Leica Digilux 3 vs Panasonic G5

The Leica Digilux 3 and the Panasonic Lumix DMC-G5 are two digital cameras that were announced, respectively, in September 2006 and July 2012. The Digilux 3 is a DSLR, while the G5 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Leica has a resolution of 7.4 megapixels, whereas the Panasonic provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica Digilux 3		Panasonic G5
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Micro Four Thirds lenses
7.4 MP – Four Thirds sensor		15.9 MP – Four Thirds sensor
no Video		1080/60p Video
ISO 100-1,600		ISO 160-12,800
Optical viewfinder		Electronic viewfinder (1440k dots)
2.5" LCD – 207k dots		3.0" LCD – 920k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
3 shutter flaps per second		6 shutter flaps per second
750 shots per battery charge		320 shots per battery charge
146 x 87 x 77 mm, 606 g		120 x 83 x 71 mm, 396 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Leica Digilux 3 and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Leica Digilux 3 and the Panasonic G5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The G5 can be obtained in two different colors (black, silver), while the Digilux 3 is only available in silver.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is notably smaller (22 percent) than the Leica Digilux 3. Moreover, the G5 is substantially lighter (35 percent) than the Digilux 3. In this context, it is worth noting that neither the Digilux 3 nor the G5 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (Digilux 3) and the Micro Four Thirds Lens Catalog (G5). Mirrorless cameras, such as the G5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	1,499	ebay.com
2.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
3.		Canon 30D	144 mm	106 mm	74 mm	785 g	750	n	Feb 2006	1,399	ebay.com
4.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
5.		Leica M8	139 mm	80 mm	37 mm	591 g	550	n	Sep 2006	5,499	ebay.com
6.		Leica V-LUX 1	141 mm	86 mm	142 mm	734 g	360	n	Sep 2006	849	ebay.com
7.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
8.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	999	ebay.com
9.		Olympus E-500	130 mm	95 mm	66 mm	479 g	750	n	Sep 2005	599	ebay.com
10.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	799	ebay.com
11.		Panasonic GX850	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	549	ebay.com
12.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
13.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
14.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
15.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
16.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
17.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G5 was launched at a markedly lower price (by 60 percent) than the Digilux 3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

While the two cameras under review share the same sensor size, the G5 offers a higher resolution of 15.9 megapixels, compared with 7.4 MP of the Digilux 3. This megapixels advantage translates into a 47 percent gain in linear resolution. On the other hand, these sensor specs imply that the G5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 5.51μm for the Digilux 3). However, it should be noted that the G5 is much more recent (by 5 years and 10 months) than the Digilux 3, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.

The resolution advantage of the Panasonic G5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Leica Digilux 3 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.

The Leica Digilux 3 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
2.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
3.		Canon 30D	APS-C	8.2	3504	2336	none	21.5	10.8	736	59
4.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
5.		Leica M8	APS-H	10.4	3936	2630	none	21.1	11.3	663	59
6.		Leica V-LUX 1	1/1.8	10.0	3648	2736	480/30p	18.4	9.5	-727	29
7.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
8.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
9.		Olympus E-500	Four Thirds	8.0	3264	2448	none	20.7	10.3	45	51
10.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
11.		Panasonic GX850	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
12.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
13.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
14.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
15.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
16.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
17.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The G5 indeed provides for movie recording, while the Digilux 3 does not. The highest resolution format that the G5 can use is 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G5 has an electronic viewfinder (1440k dots), while the Digilux 3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G5 offers a wider field of view (100%) than the one in the Digilux 3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G5 has a higher magnification (0.70x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica Digilux 3 and Panasonic G5 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
2.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
3.		Canon 30D	optical	Y	2.5 / 230	fixed	n	1/8000s	5.0/s	Y	n
4.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
5.		Leica M8	optical	n	2.5 / 230	fixed	n	1/8000s	2.0/s	n	n
6.		Leica V-LUX 1	235	n	2.0 / 207	tilting	n	1/2000s	2.0/s	Y	Y
7.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
8.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
9.		Olympus E-500	optical	n	2.5 / 215	fixed	n	1/4000s	2.5/s	Y	n
10.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
11.		Panasonic GX850	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
12.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
13.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
14.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
15.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
16.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
17.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5 has a touchscreen, while the Digilux 3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

Concerning the storage of imaging data, both the Digilux 3 and the G5 write their files to SDXC cards. The G5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Digilux 3 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica Digilux 3 and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
2.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon 30D	Y	- / -	-	-	-	2.0	-	-	-
4.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
5.		Leica M8	Y	- / -	-	-	-	2.0	-	-	-
6.		Leica V-LUX 1	Y	mono / mono	-	-	-	2.0	-	-	-
7.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
8.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-500	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
11.		Panasonic GX850	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
13.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
14.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
17.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-

Both the Digilux 3 and the G5 have been discontinued, but can regularly be found used on ebay. The G5 was replaced by the Panasonic G6, while the Digilux 3 does not have a direct successor. Further information on the features and operation of the Digilux 3 and G5 can be found, respectively, in the Leica Digilux 3 Manual (free pdf) or the online Panasonic G5 Manual.

Review summary

So what conclusions can be drawn? Is the Leica Digilux 3 better than the Panasonic G5 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Leica Digilux 3:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Longer lasting: Can take more shots (750 versus 320) on a single battery charge.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More heavily discounted: Has been available for much longer (launched in September 2006).

Arguments in favor of the Panasonic Lumix DMC-G5:

• More detail: Has more megapixels (15.9 vs 7.4MP), which boosts linear resolution by 47%.
• Broader imaging potential: Can capture not only stills but also 1080/60p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.47x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (920k vs 207k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (120x83mm vs 146x87mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 210g or 35 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
• More modern: Reflects 5 years and 10 months of technical progress since the Digilux 3 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the G5 is the clear winner of the contest (17 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica Digilux 3 and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the Digilux 3 and the G5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	1,499	ebay.com
2.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
3.		Canon 30D	..	+ +	..	+ +	o	..	Feb 2006	1,399	ebay.com
4.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
5.		Leica M8	..	..	..	+ +	..	..	Sep 2006	5,499	ebay.com
6.		Leica V-LUX 1	..	..	..	..	..	..	Sep 2006	849	ebay.com
7.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
8.		Olympus E-330	..	..	..	+	o	..	Jan 2006	999	ebay.com
9.		Olympus E-500	..	76/100	..	+ +	..	..	Sep 2005	599	ebay.com
10.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	799	ebay.com
11.		Panasonic GX850	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	549	ebay.com
12.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
13.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
14.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
15.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
16.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
17.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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