Leica Digilux 3 vs Panasonic G1
The Leica Digilux 3 and the Panasonic Lumix DMC-G1 are two digital cameras that were revealed to the public, respectively, in September 2006 and September 2008. The Digilux 3 is a DSLR, while the G1 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Leica has a resolution of 7.4 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica Digilux 3||Panasonic G1|
|Digital single lens reflex||Mirrorless system camera|
|Four Thirds lenses||Micro Four Thirds lenses|
|7.4 MP, Four Thirds Sensor||12 MP, Four Thirds Sensor|
|no Video||no Video|
|ISO 100-1600||ISO 100-1600 (100-3200)|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|2.5" LCD, 207k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|3 shutter flaps per second||3 shutter flaps per second|
|750 shots per battery charge||410 shots per battery charge|
|146 x 87 x 77 mm, 606 g||124 x 84 x 45 mm, 360 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica Digilux 3 and the Panasonic Lumix DMC-G1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica Digilux 3 and the Panasonic G1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G1 is notably smaller (18 percent) than the Leica Digilux 3. Moreover, the G1 is substantially lighter (41 percent) than the Digilux 3. In this context, it is worth noting that neither the Digilux 3 nor the G1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (Digilux 3) and the Micro Four Thirds Lens Catalog (G1). Mirrorless cameras, such as the G1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica Digilux 3»||5.7 in||3.4 in||3.0 in||21.4 oz||750||n||Sep 2006||1,499||Leica Digilux 3|
|Panasonic G1«||4.9 in||3.3 in||1.8 in||12.7 oz||410||n||Sep 2008||599||Panasonic G1|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||Canon 30D|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||Canon XT|
|Leica M8« »||5.5 in||3.1 in||1.5 in||20.8 oz||..||n||Sep 2006||5,499||Leica M8|
|Leica V-LUX 1« »||5.6 in||3.4 in||5.6 in||25.9 oz||360||n||Sep 2006||849||Leica V-LUX 1|
|Olympus E-30« »||5.6 in||4.3 in||3.0 in||24.7 oz||750||n||Nov 2008||1,299||Olympus E-30|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||Olympus E-410|
|Olympus E-330« »||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999||Olympus E-330|
|Olympus E-500« »||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599||Olympus E-500|
|Olympus E-300« »||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799||Olympus E-300|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||Panasonic G2|
|Panasonic GH1« »||4.9 in||3.5 in||1.8 in||13.6 oz||300||n||Mar 2009||899||Panasonic GH1|
|Panasonic L10« »||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599||Panasonic L10|
|Panasonic L1« »||5.7 in||3.4 in||2.5 in||21.4 oz||750||n||Feb 2006||999||Panasonic L1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G1 was launched at a markedly lower price (by 60 percent) than the Digilux 3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G1 offers a higher resolution of 12 megapixels, compared with 7.4 MP of the Digilux 3. This megapixels advantage translates into a 28 percent gain in linear resolution. On the other hand, these sensor specs imply that the G1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.33μm versus 5.51μm for the Digilux 3). However, it should be noted that the G1 is a somewhat more recent model (by 1 year and 11 months) than the Digilux 3, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The resolution advantage of the Panasonic G1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1 for good quality output (200 dots per inch) amounts to 20 x 15 inch or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inch or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inch or 33.9 x 25.4 cm. The corresponding values for the Leica Digilux 3 are 15.7 x 11.8 inch or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inch or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inch or 26.6 x 19.9 cm for excellent quality prints.
The Leica Digilux 3 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-G1 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..||Leica Digilux 3|
|Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53||Panasonic G1|
|Canon 30D||APS-C||8.2||3504||2336||none||21.5||10.8||736||59||Canon 30D|
|Canon XT||APS-C||8.0||3456||2304||none||21.8||10.8||637||60||Canon XT|
|Leica M8||APS-H||10.4||3936||2630||none||21.1||11.3||663||59||Leica M8|
|Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..||Leica V-LUX 1|
|Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55||Olympus E-30|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51||Olympus E-410|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..||Olympus E-330|
|Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..||Olympus E-500|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..||Olympus E-300|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
|Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55||Panasonic L10|
|Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..||Panasonic L1|
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G1 has an electronic viewfinder (1440k dots), while the Digilux 3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G1 offers a wider field of view (100%) than the one in the Digilux 3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G1 has a higher magnification (0.70x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica Digilux 3, the Panasonic G1, and comparable cameras.
|Leica Digilux 3||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Leica Digilux 3|
|Panasonic G1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic G1|
|Canon 30D||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon XT||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Leica M8||optical||n||2.5||230||fixed||n||1/8000s||2.0||n||n||Leica M8|
|Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y||Leica V-LUX 1|
|Olympus E-30||optical||Y||2.7||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-30|
|Olympus E-410||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Olympus E-330||optical||n||2.5||215||tilting||n||1/4000s||3.0||Y||n||Olympus E-330|
|Olympus E-500||optical||n||2.5||215||fixed||n||1/4000s||2.5||Y||n||Olympus E-500|
|Olympus E-300||optical||n||1.8||134||fixed||n||1/4000s||2.5||Y||n||Olympus E-300|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GH1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
|Panasonic L10||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
|Panasonic L1||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Panasonic L1|
The Digilux 3 writes its imaging data to SDXC cards, while the G1 uses SDHC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica Digilux 3 and Panasonic Lumix DMC-G1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica Digilux 3||Y||stereo||mono||-||-||none||2.0||-||-||-||Leica Digilux 3|
|Panasonic G1||Y||none||none||-||-||mini||2.0||-||-||-||Panasonic G1|
|Canon 30D||Y||none||none||-||-||none||2.0||-||-||-||Canon 30D|
|Canon XT||Y||none||none||-||-||none||2.0||-||-||-||Canon XT|
|Leica M8||Y||none||none||-||-||none||2.0||-||-||-||Leica M8|
|Leica V-LUX 1||Y||mono||mono||-||-||none||2.0||-||-||-||Leica V-LUX 1|
|Olympus E-30||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-30|
|Olympus E-410||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-410|
|Olympus E-330||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-330|
|Olympus E-500||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-500|
|Olympus E-300||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-300|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GH1||Y||stereo||none||Y||-||mini||2.0||-||-||-||Panasonic GH1|
|Panasonic L10||Y||none||none||-||-||none||2.0||-||-||-||Panasonic L10|
|Panasonic L1||Y||none||none||-||-||none||2.0||-||-||-||Panasonic L1|
Both the Digilux 3 and the G1 have been discontinued, but can regularly be found used on eBay. The G1 was replaced by the Panasonic G2, while the Digilux 3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So how do things add up? Which of the two cameras – the Leica Digilux 3 or the Panasonic G1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica Digilux 3:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (750 versus 410) on a single battery charge.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been on the market for longer (launched in September 2006).
Reasons to prefer the Panasonic Lumix DMC-G1:
- More detail: Has more megapixels (12 vs 7.4MP), which boosts linear resolution by 28%.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.47x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 207k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (124x84mm vs 146x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 246g or 41 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the G1 is the clear winner of the contest (13 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica Digilux 3 and the Panasonic G1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Digilux 3 or the G1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1200D vs Leica Digilux 3
- Canon SX70 vs Panasonic G1
- Fujifilm X-H1 vs Panasonic G1
- Leica Digilux 3 vs Leica V-LUX 1
- Leica Digilux 3 vs Olympus E-300
- Leica Digilux 3 vs Olympus E-410
- Leica Digilux 3 vs Panasonic LF1
- Leica Digilux 3 vs Sony A6100
- Nikon B600 vs Panasonic G1
- Nikon D800E vs Panasonic G1
- Nikon W150 vs Panasonic G1
- Panasonic G1 vs Panasonic GF3
Specifications: Leica Digilux 3 vs Panasonic G1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica Digilux 3||Panasonic G1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2006||September 2008|
|Launch Price||USD 1499||USD 599|
|Sensor Specs||Leica Digilux 3||Panasonic G1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||7.4 Megapixels||12 Megapixels|
|Image Resolution||3136 x 2352 pixels||4000 x 3000 pixels|
|Pixel Pitch||5.51 μm||4.33 μm|
|Pixel Density||3.28 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100-1600 ISO||100-1600 ISO|
|ISO Boost||no Enhancement||100-3200 ISO|
|DXO Sensor Quality (score)||..||53|
|DXO Color Depth (bits)||..||21.1|
|DXO Dynamic Range (EV)||..||10.3|
|DXO Low Light (ISO)||..||463|
|Screen Specs||Leica Digilux 3||Panasonic G1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||207k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Leica Digilux 3||Panasonic G1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Leica Digilux 3||Panasonic G1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica Digilux 3||Panasonic G1|
|Battery Life (CIPA)||750 shots per charge||410 shots per charge|
146 x 87 x 77 mm
(5.7 x 3.4 x 3.0 in)
124 x 84 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||606 g (21.4 oz)||360 g (12.7 oz)|
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