Leica D-LUX 7 vs Nikon D5
The Leica D-LUX 7 and the Nikon D5 are two digital cameras that were revealed to the public, respectively, in November 2018 and January 2016. The D-LUX 7 is a fixed lens compact, while the D5 is a DSLR. The cameras are based on a Four Thirds (D-LUX 7) and a full frame (D5) sensor. The Leica has a resolution of 16.8 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 7 and the Nikon D5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX 7 and the Nikon D5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5 is considerably larger (235 percent) than the Leica D-LUX 7. It is noteworthy in this context that the D5 is splash and dust-proof, while the D-LUX 7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the D5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D5 and their specifications in the Nikon Lens Catalog.
Concerning battery life, the D-LUX 7 gets 300 shots out of its Leica BP-DC15 battery, while the D5 can take 3780 images on a single charge of its Nikon EN-EL18a power pack. As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the D-LUX 7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Nov 2018 | 1,195 | ebay.com | |
2. | Nikon D5 | 160 mm | 159 mm | 92 mm | 1415 g | 3780 | Y | Jan 2016 | 6,499 | ebay.com | |
3. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
4. | Fujifilm X100S | 127 mm | 74 mm | 54 mm | 445 g | 330 | n | Jan 2013 | 1,299 | ebay.com | |
5. | Fujifilm X100T | 127 mm | 74 mm | 52 mm | 440 g | 330 | n | Sep 2014 | 1,299 | ebay.com | |
6. | Fujifilm X100F | 127 mm | 75 mm | 52 mm | 469 g | 390 | n | Jan 2017 | 1,299 | ebay.com | |
7. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
8. | Leica D-LUX Typ 109 | 118 mm | 66 mm | 55 mm | 405 g | 300 | n | Sep 2014 | 1,195 | ebay.com | |
9. | Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | 1,349 | ebay.com | |
10. | Leica V-LUX 5 | 136 mm | 97 mm | 131 mm | 812 g | 350 | n | Jul 2019 | 1,249 | amazon.com | |
11. | Nikon D4S | 160 mm | 157 mm | 91 mm | 1350 g | 3020 | Y | Feb 2014 | 6,499 | ebay.com | |
12. | Nikon D6 | 160 mm | 163 mm | 92 mm | 1270 g | 3580 | Y | Feb 2020 | 6,499 | amazon.com | |
13. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
14. | Nikon D750 | 141 mm | 113 mm | 78 mm | 750 g | 1230 | Y | Sep 2014 | 2,299 | ebay.com | |
15. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | 999 | ebay.com | |
16. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
17. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D-LUX 7 was launched at a lower price than the D5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 7 features a Four Thirds sensor and the Nikon D5 a full frame sensor. The sensor area in the D5 is 364 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.2 and 1.0. The sensor in the D-LUX 7 has a native 4:3 aspect ratio, while the one in the D5 offers a 3:2 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20.7MP, the D5 offers a higher resolution than the D-LUX 7 (16.8MP), but the D5 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 3.32μm for the D-LUX 7) due to its larger sensor. However, the D-LUX 7 is a much more recent model (by 2 years and 10 months) than the D5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5 for good quality output (200 dots per inch) amounts to 27.9 x 18.6 inches or 71 x 47.1 cm, for very good quality (250 dpi) 22.4 x 14.8 inches or 56.8 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.3 x 31.4 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inches or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inches or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inches or 40.1 x 30.1 cm for excellent quality prints.
The Leica D-LUX 7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon D5 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-3280000.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.9 | 12.8 | 1002 | 72 | |
2. | Nikon D5 | Full Frame | 20.7 | 5588 | 3712 | 4K/30p | 25.1 | 12.3 | 2343 | 88 | |
3. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
4. | Fujifilm X100S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.3 | 12.5 | 1329 | 75 | |
5. | Fujifilm X100T | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.6 | 12.8 | 1483 | 78 | |
6. | Fujifilm X100F | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.9 | 13.2 | 1704 | 81 | |
7. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
8. | Leica D-LUX Typ 109 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.4 | 12.1 | 607 | 67 | |
9. | Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.6 | 11.7 | 127 | 60 | |
10. | Leica V-LUX 5 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 584 | 65 | |
11. | Nikon D4S | Full Frame | 16.2 | 4928 | 3280 | 1080/60p | 24.4 | 13.3 | 3074 | 89 | |
12. | Nikon D6 | Full Frame | 20.7 | 5568 | 3712 | 4K/30p | 25.3 | 14.3 | 2886 | 95 | |
13. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
14. | Nikon D750 | Full Frame | 24.2 | 6016 | 4016 | 1080/60p | 24.8 | 14.5 | 2956 | 93 | |
15. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
16. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
17. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D-LUX 7 has an electronic viewfinder (2764k dots), while the D5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D5 has a higher magnification than the one of the D-LUX 7 (0.72x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica D-LUX 7 and Nikon D5 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
2. | Nikon D5 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
3. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
4. | Fujifilm X100S | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
5. | Fujifilm X100T | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 6.0/s | Y | n | |
6. | Fujifilm X100F | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 8.0/s | Y | n | |
7. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
8. | Leica D-LUX Typ 109 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
9. | Leica V-LUX Typ 114 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
10. | Leica V-LUX 5 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
11. | Nikon D4S | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 11.0/s | n | n | |
12. | Nikon D6 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
13. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
14. | Nikon D750 | optical | Y | 3.2 / 1229 | tilting | n | 1/4000s | 6.0/s | Y | n | |
15. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
16. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the D5, but is missing on the D-LUX 7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX 7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 and the Nikon D5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 7 writes its imaging data to SDXC cards, while the D5 uses Compact Flash or XQD cards. The D5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 7 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 7 and Nikon D5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Nikon D5 | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
3. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
4. | Fujifilm X100S | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
5. | Fujifilm X100T | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
6. | Fujifilm X100F | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Leica D-LUX Typ 109 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
9. | Leica V-LUX Typ 114 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
10. | Leica V-LUX 5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
11. | Nikon D4S | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
12. | Nikon D6 | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
13. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
14. | Nikon D750 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | - | |
15. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
16. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y |
It is notable that the D-LUX 7 offers wifi support, while the D5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Nikon D5 (unlike the D-LUX 7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D-LUX 7 and the D5 have been discontinued, but can regularly be found used on ebay. The D5 was replaced by the Nikon D6, while the D-LUX 7 does not have a direct successor. Further information on the features and operation of the D-LUX 7 and D5 can be found, respectively, in the Leica D-LUX 7 Manual (free pdf) or the online Nikon D5 Manual.
Review summary
So what is the bottom line? Is the Leica D-LUX 7 better than the Nikon D5 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Leica D-LUX 7:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the D5 requires a separate lens.
- More compact: Is smaller (115x66mm vs 160x159mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the D5).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 10 months of technical progress since the D5 launch.
Arguments in favor of the Nikon D5:
- More detail: Has more megapixels (20.7 vs 16.8MP), which boosts linear resolution by 13%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.70x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 1240k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 11 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (3780 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in January 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the D5 is the clear winner of the contest (23 : 14 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 7 and the Nikon D5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D-LUX 7 and the D5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | .. | .. | .. | .. | .. | 4.5/5 | Nov 2018 | 1,195 | ebay.com | |
2. | Nikon D5 | .. | .. | 4/5 | 89/100 | 4.5/5 | 5/5 | Jan 2016 | 6,499 | ebay.com | |
3. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
4. | Fujifilm X100S | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Jan 2013 | 1,299 | ebay.com | |
5. | Fujifilm X100T | 5/5 | + | .. | 81/100 | 4.5/5 | 5/5 | Sep 2014 | 1,299 | ebay.com | |
6. | Fujifilm X100F | 5/5 | + | 3.9/5 | 83/100 | 4.5/5 | 4.5/5 | Jan 2017 | 1,299 | ebay.com | |
7. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
8. | Leica D-LUX Typ 109 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2014 | 1,195 | ebay.com | |
9. | Leica V-LUX Typ 114 | .. | .. | .. | .. | .. | 5/5 | Sep 2014 | 1,349 | ebay.com | |
10. | Leica V-LUX 5 | .. | .. | .. | .. | 4/5 | 4/5 | Jul 2019 | 1,249 | amazon.com | |
11. | Nikon D4S | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2014 | 6,499 | ebay.com | |
12. | Nikon D6 | .. | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Feb 2020 | 6,499 | amazon.com | |
13. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
14. | Nikon D750 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 4.5/5 | Sep 2014 | 2,299 | ebay.com | |
15. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | 999 | ebay.com | |
16. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
17. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M5 vs Nikon D5
- Fujifilm X30 vs Leica D-LUX 7
- Leica D-LUX 7 vs Nikon D60
- Leica D-LUX 7 vs Nikon D7500
- Leica D-LUX 7 vs Panasonic GM1
- Leica D-LUX 7 vs Sony HX95
- Leica D-LUX 7 vs Sony RX10 III
- Nikon 1 J5 vs Nikon D5
- Nikon D5 vs Olympus E-M1 II
- Nikon D5 vs Olympus E-PL1
- Nikon D5 vs Panasonic G7
- Nikon D5 vs Sony H400
Specifications: Leica D-LUX 7 vs Nikon D5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica D-LUX 7 | Nikon D5 |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 24-75mm f/1.7-2.8 | Nikon F mount lenses |
Launch Date | November 2018 | January 2016 |
Launch Price | USD 1,195 | USD 6,499 |
Sensor Specs | Leica D-LUX 7 | Nikon D5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 15.7 x 11.8 mm | 35.9 x 23.9 mm |
Sensor Area | 185.26 mm2 | 858.01 mm2 |
Sensor Diagonal | 19.6 mm | 43.1 mm |
Crop Factor | 2.2x | 1.0x |
Sensor Resolution | 16.8 Megapixels | 20.7 Megapixels |
Image Resolution | 4736 x 3552 pixels | 5588 x 3712 pixels |
Pixel Pitch | 3.32 μm | 6.44 μm |
Pixel Density | 9.08 MP/cm2 | 2.42 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 200 - 25,600 ISO | 100 - 102,400 ISO |
ISO Boost | 100 - 25,600 ISO | 50 - 3,280,000 ISO |
DXO Sensor Quality (score) | .. | 88 |
DXO Color Depth (bits) | .. | 25.1 |
DXO Dynamic Range (EV) | .. | 12.3 |
DXO Low Light (ISO) | .. | 2343 |
Screen Specs | Leica D-LUX 7 | Nikon D5 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.72x |
Viewfinder Resolution | 2764k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1240k dots | 2359k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Leica D-LUX 7 | Nikon D5 |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 11 shutter flaps/s | 14 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | CF or XQD cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
Connectivity Specs | Leica D-LUX 7 | Nikon D5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Leica D-LUX 7 | Nikon D5 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Leica BP-DC15 | Nikon EN-EL18a |
Battery Life (CIPA) | 300 shots per charge | 3780 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
115 x 66 x 65 mm (4.5 x 2.6 x 2.6 in) |
160 x 159 x 92 mm (6.3 x 6.3 x 3.6 in) |
Camera Weight | 392 g (13.8 oz) | 1415 g (49.9 oz) |
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