Leica D-LUX 7 vs Sony A1
The Leica D-LUX 7 and the Sony A1 are two digital cameras that were announced, respectively, in November 2018 and January 2021. The D-LUX 7 is a fixed lens compact, while the A1 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (D-LUX 7) and a full frame (A1) sensor. The Leica has a resolution of 16.8 megapixels, whereas the Sony provides 49.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 7 and the Sony A1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX 7 and the Sony A1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A1 is considerably larger (65 percent) than the Leica D-LUX 7. It is noteworthy in this context that the A1 is splash and dust-proof, while the D-LUX 7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the A1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A1 and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the D-LUX 7 gets 300 shots out of its BP-DC15 battery, while the A1 can take 530 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195||amazon.com|
|2.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499||amazon.com|
|3.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|4.||Fujifilm X100T||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299||ebay.com|
|5.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299||ebay.com|
|6.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|7.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||amazon.com|
|8.||Leica D-LUX Typ 109||118 mm||66 mm||55 mm||405 g||300||n||Sep 2014||1,195||ebay.com|
|9.||Leica V-LUX Typ 114||137 mm||99 mm||131 mm||830 g||360||n||Sep 2014||1,349||ebay.com|
|10.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|11.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|12.||Sony A7 IV||131 mm||96 mm||80 mm||659 g||580||Y||Oct 2021||2,499||amazon.com|
|13.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||amazon.com|
|14.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||ebay.com|
|15.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|16.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|17.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D-LUX 7 was launched at a lower price than the A1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX 7 features a Four Thirds sensor and the Sony A1 a full frame sensor. The sensor area in the A1 is 366 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.2 and 1.0. The sensor in the D-LUX 7 has a native 4:3 aspect ratio, while the one in the A1 offers a 3:2 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 49.8MP, the A1 offers a higher resolution than the D-LUX 7 (16.8MP), but the A1 nevertheless has larger individual pixels (pixel pitch of 4.16μm versus 3.32μm for the D-LUX 7) due to its larger sensor. Moreover, the A1 is a much more recent model (by 2 years and 2 months) than the D-LUX 7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A1 for good quality output (200 dots per inch) amounts to 43.2 x 28.8 inches or 109.7 x 73.2 cm, for very good quality (250 dpi) 34.6 x 23 inches or 87.8 x 58.5 cm, and for excellent quality (300 dpi) 28.8 x 19.2 inches or 73.2 x 48.8 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inches or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inches or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inches or 40.1 x 30.1 cm for excellent quality prints.
The A1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the D-LUX 7, the A1 has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica D-LUX 7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony A1 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 500-102400.
In terms of underlying technology, the D-LUX 7 is build around a CMOS sensor, while the A1 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||22.9||12.8||1002||72|
|2.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|6.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|8.||Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||22.4||12.1||607||67|
|9.||Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||21.6||11.7||127||60|
|10.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|12.||Sony A7 IV||Full Frame||32.7||7008||4672||4K/60p||25.4||14.7||3379||97|
|13.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|14.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|15.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|16.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|17.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A1 provides a better video resolution than the D-LUX 7. It can shoot movie footage at 8k/30p, while the Leica is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A1 offers a substantially higher resolution than the one in the D-LUX 7 (9437k vs 2764k dots). The table below summarizes some of the other core capabilities of the Leica D-LUX 7 and Sony A1 in connection with corresponding information for a sample of similar cameras.
|1.||Leica D-LUX 7||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|2.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|3.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|4.||Fujifilm X100T||2360||n||3.0 / 1040||fixed||n||1/4000s||6.0/s||Y||n|
|5.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|6.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|7.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|8.||Leica D-LUX Typ 109||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|9.||Leica V-LUX Typ 114||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|10.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|11.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|12.||Sony A7 IV||3686||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|13.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|14.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|15.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|17.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 and the Sony A1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 7 writes its imaging data to SDXC cards, while the A1 uses CFexpress (type A) or SDXC cards. The A1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 7 only has one slot. The A1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D-LUX 7 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 7 and Sony A1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica D-LUX 7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|3.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|4.||Fujifilm X100T||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|6.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Leica D-LUX Typ 109||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|9.||Leica V-LUX Typ 114||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|10.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|11.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Sony A7 IV||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|13.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|17.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A1 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The D-LUX 7 does not feature such a mic input.
Studio photographers will appreciate that the Sony A1 (unlike the D-LUX 7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D-LUX 7 and the A1 are recent models that are part of the current product line-up. The D-LUX 7 replaced the earlier Leica D-LUX Typ 109, while the A1 does not have a direct predecessor. Further information on the features and operation of the D-LUX 7 and A1 can be found, respectively, in the Leica D-LUX 7 Manual (free pdf) or the online Sony A1 Manual.
So what is the bottom line? Is there a clear favorite between the Leica D-LUX 7 and the Sony A1? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Leica D-LUX 7:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Has a lens built-in, whereas the A1 requires a separate lens.
- More compact: Is smaller (115x66mm vs 129x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A1).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in November 2018).
Advantages of the Sony A1:
- More detail: Has more megapixels (49.8 vs 16.8MP), which boosts linear resolution by 75%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8k/30p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (9437k vs 2764k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1240k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (530 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 2 months of technical progress since the D-LUX 7 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A1 is the clear winner of the contest (24 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 7 and the Sony A1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D-LUX 7 and the A1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX 7||..||..||..||..||..||4.5/5||Nov 2018||1,195||amazon.com|
|2.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499||amazon.com|
|3.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|4.||Fujifilm X100T||5/5||+||..||81/100||4.5/5||5/5||Sep 2014||1,299||ebay.com|
|5.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299||ebay.com|
|6.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|7.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049||amazon.com|
|8.||Leica D-LUX Typ 109||..||..||..||..||4.5/5||4.5/5||Sep 2014||1,195||ebay.com|
|9.||Leica V-LUX Typ 114||..||..||..||..||..||5/5||Sep 2014||1,349||ebay.com|
|10.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|11.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449||ebay.com|
|12.||Sony A7 IV||5/5||+ +||4.5/5||89/100||4.5/5||4.5/5||Oct 2021||2,499||amazon.com|
|13.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999||amazon.com|
|14.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199||ebay.com|
|15.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|16.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|17.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G1 X vs Leica D-LUX 7
- Canon G7 X vs Sony A1
- Leica D-LUX 7 vs Panasonic GX850
- Leica D-LUX 7 vs Panasonic LF1
- Leica D-LUX 7 vs Panasonic TZ100
- Leica D-LUX 7 vs Sigma fp L
- Leica D-LUX 7 vs Sony HX400V
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- Olympus E-1 vs Sony A1
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- Panasonic GM1 vs Sony A1
- Sony A1 vs Sony A7R IV
Specifications: Leica D-LUX 7 vs Sony A1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 7||Sony A1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-75mm f/1.7-2.8||Sony E mount lenses|
|Launch Date||November 2018||January 2021|
|Launch Price||USD 1,195||USD 6,499|
|Sensor Specs||Leica D-LUX 7||Sony A1|
|Sensor Technology||CMOS||Stacked BSI-CMOS|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||15.7 x 11.8 mm||35.9 x 24.0 mm|
|Sensor Area||185.26 mm2||861.6 mm2|
|Sensor Diagonal||19.6 mm||43.2 mm|
|Sensor Resolution||16.8 Megapixels||49.8 Megapixels|
|Image Resolution||4736 x 3552 pixels||8640 x 5760 pixels|
|Pixel Pitch||3.32 μm||4.16 μm|
|Pixel Density||9.08 MP/cm2||5.78 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||8k/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 32,000 ISO|
|ISO Boost||100 - 25,600 ISO||500 - 102,400 ISO|
|DXO Sensor Quality (score)||..||98|
|DXO Color Depth (bits)||..||25.9|
|DXO Dynamic Range (EV)||..||14.5|
|DXO Low Light (ISO)||..||3163|
|Screen Specs||Leica D-LUX 7||Sony A1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots||9437k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica D-LUX 7||Sony A1|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexA or SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Leica D-LUX 7||Sony A1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Leica D-LUX 7||Sony A1|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||530 shots per charge|
|In-Camera Charging||USB charging||USB charging|
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
129 x 97 x 81 mm
(5.1 x 3.8 x 3.2 in)
|Camera Weight||392 g (13.8 oz)||737 g (26.0 oz)|
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