Leica D-LUX 7 vs Olympus E-520
The Leica D-LUX 7 and the Olympus E-520 are two digital cameras that were announced, respectively, in November 2018 and May 2008. The D-LUX 7 is a fixed lens compact, while the E-520 is a DSLR. Both cameras are equipped with a Four Thirds sensor. The Leica has a resolution of 16.8 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 7 and the Olympus E-520? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX 7 and the Olympus E-520. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-520 is considerably larger (65 percent) than the Leica D-LUX 7. In this context, it is worth noting that neither the D-LUX 7 nor the E-520 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the E-520 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-520 and their specifications in the Four Thirds Lens Catalog.
Concerning battery life, the D-LUX 7 gets 300 shots out of its Leica BP-DC15 battery, while the E-520 can take 750 images on a single charge of its Olympus BLM-1 power pack. The power pack in the D-LUX 7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Nov 2018 | 1,195 | ebay.com | |
2. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
3. | Fujifilm X100S | 127 mm | 74 mm | 54 mm | 445 g | 330 | n | Jan 2013 | 1,299 | ebay.com | |
4. | Fujifilm X100T | 127 mm | 74 mm | 52 mm | 440 g | 330 | n | Sep 2014 | 1,299 | ebay.com | |
5. | Fujifilm X100F | 127 mm | 75 mm | 52 mm | 469 g | 390 | n | Jan 2017 | 1,299 | ebay.com | |
6. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
7. | Leica D-LUX Typ 109 | 118 mm | 66 mm | 55 mm | 405 g | 300 | n | Sep 2014 | 1,195 | ebay.com | |
8. | Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | 1,349 | ebay.com | |
9. | Leica V-LUX 5 | 136 mm | 97 mm | 131 mm | 812 g | 350 | n | Jul 2019 | 1,249 | amazon.com | |
10. | Olympus E-410 | 130 mm | 91 mm | 53 mm | 435 g | 500 | n | Mar 2007 | 699 | ebay.com | |
11. | Olympus E-420 | 130 mm | 91 mm | 53 mm | 440 g | 500 | n | Mar 2008 | 599 | ebay.com | |
12. | Olympus E-510 | 136 mm | 92 mm | 68 mm | 538 g | 750 | n | Mar 2007 | 799 | ebay.com | |
13. | Olympus E-600 | 130 mm | 94 mm | 60 mm | 535 g | 500 | n | Aug 2009 | 449 | ebay.com | |
14. | Olympus E-620 | 130 mm | 94 mm | 60 mm | 521 g | 500 | n | Feb 2009 | 699 | ebay.com | |
15. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | 999 | ebay.com | |
16. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
17. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor, but their sensors differ slightly in size. The sensor area in the E-520 is 22 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 2.2 (D-LUX 7) and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Leica D-LUX 7 offers a higher resolution of 16.8 megapixels, compared with 10 MP of the Olympus E-520. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.32μm versus 4.74μm for the E-520). However, it should be noted that the D-LUX 7 is much more recent (by 10 years and 6 months) than the E-520, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica D-LUX 7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D-LUX 7 for good quality output (200 dots per inch) amounts to 23.7 x 17.8 inches or 60.1 x 45.1 cm, for very good quality (250 dpi) 18.9 x 14.2 inches or 48.1 x 36.1 cm, and for excellent quality (300 dpi) 15.8 x 11.8 inches or 40.1 x 30.1 cm. The corresponding values for the Olympus E-520 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus E-520 are ISO 100 to ISO 1600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.9 | 12.8 | 1002 | 72 | |
2. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
3. | Fujifilm X100S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.3 | 12.5 | 1329 | 75 | |
4. | Fujifilm X100T | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.6 | 12.8 | 1483 | 78 | |
5. | Fujifilm X100F | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.9 | 13.2 | 1704 | 81 | |
6. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
7. | Leica D-LUX Typ 109 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.4 | 12.1 | 607 | 67 | |
8. | Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.6 | 11.7 | 127 | 60 | |
9. | Leica V-LUX 5 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 584 | 65 | |
10. | Olympus E-410 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.1 | 10.0 | 494 | 51 | |
11. | Olympus E-420 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.5 | 10.4 | 527 | 56 | |
12. | Olympus E-510 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.2 | 10.0 | 442 | 52 | |
13. | Olympus E-600 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.5 | 10.3 | 541 | 55 | |
14. | Olympus E-620 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.3 | 536 | 55 | |
15. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
16. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
17. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The D-LUX 7 indeed provides movie recording capabilities, while the E-520 does not. The highest resolution format that the D-LUX 7 can use is 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D-LUX 7 has an electronic viewfinder (2764k dots), while the E-520 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the D-LUX 7 offers a wider field of view (100%) than the one in the E-520 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D-LUX 7 has a higher magnification (0.70x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Leica D-LUX 7, the Olympus E-520, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
2. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
3. | Fujifilm X100S | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
4. | Fujifilm X100T | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 6.0/s | Y | n | |
5. | Fujifilm X100F | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 8.0/s | Y | n | |
6. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
7. | Leica D-LUX Typ 109 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
8. | Leica V-LUX Typ 114 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
9. | Leica V-LUX 5 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
10. | Olympus E-410 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Olympus E-420 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | n | |
12. | Olympus E-510 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
13. | Olympus E-600 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
14. | Olympus E-620 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
15. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
16. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D-LUX 7 has a touchscreen, while the E-520 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX 7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 7 writes its imaging data to SDXC cards, while the E-520 uses Compact Flash or xD Picture cards. The E-520 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 7 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 7 and Olympus E-520 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
3. | Fujifilm X100S | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
4. | Fujifilm X100T | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
5. | Fujifilm X100F | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
6. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Leica D-LUX Typ 109 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
8. | Leica V-LUX Typ 114 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
9. | Leica V-LUX 5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
10. | Olympus E-410 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Olympus E-420 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus E-510 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus E-600 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Olympus E-620 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
16. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y |
It is notable that the D-LUX 7 offers wifi support, while the E-520 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the D-LUX 7 and the E-520 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Leica and Olympus. Further information on the features and operation of the D-LUX 7 and E-520 can be found, respectively, in the Leica D-LUX 7 Manual (free pdf) or the online Olympus E-520 Manual.
Review summary
So what is the bottom line? Is the Leica D-LUX 7 better than the Olympus E-520 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica D-LUX 7:
- More detail: Offers more megapixels (16.8 vs 10MP) with a 30% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 215k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (11 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the E-520 requires a separate lens.
- More compact: Is smaller (115x66mm vs 136x92mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-520).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 10 years and 6 months of technical progress since the E-520 launch.
Arguments in favor of the Olympus E-520:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 300) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in May 2008).
If the count of individual advantages (bullet points above) is taken as a guide, the D-LUX 7 is the clear winner of the match-up (21 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 7 and the Olympus E-520 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D-LUX 7 or the E-520. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | .. | .. | .. | .. | .. | 4.5/5 | Nov 2018 | 1,195 | ebay.com | |
2. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
3. | Fujifilm X100S | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Jan 2013 | 1,299 | ebay.com | |
4. | Fujifilm X100T | 5/5 | + | .. | 81/100 | 4.5/5 | 5/5 | Sep 2014 | 1,299 | ebay.com | |
5. | Fujifilm X100F | 5/5 | + | 3.9/5 | 83/100 | 4.5/5 | 4.5/5 | Jan 2017 | 1,299 | ebay.com | |
6. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
7. | Leica D-LUX Typ 109 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2014 | 1,195 | ebay.com | |
8. | Leica V-LUX Typ 114 | .. | .. | .. | .. | .. | 5/5 | Sep 2014 | 1,349 | ebay.com | |
9. | Leica V-LUX 5 | .. | .. | .. | .. | 4/5 | 4/5 | Jul 2019 | 1,249 | amazon.com | |
10. | Olympus E-410 | .. | 86/100 | .. | + + | 4/5 | 4.5/5 | Mar 2007 | 699 | ebay.com | |
11. | Olympus E-420 | .. | 85/100 | .. | + + | 4/5 | 4.5/5 | Mar 2008 | 599 | ebay.com | |
12. | Olympus E-510 | .. | 89/100 | .. | + + | 3.5/5 | 4.5/5 | Mar 2007 | 799 | ebay.com | |
13. | Olympus E-600 | .. | .. | .. | .. | .. | 4.5/5 | Aug 2009 | 449 | ebay.com | |
14. | Olympus E-620 | 3/5 | 88/100 | .. | 72/100 | 4.5/5 | 5/5 | Feb 2009 | 699 | ebay.com | |
15. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | 999 | ebay.com | |
16. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
17. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5DS R vs Leica D-LUX 7
- Canon 70D vs Olympus E-520
- Canon 750D vs Olympus E-520
- Canon Rebel vs Olympus E-520
- Fujifilm X-E3 vs Leica D-LUX 7
- Leica D-LUX 7 vs Olympus Stylus 1s
- Leica D-LUX 7 vs Panasonic FZ100
- Leica D-LUX 7 vs Panasonic FZ80
- Leica D-LUX 7 vs Panasonic G5
- Leica S-E Typ 006 vs Olympus E-520
- Nikon D3100 vs Olympus E-520
- Olympus E-520 vs Sony A6000
Specifications: Leica D-LUX 7 vs Olympus E-520
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica D-LUX 7 | Olympus E-520 |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 24-75mm f/1.7-2.8 | Four Thirds lenses |
Launch Date | November 2018 | May 2008 |
Launch Price | USD 1,195 | USD 699 |
Sensor Specs | Leica D-LUX 7 | Olympus E-520 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Four Thirds Sensor |
Sensor Size | 15.7 x 11.8 mm | 17.3 x 13.0 mm |
Sensor Area | 185.26 mm2 | 224.9 mm2 |
Sensor Diagonal | 19.6 mm | 21.6 mm |
Crop Factor | 2.2x | 2.0x |
Sensor Resolution | 16.8 Megapixels | 10 Megapixels |
Image Resolution | 4736 x 3552 pixels | 3648 x 2736 pixels |
Pixel Pitch | 3.32 μm | 4.74 μm |
Pixel Density | 9.08 MP/cm2 | 4.44 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | no Video |
ISO Setting | 200 - 25,600 ISO | 100 - 1,600 ISO |
ISO Boost | 100 - 25,600 ISO | no Enhancement |
DXO Sensor Quality (score) | .. | 55 |
DXO Color Depth (bits) | .. | 21.4 |
DXO Dynamic Range (EV) | .. | 10.4 |
DXO Low Light (ISO) | .. | 548 |
Screen Specs | Leica D-LUX 7 | Olympus E-520 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 95% |
Viewfinder Magnification | 0.70x | 0.46x |
Viewfinder Resolution | 2764k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 2.7inch |
LCD Resolution | 1240k dots | 215k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Leica D-LUX 7 | Olympus E-520 |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 11 shutter flaps/s | 3.5 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | CF or XD cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
Connectivity Specs | Leica D-LUX 7 | Olympus E-520 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | no HDMI |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Leica D-LUX 7 | Olympus E-520 |
Battery Type | Leica BP-DC15 | Olympus BLM-1 |
Battery Life (CIPA) | 300 shots per charge | 750 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
115 x 66 x 65 mm (4.5 x 2.6 x 2.6 in) |
136 x 92 x 68 mm (5.4 x 3.6 x 2.7 in) |
Camera Weight | 392 g (13.8 oz) | 535 g (18.9 oz) |
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