Leica D-LUX Typ 109 vs Sony A7S
The Leica D-LUX (Typ 109) and the Sony Alpha A7S are two digital cameras that were revealed to the public, respectively, in September 2014 and April 2014. The D-LUX Typ 109 is a fixed lens compact, while the A7S is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (D-LUX Typ 109) and a full frame (A7S) sensor. The Leica has a resolution of 12.7 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX (Typ 109) and the Sony Alpha A7S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX Typ 109 and the Sony A7S. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The D-LUX Typ 109 can be obtained in two different colors (black, grey), while the A7S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S is considerably larger (53 percent) than the Leica D-LUX Typ 109. It is noteworthy in this context that the A7S is splash and dust-proof, while the D-LUX Typ 109 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX Typ 109 has a lens built in, whereas the A7S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7S and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the D-LUX Typ 109 gets 300 shots out of its BP-DC15 battery, while the A7S can take 380 images on a single charge of its NP-FW50 power pack. The power pack in the A7S can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195|
|2.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|4.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|5.||Fujifilm X100T||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299|
|6.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|7.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|8.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195|
|9.||Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349|
|10.||Leica X Typ 113||133 mm||73 mm||78 mm||486 g||350||n||Sep 2014||2,295|
|11.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|12.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|13.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|14.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|17.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D-LUX Typ 109 was launched at a lower price than the A7S, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX Typ 109 features a Four Thirds sensor and the Sony A7S a full frame sensor. The sensor area in the A7S is 363 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the D-LUX Typ 109 has a native 4:3 aspect ratio, while the one in the A7S offers a 3:2 aspect. The D-LUX Typ 109 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the Leica D-LUX Typ 109 offers a higher resolution of 12.7 megapixels, compared with 12 MP of the Sony A7S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.82μm versus 8.45μm for the A7S). However, it should be noted that the D-LUX Typ 109 is a somewhat more recent model (by 5 months) than the A7S, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The Leica D-LUX (Typ 109) has a native sensitivity range from ISO 200 to ISO 12500, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||22.4||12.1||607||67|
|2.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|8.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||22.9||12.8||1002||72|
|9.||Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||21.6||11.7||127||60|
|10.||Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||23.6||12.8||1491||78|
|11.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||19.8||10.8||-303||43|
|12.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|13.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|14.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|17.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D-LUX Typ 109 provides a higher video resolution than the A7S. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the D-LUX Typ 109 offers a higher resolution than the one in the A7S (2764k vs 2400k dots). The following table reports on some other key feature differences and similarities of the Leica D-LUX Typ 109, the Sony A7S, and comparable cameras.
|1.||Leica D-LUX Typ 109||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|2.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0/s||n||n|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|4.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0/s||Y||Y|
|5.||Fujifilm X100T||2360||n||3.0 / 1040||fixed||n||1/4000s||6.0/s||Y||n|
|6.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0/s||Y||Y|
|7.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|8.||Leica D-LUX 7||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|9.||Leica V-LUX Typ 114||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|10.||Leica X Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|11.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|12.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5/s||n||n|
|13.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|14.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|17.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX Typ 109 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX Typ 109 writes its imaging data to SDXC cards, while the A7S uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX (Typ 109) and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica D-LUX Typ 109||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Fujifilm X100T||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|7.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|8.||Leica D-LUX 7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Leica V-LUX Typ 114||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|10.||Leica X Typ 113||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7S has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The D-LUX Typ 109 does not feature such a mic input.
Both the D-LUX Typ 109 and the A7S have been discontinued, but can regularly be found used on eBay. The A7S was replaced by the Sony A7S II, while the D-LUX Typ 109 was followed by the Leica D-LUX 7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Leica D-LUX Typ 109 or the Sony A7S – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Leica D-LUX (Typ 109):
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2400k dots).
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A7S requires a separate lens.
- More compact: Is smaller (118x66mm vs 127x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7S).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 5 months after the A7S).
Arguments in favor of the Sony Alpha A7S:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (380 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More heavily discounted: Has been on the market for longer (launched in April 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the A7S emerges as the winner of the match-up (14 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX Typ 109 and the Sony A7S place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D-LUX Typ 109 or the A7S perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX Typ 109||..||..||..||..||4.5/5||4.5/5||Sep 2014||1,195|
|2.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|4.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|5.||Fujifilm X100T||5/5||+||..||81/100||4.5/5||5/5||Sep 2014||1,299|
|6.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|7.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|8.||Leica D-LUX 7||..||..||..||..||..||4.5/5||Nov 2018||1,195|
|9.||Leica V-LUX Typ 114||..||..||..||..||..||5/5||Sep 2014||1,349|
|10.||Leica X Typ 113||3.5/5||..||..||..||3.5/5||4/5||Sep 2014||2,295|
|11.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699|
|12.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|13.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|14.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|17.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G15 vs Leica D-LUX Typ 109
- Fujifilm X-T1 vs Leica D-LUX Typ 109
- Leica D-LUX Typ 109 vs Nikon D5000
- Leica D-LUX Typ 109 vs Panasonic S1
- Leica D-LUX Typ 109 vs Sony A6300
- Leica D-LUX Typ 109 vs Sony A7 II
- Leica Q2 vs Sony A7S
- Leica V-LUX 1 vs Sony A7S
- Nikon D2Xs vs Sony A7S
- Nikon D3 vs Sony A7S
- Nikon D300S vs Sony A7S
- Sony A7S vs Sony ZV-E10
Specifications: Leica D-LUX Typ 109 vs Sony A7S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX Typ 109||Sony A7S|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-75mm f/1.7-2.8||Sony E mount lenses|
|Launch Date||September 2014||April 2014|
|Launch Price||USD 1,195||USD 2,499|
|Sensor Specs||Leica D-LUX Typ 109||Sony A7S|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||15.7 x 11.8 mm||35.8 x 23.9 mm|
|Sensor Area||185.26 mm2||855.62 mm2|
|Sensor Diagonal||19.6 mm||43 mm|
|Sensor Resolution||12.7 Megapixels||12 Megapixels|
|Image Resolution||4112 x 3088 pixels||4240 x 2832 pixels|
|Pixel Pitch||3.82 μm||8.45 μm|
|Pixel Density||6.85 MP/cm2||1.40 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200 - 12,500 ISO||100 - 102,400 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 409,600 ISO|
|DXO Sensor Quality (score)||..||87|
|DXO Color Depth (bits)||..||23.9|
|DXO Dynamic Range (EV)||..||13.2|
|DXO Low Light (ISO)||..||3702|
|Screen Specs||Leica D-LUX Typ 109||Sony A7S|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica D-LUX Typ 109||Sony A7S|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica D-LUX Typ 109||Sony A7S|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Leica D-LUX Typ 109||Sony A7S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
118 x 66 x 55 mm
(4.6 x 2.6 x 2.2 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||405 g (14.3 oz)||489 g (17.2 oz)|
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