Leica D-LUX 7 vs Panasonic S5

The Leica D-LUX 7 and the Panasonic Lumix DC-S5 are two enthusiast cameras that were officially introduced, respectively, in November 2018 and September 2020. The D-LUX 7 is a fixed lens compact, while the S5 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (D-LUX 7) and a full frame (S5) sensor. The Leica has a resolution of 16.8 megapixels, whereas the Panasonic provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica D-LUX 7		Panasonic S5
Fixed lens compact camera		Mirrorless system camera
24-75mm f/1.7-2.8		Leica L mount lenses
16.8 MP – Four Thirds sensor		24 MP – Full Frame sensor
4K/30p Video		4K/60p Video
ISO 200-25,600		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (2764k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1240k dots		3.0" LCD – 1840k dots
Fixed touchscreen		Swivel touchscreen
11 shutter flaps per second		7 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
300 shots per battery charge		440 shots per battery charge
115 x 66 x 65 mm, 392 g		133 x 98 x 82 mm, 714 g

Check D-LUX 7 offers at
ebay.com
Check S5 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 7 and the Panasonic Lumix DC-S5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Leica D-LUX 7 and the Panasonic S5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 is considerably larger (72 percent) than the Leica D-LUX 7. It is noteworthy in this context that the S5 is splash and dust-proof, while the D-LUX 7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the S5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the D-LUX 7 gets 300 shots out of its Leica BP-DC15 battery, while the S5 can take 440 images on a single charge of its Panasonic DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	1,195	ebay.com
2.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
3.		Fujifilm X100S	127 mm	74 mm	54 mm	445 g	330	n	Jan 2013	1,299	ebay.com
4.		Fujifilm X100T	127 mm	74 mm	52 mm	440 g	330	n	Sep 2014	1,299	ebay.com
5.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	1,299	ebay.com
6.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	1,049	ebay.com
7.		Leica D-LUX Typ 109	118 mm	66 mm	55 mm	405 g	300	n	Sep 2014	1,195	ebay.com
8.		Leica V-LUX Typ 114	137 mm	99 mm	131 mm	830 g	360	n	Sep 2014	1,349	ebay.com
9.		Leica V-LUX 5	136 mm	97 mm	131 mm	812 g	350	n	Jul 2019	1,249	amazon.com
10.		Nikon Z6 II	134 mm	101 mm	70 mm	705 g	410	Y	Oct 2020	1,999	amazon.com
11.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
12.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	1,699	amazon.com
13.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	999	ebay.com
14.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	1,999	amazon.com
15.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
16.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
17.		Sony RX100 VI	102 mm	58 mm	43 mm	301 g	240	n	Jun 2018	1,199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX 7 was launched at a lower price than the S5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Leica D-LUX 7 features a Four Thirds sensor and the Panasonic S5 a full frame sensor. The sensor area in the S5 is 358 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.2 and 1.0. The sensor in the D-LUX 7 has a native 4:3 aspect ratio, while the one in the S5 offers a 3:2 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 24MP, the S5 offers a higher resolution than the D-LUX 7 (16.8MP), but the S5 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.32μm for the D-LUX 7) due to its larger sensor. Moreover, the S5 is a somewhat more recent model (by 1 year and 9 months) than the D-LUX 7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Panasonic S5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S5 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inches or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inches or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inches or 40.1 x 30.1 cm for excellent quality prints.

Unlike the D-LUX 7, the S5 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Leica D-LUX 7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-S5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
2.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
3.		Fujifilm X100S	APS-C	16.0	4896	3264	1080/60p	23.3	12.5	1329	75
4.		Fujifilm X100T	APS-C	16.0	4896	3264	1080/60p	23.6	12.8	1483	78
5.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
6.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
7.		Leica D-LUX Typ 109	Four Thirds	12.7	4112	3088	4K/30p	22.4	12.1	607	67
8.		Leica V-LUX Typ 114	1-inch	20.0	5472	3648	4K/30p	21.6	11.7	127	60
9.		Leica V-LUX 5	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	584	65
10.		Nikon Z6 II	Full Frame	24.3	6048	4024	4K/60p	25.0	14.4	3303	94
11.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
12.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
13.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
14.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
15.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
16.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
17.		Sony RX100 VI	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	478	64
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S5 provides a faster frame rate than the D-LUX 7. It can shoot movie footage at 4K/60p, while the Leica is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the D-LUX 7 offers a higher resolution than the one in the S5 (2764k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Leica D-LUX 7, the Panasonic S5, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
2.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
3.		Fujifilm X100S	2360	n	2.8 / 460	fixed	n	1/4000s	6.0/s	Y	n
4.		Fujifilm X100T	2360	n	3.0 / 1040	fixed	n	1/4000s	6.0/s	Y	n
5.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
6.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
7.		Leica D-LUX Typ 109	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
8.		Leica V-LUX Typ 114	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
9.		Leica V-LUX 5	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
10.		Nikon Z6 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	14.0/s	n	Y
11.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
12.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
13.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
14.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
15.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
16.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
17.		Sony RX100 VI	2359	n	3.0 / 1229	tilting	Y	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Leica D-LUX 7 and the Panasonic S5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the D-LUX 7 and the S5 write their files to SDXC cards. The S5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 7 only has one slot. The S5 supports UHS-II cards (on its first slot), while the D-LUX 7 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 7 and Panasonic Lumix DC-S5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
2.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Fujifilm X100S	Y	stereo / mono	-	-	micro	2.0	-	-	-
4.		Fujifilm X100T	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Leica D-LUX Typ 109	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
8.		Leica V-LUX Typ 114	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
9.		Leica V-LUX 5	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
10.		Nikon Z6 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
12.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
14.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony RX100 VI	-	stereo / mono	-	-	micro	2.0	Y	Y	Y

It is notable that the S5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The D-LUX 7 does not feature such a mic input.

The S5 is a recent model that features in the current product line-up of Panasonic. In contrast, the D-LUX 7 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the D-LUX 7 from Leica. Further information on the features and operation of the D-LUX 7 and S5 can be found, respectively, in the Leica D-LUX 7 Manual (free pdf) or the online Panasonic S5 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Leica D-LUX 7 and the Panasonic S5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Leica D-LUX 7:

• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2360k dots).
• Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has a lens built-in, whereas the S5 requires a separate lens.
• More compact: Is smaller (115x66mm vs 133x98mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the S5).
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in November 2018).

Arguments in favor of the Panasonic Lumix DC-S5:

• More detail: Has more megapixels (24 vs 16.8MP), which boosts linear resolution by 22%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1840k vs 1240k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (440 versus 300) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Was introduced somewhat (1 year and 9 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the S5 is the clear winner of the contest (21 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica D-LUX 7 and the Panasonic S5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D-LUX 7 or the S5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	1,195	ebay.com
2.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
3.		Fujifilm X100S	5/5	+ +	..	81/100	4.5/5	5/5	Jan 2013	1,299	ebay.com
4.		Fujifilm X100T	5/5	+	..	81/100	4.5/5	5/5	Sep 2014	1,299	ebay.com
5.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	1,299	ebay.com
6.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	1,049	ebay.com
7.		Leica D-LUX Typ 109	..	..	..	..	4.5/5	4.5/5	Sep 2014	1,195	ebay.com
8.		Leica V-LUX Typ 114	..	..	..	..	..	5/5	Sep 2014	1,349	ebay.com
9.		Leica V-LUX 5	..	..	..	..	4/5	4/5	Jul 2019	1,249	amazon.com
10.		Nikon Z6 II	4.5/5	..	4/5	89/100	4.5/5	4.5/5	Oct 2020	1,999	amazon.com
11.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
12.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	1,699	amazon.com
13.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	999	ebay.com
14.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	1,999	amazon.com
15.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	449	ebay.com
16.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
17.		Sony RX100 VI	4.5/5	+ +	..	83/100	4/5	4.5/5	Jun 2018	1,199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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