Leica D-LUX 7 vs Canon 1D
The Leica D-LUX 7 and the Canon EOS-1D are two digital cameras that were announced, respectively, in November 2018 and September 2001. The D-LUX 7 is a fixed lens compact, while the 1D is a DSLR. The cameras are based on a Four Thirds (D-LUX 7) and an APS-H (1D) sensor. The Leica has a resolution of 16.8 megapixels, whereas the Canon provides 4.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 7 and the Canon EOS-1D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX 7 and the Canon 1D. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D is considerably larger (225 percent) than the Leica D-LUX 7. It is noteworthy in this context that the 1D is splash and dust-proof, while the D-LUX 7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the 1D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the D-LUX 7 gets 300 shots out of its Leica BP-DC15 battery, while the 1D can take 500 images on a single charge of its Canon NP-E3 power pack. As can be seen in the images above, the 1D has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the D-LUX 7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Nov 2018 | 1,195 | ebay.com | |
2. | Canon 1D | 156 mm | 158 mm | 80 mm | 1585 g | 500 | Y | Sep 2001 | 6,499 | ebay.com | |
3. | Canon 1D X Mark III | 158 mm | 168 mm | 83 mm | 1440 g | 2850 | Y | Jan 2020 | 6,499 | amazon.com | |
4. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
5. | Canon 1D C | 158 mm | 164 mm | 83 mm | 1545 g | 1120 | Y | Apr 2012 | 14,999 | ebay.com | |
6. | Canon 1D X | 158 mm | 168 mm | 83 mm | 1551 g | 1120 | Y | Oct 2011 | 6,799 | ebay.com | |
7. | Canon 1D Mark II | 156 mm | 158 mm | 80 mm | 1535 g | 1200 | Y | Jan 2004 | 4,499 | ebay.com | |
8. | Fujifilm X100F | 127 mm | 75 mm | 52 mm | 469 g | 390 | n | Jan 2017 | 1,299 | ebay.com | |
9. | Fujifilm X100T | 127 mm | 74 mm | 52 mm | 440 g | 330 | n | Sep 2014 | 1,299 | ebay.com | |
10. | Fujifilm X100S | 127 mm | 74 mm | 54 mm | 445 g | 330 | n | Jan 2013 | 1,299 | ebay.com | |
11. | Leica V-LUX 5 | 136 mm | 97 mm | 131 mm | 812 g | 350 | n | Jul 2019 | 1,249 | amazon.com | |
12. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
13. | Leica D-LUX Typ 109 | 118 mm | 66 mm | 55 mm | 405 g | 300 | n | Sep 2014 | 1,195 | ebay.com | |
14. | Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | 1,349 | ebay.com | |
15. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | 999 | ebay.com | |
16. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
17. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D-LUX 7 was launched at a lower price than the 1D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX 7 features a Four Thirds sensor and the Canon 1D an APS-H sensor. The sensor area in the 1D is 196 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.2 and 1.3. The sensor in the D-LUX 7 has a native 4:3 aspect ratio, while the one in the 1D offers a 3:2 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Leica D-LUX 7 offers a higher resolution of 16.8 megapixels, compared with 4.1 MP of the Canon 1D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.32μm versus 11.56μm for the 1D). However, it should be noted that the D-LUX 7 is much more recent (by 17 years and 1 month) than the 1D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica D-LUX 7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D-LUX 7 for good quality output (200 dots per inch) amounts to 23.7 x 17.8 inches or 60.1 x 45.1 cm, for very good quality (250 dpi) 18.9 x 14.2 inches or 48.1 x 36.1 cm, and for excellent quality (300 dpi) 15.8 x 11.8 inches or 40.1 x 30.1 cm. The corresponding values for the Canon 1D are 12.5 x 8.3 inches or 31.7 x 21.1 cm for good quality, 10 x 6.6 inches or 25.4 x 16.9 cm for very good quality, and 8.3 x 5.5 inches or 21.1 x 14.1 cm for excellent quality prints.
The Leica D-LUX 7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Canon EOS-1D are ISO 200 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
In terms of underlying technology, the D-LUX 7 is build around a CMOS sensor, while the 1D uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.9 | 12.8 | 1002 | 72 | |
2. | Canon 1D | APS-H | 4.1 | 2496 | 1662 | none | .. | .. | .. | .. | |
3. | Canon 1D X Mark III | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.2 | 14.5 | 3248 | 91 | |
4. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
5. | Canon 1D C | Full Frame | 17.9 | 5184 | 3456 | 4K/24p | 24.3 | 13.0 | 2155 | 85 | |
6. | Canon 1D X | Full Frame | 17.9 | 5184 | 3456 | 1080/30p | 23.8 | 11.8 | 2786 | 82 | |
7. | Canon 1D Mark II | APS-H | 8.2 | 3504 | 2336 | none | 22.3 | 11.1 | 1003 | 66 | |
8. | Fujifilm X100F | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.9 | 13.2 | 1704 | 81 | |
9. | Fujifilm X100T | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.6 | 12.8 | 1483 | 78 | |
10. | Fujifilm X100S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.3 | 12.5 | 1329 | 75 | |
11. | Leica V-LUX 5 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 584 | 65 | |
12. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
13. | Leica D-LUX Typ 109 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.4 | 12.1 | 607 | 67 | |
14. | Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.6 | 11.7 | 127 | 60 | |
15. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
16. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
17. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The D-LUX 7 indeed provides movie recording capabilities, while the 1D does not. The highest resolution format that the D-LUX 7 can use is 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D-LUX 7 has an electronic viewfinder (2764k dots), while the 1D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D-LUX 7 has a higher magnification than the one of the 1D (0.70x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Leica D-LUX 7 and Canon 1D along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
2. | Canon 1D | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 8.0/s | n | n | |
3. | Canon 1D X Mark III | optical | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 20.0/s | n | n | |
4. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
5. | Canon 1D C | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 14.0/s | n | n | |
6. | Canon 1D X | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 14.0/s | n | n | |
7. | Canon 1D Mark II | optical | Y | 2.0 / 230 | fixed | n | 1/8000s | 8.3/s | n | n | |
8. | Fujifilm X100F | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 8.0/s | Y | n | |
9. | Fujifilm X100T | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 6.0/s | Y | n | |
10. | Fujifilm X100S | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
11. | Leica V-LUX 5 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
12. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
13. | Leica D-LUX Typ 109 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
14. | Leica V-LUX Typ 114 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
15. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
16. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D-LUX 7 has a touchscreen, while the 1D has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX 7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 7 writes its imaging data to SDXC cards, while the 1D uses Compact Flash cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 7 and Canon EOS-1D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Canon 1D | Y | - / - | - | - | - | FW | - | - | - | |
3. | Canon 1D X Mark III | Y | mono / mono | Y | Y | mini | 3.1 | Y | - | Y | |
4. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
5. | Canon 1D C | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
6. | Canon 1D X | Y | mono / - | Y | - | mini | 2.0 | - | - | - | |
7. | Canon 1D Mark II | Y | - / - | - | - | - | 1.1 | - | - | - | |
8. | Fujifilm X100F | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
9. | Fujifilm X100T | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
10. | Fujifilm X100S | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
11. | Leica V-LUX 5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
12. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
13. | Leica D-LUX Typ 109 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Leica V-LUX Typ 114 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
15. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
16. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y |
It is notable that the D-LUX 7 offers wifi support, while the 1D does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Canon 1D (unlike the D-LUX 7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D-LUX 7 and the 1D have been discontinued, but can regularly be found used on ebay. The 1D was replaced by the Canon 1D Mark II, while the D-LUX 7 does not have a direct successor. Further information on the features and operation of the D-LUX 7 and 1D can be found, respectively, in the Leica D-LUX 7 Manual (free pdf) or the online Canon 1D Manual.
Review summary
So how do things add up? Which of the two cameras – the Leica D-LUX 7 or the Canon 1D – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica D-LUX 7:
- More detail: Offers more megapixels (16.8 vs 4.1MP) with a 97% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.55x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 120k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the 1D requires a separate lens.
- More compact: Is smaller (115x66mm vs 156x158mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the 1D).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 17 years and 1 month of technical progress since the 1D launch.
Advantages of the Canon EOS-1D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (500 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in September 2001).
If the count of individual advantages (bullet points above) is taken as a guide, the D-LUX 7 is the clear winner of the match-up (22 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 7 and the Canon 1D place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D-LUX 7 and the 1D in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 7 | .. | .. | .. | .. | .. | 4.5/5 | Nov 2018 | 1,195 | ebay.com | |
2. | Canon 1D | .. | .. | .. | + + | .. | .. | Sep 2001 | 6,499 | ebay.com | |
3. | Canon 1D X Mark III | .. | + + | 5/5 | .. | 4.5/5 | 4/5 | Jan 2020 | 6,499 | amazon.com | |
4. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
5. | Canon 1D C | .. | .. | .. | .. | .. | .. | Apr 2012 | 14,999 | ebay.com | |
6. | Canon 1D X | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Oct 2011 | 6,799 | ebay.com | |
7. | Canon 1D Mark II | .. | .. | .. | + + | .. | .. | Jan 2004 | 4,499 | ebay.com | |
8. | Fujifilm X100F | 5/5 | + | 3.9/5 | 83/100 | 4.5/5 | 4.5/5 | Jan 2017 | 1,299 | ebay.com | |
9. | Fujifilm X100T | 5/5 | + | .. | 81/100 | 4.5/5 | 5/5 | Sep 2014 | 1,299 | ebay.com | |
10. | Fujifilm X100S | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Jan 2013 | 1,299 | ebay.com | |
11. | Leica V-LUX 5 | .. | .. | .. | .. | 4/5 | 4/5 | Jul 2019 | 1,249 | amazon.com | |
12. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
13. | Leica D-LUX Typ 109 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2014 | 1,195 | ebay.com | |
14. | Leica V-LUX Typ 114 | .. | .. | .. | .. | .. | 5/5 | Sep 2014 | 1,349 | ebay.com | |
15. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | 999 | ebay.com | |
16. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
17. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II vs Leica D-LUX 7
- Canon 1D vs Canon G5 X Mark II
- Canon 1D vs Fujifilm X-T30
- Canon 1D vs Nikon D3
- Canon 1D vs Panasonic FZ1000 II
- Canon 1D vs Samsung NX30
- Canon 1D vs Sony RX0
- Leica D-LUX 7 vs Olympus E-PM1
- Leica D-LUX 7 vs Olympus Stylus 1s
- Leica D-LUX 7 vs Panasonic G80
- Leica D-LUX 7 vs Panasonic GH2
- Leica D-LUX 7 vs Sony A7R
Specifications: Leica D-LUX 7 vs Canon 1D
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica D-LUX 7 | Canon 1D |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 24-75mm f/1.7-2.8 | Canon EF mount lenses |
Launch Date | November 2018 | September 2001 |
Launch Price | USD 1,195 | USD 6,499 |
Sensor Specs | Leica D-LUX 7 | Canon 1D |
Sensor Technology | CMOS | CCD |
Sensor Format | Four Thirds Sensor | APS-H Sensor |
Sensor Size | 15.7 x 11.8 mm | 28.7 x 19.1 mm |
Sensor Area | 185.26 mm2 | 548.17 mm2 |
Sensor Diagonal | 19.6 mm | 34.5 mm |
Crop Factor | 2.2x | 1.3x |
Sensor Resolution | 16.8 Megapixels | 4.1 Megapixels |
Image Resolution | 4736 x 3552 pixels | 2496 x 1662 pixels |
Pixel Pitch | 3.32 μm | 11.56 μm |
Pixel Density | 9.08 MP/cm2 | 0.76 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | no Video |
ISO Setting | 200 - 25,600 ISO | 200 - 1,600 ISO |
ISO Boost | 100 - 25,600 ISO | 100 - 3,200 ISO |
Screen Specs | Leica D-LUX 7 | Canon 1D |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.55x |
Viewfinder Resolution | 2764k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 3.0inch | 2.0inch |
LCD Resolution | 1240k dots | 120k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Leica D-LUX 7 | Canon 1D |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 11 shutter flaps/s | 8 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | CF cards |
Single or Dual Card Slots | Single card slot | Single card slot |
Connectivity Specs | Leica D-LUX 7 | Canon 1D |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | Firewire |
HDMI Port | micro HDMI | no HDMI |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Leica D-LUX 7 | Canon 1D |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Leica BP-DC15 | Canon NP-E3 |
Battery Life (CIPA) | 300 shots per charge | 500 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
115 x 66 x 65 mm (4.5 x 2.6 x 2.6 in) |
156 x 158 x 80 mm (6.1 x 6.2 x 3.1 in) |
Camera Weight | 392 g (13.8 oz) | 1585 g (55.9 oz) |
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