilux 3 and the GM1 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499||ebay.com|
|2.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|3.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399||ebay.com|
|4.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899||ebay.com|
|5.||Leica M8||..||..||..||+ +||..||..||Sep 2006||5,499||ebay.com|
|6.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849||ebay.com|
|7.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299||ebay.com|
|8.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999||ebay.com|
|9.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599||ebay.com|
|10.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799||ebay.com|
|11.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|12.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|13.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|14.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|15.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|16.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599||ebay.com|
|17.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 700D vs Leica Digilux 3
- Canon G7 X vs Panasonic GM1
- Fujifilm GFX 50R vs Leica Digilux 3
- Fujifilm X-S10 vs Panasonic GM1
- Leica Digilux 3 vs Nikon D300
- Leica Digilux 3 vs Nikon D7500
- Leica Digilux 3 vs Panasonic GH4
- Leica Digilux 3 vs Panasonic LX15
- Nikon D100 vs Panasonic GM1
- Nikon D300S vs Panasonic GM1
- Nikon D7500 vs Panasonic GM1
- Nikon D780 vs Panasonic GM1
Specifications: Leica Digilux 3 vs Panasonic GM1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica Digilux 3||Panasonic GM1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2006||October 2013|
|Launch Price||USD 1,499||USD 749|
|Sensor Specs||Leica Digilux 3||Panasonic GM1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||7.4 Megapixels||15.8 Megapixels|
|Image Resolution||3136 x 2352 pixels||4592 x 3448 pixels|
|Pixel Pitch||5.51 μm||3.77 μm|
|Pixel Density||3.28 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||125 - 25,600 ISO|
|DXO Sensor Quality (score)||..||66|
|DXO Color Depth (bits)||..||22.3|
|DXO Dynamic Range (EV)||..||11.7|
|DXO Low Light (ISO)||..||660|
|Screen Specs||Leica Digilux 3||Panasonic GM1|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||207k dots||1036k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica Digilux 3||Panasonic GM1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica Digilux 3||Panasonic GM1|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Leica Digilux 3||Panasonic GM1|
|Battery Life (CIPA)||750 shots per charge||230 shots per charge|
146 x 87 x 77 mm
(5.7 x 3.4 x 3.0 in)
99 x 55 x 30 mm
(3.9 x 2.2 x 1.2 in)
|Camera Weight||606 g (21.4 oz)||204 g (7.2 oz)|
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