Leica D-LUX Typ 109 vs Panasonic LX7
The Leica D-LUX (Typ 109) and the Panasonic Lumix DMC-LX7 are two digital cameras that were announced, respectively, in September 2014 and July 2012. Both the D-LUX Typ 109 and the LX7 are fixed lens compact cameras that are based on a Four Thirds (D-LUX Typ 109) and a 1/1.7-inch (LX7) sensor. The Leica has a resolution of 12.7 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX Typ 109||Panasonic LX7|
|Fixed lens compact camera||Fixed lens compact camera|
|24-75mm f/1.7-2.8||24-90mm f/1.4-2.3|
|12.7 MP, Four Thirds Sensor||10 MP, 1/1.7" Sensor|
|4K/30p Video||1080/60p Video|
|ISO 200-12500 (100-25600)||ISO 80-6400 (80-12800)|
|Electronic viewfinder (2764k dots)||Viewfinder optional|
|3.0" LCD, 921k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|11 shutter flaps per second||11 shutter flaps per second|
|300 shots per battery charge||330 shots per battery charge|
|118 x 66 x 55 mm, 405 g||111 x 68 x 46 mm, 298 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX (Typ 109) and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica D-LUX Typ 109 and the Panasonic LX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The D-LUX Typ 109 can be obtained in two different colors (black, grey), while the LX7 is also available in two color-versions, but different ones (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is somewhat smaller (3 percent) than the Leica D-LUX Typ 109. Moreover, the LX7 is markedly lighter (26 percent) than the D-LUX Typ 109. In this context, it is worth noting that neither the D-LUX Typ 109 nor the LX7 are weather-sealed.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Leica D-LUX Typ 109»||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Panasonic LX7«||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Fujifilm X30« »||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599||Fujifilm X30|
|Fujifilm X100T« »||5.0 in||2.9 in||2.0 in||15.5 oz||330||n||Sep 2014||1,299||-||Fujifilm X100T|
|Fujifilm X20« »||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||-||Fujifilm X20|
|Fujifilm X100S« »||5.0 in||2.9 in||2.1 in||15.7 oz||330||n||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 7« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Leica V-LUX Typ 114« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349||-||Leica V-LUX Typ 114|
|Leica X Typ 113« »||5.2 in||2.9 in||3.1 in||17.1 oz||350||n||Sep 2014||2,295||Leica X Typ 113|
|Leica D-LUX 6« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX7 was launched at a markedly lower price (by 58 percent) than the D-LUX Typ 109, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX Typ 109 features a Four Thirds sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.65. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. Both cameras have the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 12.7MP, the D-LUX Typ 109 offers a higher resolution than the LX7 (10MP), but the D-LUX Typ 109 nevertheless has larger individual pixels (pixel pitch of 4.21μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the D-LUX Typ 109 is a much more recent model (by 2 years and 1 month) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Leica D-LUX Typ 109 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D-LUX Typ 109 for good quality output (200 dots per inch) amounts to 20.6 x 15.4 inch or 52.2 x 39.2 cm, for very good quality (250 dpi) 16.4 x 12.4 inch or 41.8 x 31.4 cm, and for excellent quality (300 dpi) 13.7 x 10.3 inch or 34.8 x 26.1 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX (Typ 109) has a native sensitivity range from ISO 200 to ISO 12500, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica D-LUX Typ 109»||Four Thirds||12.7||4112||3088||4K/30p||-||-||-||-||Leica D-LUX Typ 109|
|Panasonic LX7«||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Fujifilm X30« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X30|
|Fujifilm X100T« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X100T|
|Fujifilm X20« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X20|
|Fujifilm X100S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X100S|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 7« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Leica D-LUX 7|
|Leica V-LUX Typ 114« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX Typ 114|
|Leica X Typ 113« »||APS-C||16.1||4928||3264||1080/30p||-||-||-||-||Leica X Typ 113|
|Leica D-LUX 6« »||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D-LUX Typ 109 provides a higher video resolution than the LX7. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D-LUX Typ 109 has an electronic viewfinder (2764k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The table below summarizes some of the other core capabilities of the Leica D-LUX Typ 109 and Panasonic LX7 in connection with corresponding information for a sample of similar cameras.
|Leica D-LUX Typ 109»||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Leica D-LUX Typ 109|
|Panasonic LX7«||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Fujifilm X30« »||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Fujifilm X100T« »||2360||n||3.0||1040||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100T|
|Fujifilm X20« »||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Fujifilm X100S« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100S|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 7« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Leica D-LUX 7|
|Leica V-LUX Typ 114« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX Typ 114|
|Leica X Typ 113« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Typ 113|
|Leica D-LUX 6« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
One difference between the cameras concerns the presence of an on-board flash. The LX7 has one, while the D-LUX Typ 109 does not. While the built-in flash of the LX7 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX Typ 109 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX Typ 109 and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the D-LUX Typ 109 and the LX7 have zoom lenses built in. The D-LUX Typ 109 has a 24-75mm f/1.7-2.8 optic and the LX7 offers a 24-90mm f/1.4-2.3 (focal lengths in full frame equivalent terms). Hence, the Leica and Panasonic provide the same view at the wide-angle end, but the Panasonic has more tele-photo reach at the long end. The LX7 offers the faster maximum aperture.
Concerning the storage of imaging data, both the D-LUX Typ 109 and the LX7 write their files to SDXC cards. The D-LUX Typ 109 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX (Typ 109) and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica D-LUX Typ 109»||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica D-LUX Typ 109|
|Panasonic LX7«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Fujifilm X30« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Fujifilm X100T« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100T|
|Fujifilm X20« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Fujifilm X100S« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X100S|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Leica V-LUX Typ 114« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Leica V-LUX Typ 114|
|Leica X Typ 113« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Typ 113|
|Leica D-LUX 6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Panasonic GF5« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
It is notable that the D-LUX Typ 109 offers wifi support, while the LX7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the D-LUX Typ 109 and the LX7 have been discontinued, but can regularly be found used on eBay. The LX7 was replaced by the Panasonic LX10, while the D-LUX Typ 109 was followed by the Leica D-LUX 7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what conclusions can be drawn? Is the Leica D-LUX Typ 109 better than the Panasonic LX7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica D-LUX (Typ 109):
- More detail: Offers more megapixels (12.7 vs 10MP) with a 13% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 2 years and 1 month of technical progress since the LX7 launch.
Reasons to prefer the Panasonic Lumix DMC-LX7:
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/1.7).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Has a lower weight (by 107g or 26 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the D-LUX Typ 109 is the clear winner of the match-up (13 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX Typ 109 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D-LUX Typ 109 or the LX7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica D-LUX Typ 109»||-||-||4.5/5||-||4.5/5||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Panasonic LX7«||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Fujifilm X30« »||-||76/100||4.5/5||4/5||4.5/5||Aug 2014||599||Fujifilm X30|
|Fujifilm X100T« »||+||81/100||4.5/5||4.5/5||5/5||Sep 2014||1,299||-||Fujifilm X100T|
|Fujifilm X20« »||+ +||77/100||4.5/5||-||5/5||Jan 2013||599||-||Fujifilm X20|
|Fujifilm X100S« »||+ +||81/100||4.5/5||4/5||5/5||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 7« »||-||-||-||-||4.5/5||Nov 2018||1,195||Leica D-LUX 7|
|Leica V-LUX Typ 114« »||-||-||-||-||5/5||Sep 2014||1,349||-||Leica V-LUX Typ 114|
|Leica X Typ 113« »||-||-||3.5/5||-||4/5||Sep 2014||2,295||Leica X Typ 113|
|Leica D-LUX 6« »||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Panasonic LX100« »||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Leica D-LUX Typ 109 vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX Typ 109||Panasonic LX7|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-75mm f/1.7-2.8||24-90mm f/1.4-2.3|
|Launch Date||September 2014||July 2012|
|Launch Price||USD 1195||USD 499|
|Sensor Specs||Leica D-LUX Typ 109||Panasonic LX7|
|Sensor Format||Four Thirds Sensor||1/1.7" Sensor|
|Sensor Size||17.3 x 13.0 mm||7.44 x 5.58 mm|
|Sensor Area||224.9 mm2||41.5152 mm2|
|Sensor Diagonal||21.6 mm||9.3 mm|
|Sensor Resolution||12.7 Megapixels||10 Megapixels|
|Image Resolution||4112 x 3088 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.21 μm||2.05 μm|
|Pixel Density||5.65 MP/cm2||24.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200-12500 ISO||80-6400 ISO|
|ISO Boost||100-25600 ISO||80-12800 ISO|
|DXO Sensor Quality (score)||..||50|
|DXO Color Depth (bits)||..||20.7|
|DXO Dynamic Range (EV)||..||11.7|
|DXO Low Light (ISO)||..||147|
|Screen Specs||Leica D-LUX Typ 109||Panasonic LX7|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Leica D-LUX Typ 109||Panasonic LX7|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||11 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Leica D-LUX Typ 109||Panasonic LX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Leica D-LUX Typ 109||Panasonic LX7|
|Battery Life (CIPA)||300 shots per charge||330 shots per charge|
118 x 66 x 55 mm
(4.6 x 2.6 x 2.2 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||405 g (14.3 oz)||298 g (10.5 oz)|
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