Leica D-LUX Typ 109 vs Sony A7R
The Leica D-LUX (Typ 109) and the Sony Alpha A7R are two enthusiast cameras that were officially introduced, respectively, in September 2014 and October 2013. The D-LUX Typ 109 is a fixed lens compact, while the A7R is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (D-LUX Typ 109) and a full frame (A7R) sensor. The Leica has a resolution of 12.7 megapixels, whereas the Sony provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX (Typ 109) and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX Typ 109 and the Sony A7R. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The D-LUX Typ 109 can be obtained in two different colors (black, grey), while the A7R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is considerably larger (53 percent) than the Leica D-LUX Typ 109. It is noteworthy in this context that the A7R is splash and dust-proof, while the D-LUX Typ 109 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX Typ 109 has a lens built in, whereas the A7R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the D-LUX Typ 109 gets 300 shots out of its BP-DC15 battery, while the A7R can take 340 images on a single charge of its NP-FW50 power pack. The power pack in the A7R can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195|
|2.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|4.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|5.||Fujifilm X100T||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299|
|6.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|7.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|8.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195|
|9.||Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349|
|10.||Leica X Typ 113||133 mm||73 mm||78 mm||486 g||350||n||Sep 2014||2,295|
|11.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|12.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|13.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|14.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|16.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|17.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D-LUX Typ 109 was launched at a lower price than the A7R, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX Typ 109 features a Four Thirds sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the D-LUX Typ 109 has a native 4:3 aspect ratio, while the one in the A7R offers a 3:2 aspect. The D-LUX Typ 109 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 36.2MP, the A7R offers a higher resolution than the D-LUX Typ 109 (12.7MP), but the A7R nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 4.21μm for the D-LUX Typ 109) due to its larger sensor. However, the D-LUX Typ 109 is a somewhat more recent model (by 10 months) than the A7R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Leica D-LUX Typ 109 are 20.6 x 15.4 inches or 52.2 x 39.2 cm for good quality, 16.4 x 12.4 inches or 41.8 x 31.4 cm for very good quality, and 13.7 x 10.3 inches or 34.8 x 26.1 cm for excellent quality prints.
The Leica D-LUX (Typ 109) has a native sensitivity range from ISO 200 to ISO 12500, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||..||..||..||..|
|2.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|8.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|9.||Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|10.||Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||..||..||..||..|
|11.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|12.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|13.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|14.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|16.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|17.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D-LUX Typ 109 provides a higher video resolution than the A7R. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the D-LUX Typ 109 offers a higher resolution than the one in the A7R (2764k vs 2400k dots). The table below summarizes some of the other core capabilities of the Leica D-LUX Typ 109 and Sony A7R in connection with corresponding information for a sample of similar cameras.
|1.||Leica D-LUX Typ 109||2764||n||3.0 / 921||fixed||n||1/4000s||11.0||n||Y|
|2.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0||n||n|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|4.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|5.||Fujifilm X100T||2360||n||3.0 / 1040||fixed||n||1/4000s||6.0||Y||n|
|6.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0||Y||Y|
|7.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0||Y||n|
|8.||Leica D-LUX 7||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|9.||Leica V-LUX Typ 114||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|10.||Leica X Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0||Y||n|
|11.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|12.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0||Y||n|
|13.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0||n||Y|
|14.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|16.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0||n||n|
|17.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX Typ 109 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX Typ 109 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX Typ 109 writes its imaging data to SDXC cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX (Typ 109) and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica D-LUX Typ 109||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Fujifilm X100T||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|7.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|8.||Leica D-LUX 7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Leica V-LUX Typ 114||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|10.||Leica X Typ 113||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|13.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The D-LUX Typ 109 does not feature such a mic input.
Both the D-LUX Typ 109 and the A7R have been discontinued, but can regularly be found used on eBay. The A7R was replaced by the Sony A7R II, while the D-LUX Typ 109 was followed by the Leica D-LUX 7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So how do things add up? Is there a clear favorite between the Leica D-LUX Typ 109 and the Sony A7R? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica D-LUX (Typ 109):
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2400k dots).
- Faster burst: Shoots at higher frequency (11 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A7R requires a separate lens.
- More compact: Is smaller (118x66mm vs 127x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7R).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 10 months after the A7R).
Advantages of the Sony Alpha A7R:
- More detail: Has more megapixels (36.2 vs 12.7MP), which boosts linear resolution by 72%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (340 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More heavily discounted: Has been on the market for longer (launched in October 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the A7R emerges as the winner of the match-up (17 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX Typ 109 and the Sony A7R place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D-LUX Typ 109 or the A7R perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX Typ 109||..||..||..||..||4.5/5||4.5/5||Sep 2014||1,195|
|2.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|4.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|5.||Fujifilm X100T||5/5||+||..||81/100||4.5/5||5/5||Sep 2014||1,299|
|6.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|7.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|8.||Leica D-LUX 7||..||..||..||..||..||4.5/5||Nov 2018||1,195|
|9.||Leica V-LUX Typ 114||..||..||..||..||..||5/5||Sep 2014||1,349|
|10.||Leica X Typ 113||3.5/5||..||..||..||3.5/5||4/5||Sep 2014||2,295|
|11.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699|
|12.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|13.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|14.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|16.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|17.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 350D vs Sony A7R
- Canon G7 X vs Leica D-LUX Typ 109
- Canon M5 vs Sony A7R
- Canon M6 Mark II vs Sony A7R
- Canon SX420 vs Leica D-LUX Typ 109
- Fujifilm X100 vs Leica D-LUX Typ 109
- Leica D-LUX Typ 109 vs Nikon D1X
- Leica D-LUX Typ 109 vs Panasonic GF5
- Leica D-LUX Typ 109 vs Sony NEX-3N
- Panasonic LX100 vs Sony A7R
- Ricoh WG-60 vs Sony A7R
- Samsung NX1 vs Sony A7R
Specifications: Leica D-LUX Typ 109 vs Sony A7R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX Typ 109||Sony A7R|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-75mm f/1.7-2.8||Sony E mount lenses|
|Launch Date||September 2014||October 2013|
|Launch Price||USD 1,195||USD 2,299|
|Sensor Specs||Leica D-LUX Typ 109||Sony A7R|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||12.7 Megapixels||36.2 Megapixels|
|Image Resolution||4112 x 3088 pixels||7360 x 4912 pixels|
|Pixel Pitch||4.21 μm||4.88 μm|
|Pixel Density||5.65 MP/cm2||4.20 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200 - 12,500 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 51,200 ISO|
|DXO Sensor Quality (score)||..||95|
|DXO Color Depth (bits)||..||25.6|
|DXO Dynamic Range (EV)||..||14.1|
|DXO Low Light (ISO)||..||2746|
|Screen Specs||Leica D-LUX Typ 109||Sony A7R|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica D-LUX Typ 109||Sony A7R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||4 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Leica D-LUX Typ 109||Sony A7R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Leica D-LUX Typ 109||Sony A7R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
118 x 66 x 55 mm
(4.6 x 2.6 x 2.2 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||405 g (14.3 oz)||465 g (16.4 oz)|
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