Leica D-LUX 6 vs Sony A7R

The Leica D-LUX 6 and the Sony Alpha A7R are two enthusiast cameras that were announced, respectively, in September 2012 and October 2013. The D-LUX 6 is a fixed lens compact, while the A7R is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (D-LUX 6) and a full frame (A7R) sensor. The Leica has a resolution of 10 megapixels, whereas the Sony provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica D-LUX 6		Sony A7R
Fixed lens compact camera		Mirrorless system camera
24-90mm f/1.4-2.3		Sony E mount lenses
10 MP – 1/1.7" sensor		36.2 MP – Full Frame sensor
1080/60p Video		1080/60p Video
ISO 80-6,400 (80 - 12,800)		ISO 100-25,600 (50 - 51,200)
Viewfinder optional		Electronic viewfinder (2400k dots)
3.0" LCD – 920k dots		3.0" LCD – 1230k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
11 shutter flaps per second		4 shutter flaps per second
not weather sealed		Weathersealed body
330 shots per battery charge		340 shots per battery charge
111 x 68 x 46 mm, 298 g		127 x 94 x 48 mm, 465 g

Check D-LUX 6 offers at
ebay.com
Check A7R offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 6 and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Leica D-LUX 6 and the Sony A7R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The D-LUX 6 can be obtained in three different colors (black, silver, white), while the A7R is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is considerably larger (58 percent) than the Leica D-LUX 6. It is noteworthy in this context that the A7R is splash and dust-proof, while the D-LUX 6 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 6 has a lens built in, whereas the A7R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the D-LUX 6 gets 330 shots out of its Leica BP-DC10 battery, while the A7R can take 340 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7R can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica D-LUX 6	111 mm	68 mm	46 mm	298 g	330	n	Sep 2012	699	ebay.com
2.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
3.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
4.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	599	ebay.com
5.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
6.		Leica D-LUX Typ 109	118 mm	66 mm	55 mm	405 g	300	n	Sep 2014	1,195	ebay.com
7.		Leica X2	124 mm	69 mm	52 mm	345 g	450	n	May 2012	1,995	ebay.com
8.		Leica D-LUX 5	110 mm	65 mm	43 mm	271 g	400	n	Sep 2010	699	ebay.com
9.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
10.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
11.		Ricoh GR	117 mm	61 mm	35 mm	245 g	290	n	Apr 2013	799	ebay.com
12.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	2,199	amazon.com
13.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
14.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
15.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
16.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
17.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	749	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D-LUX 6 was launched at a lower price than the A7R, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Leica D-LUX 6 features a 1/1.7-inch sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 1952 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.0. The sensor in the D-LUX 6 has a native 4:3 aspect ratio, while the one in the A7R offers a 3:2 aspect. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 36.2MP, the A7R offers a higher resolution than the D-LUX 6 (10MP), but the A7R nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 2.05μm for the D-LUX 6) due to its larger sensor. Moreover, the A7R is a somewhat more recent model (by 1 year) than the D-LUX 6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Leica D-LUX 6 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Leica D-LUX 6 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica D-LUX 6	1/1.7	10.0	3648	2736	1080/60p	19.8	10.8	-303	43
2.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
3.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
4.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
5.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
6.		Leica D-LUX Typ 109	Four Thirds	12.7	4112	3088	4K/30p	22.4	12.1	607	67
7.		Leica X2	APS-C	16.1	4928	3264	none	23.2	12.4	1275	74
8.		Leica D-LUX 5	1/1.7	10.0	3648	2736	720/60p	19.5	10.4	-583	39
9.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
10.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
11.		Ricoh GR	APS-C	16.1	4928	3264	1080/30p	23.6	13.5	972	78
12.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
13.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
14.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
15.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
16.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
17.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 6 relies on live view and the rear LCD for framing. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The following table reports on some other key feature differences and similarities of the Leica D-LUX 6, the Sony A7R, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica D-LUX 6	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
2.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
3.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
4.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
5.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
6.		Leica D-LUX Typ 109	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
7.		Leica X2	optional	n	2.7 / 230	fixed	n	1/2000s	5.0/s	Y	n
8.		Leica D-LUX 5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
9.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
10.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
11.		Ricoh GR	optional	n	3.0 / 1230	fixed	n	1/4000s	4.0/s	Y	n
12.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
13.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
16.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
17.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The D-LUX 6 has one, while the A7R does not. While the built-in flash of the D-LUX 6 is not very powerful, it can at times be useful as a fill-in light.

The Leica D-LUX 6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The D-LUX 6 writes its imaging data to SDXC cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. The A7R supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 6 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 6 and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica D-LUX 6	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
5.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Leica D-LUX Typ 109	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
7.		Leica X2	Y	- / -	-	-	mini	2.0	-	-	-
8.		Leica D-LUX 5	Y	mono / mono	-	-	mini	2.0	-	-	-
9.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
10.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Ricoh GR	Y	mono / mono	-	-	micro	2.0	-	-	-
12.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
13.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the A7R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D-LUX 6 does not provide wifi capability.

Both the D-LUX 6 and the A7R have been discontinued, but can regularly be found used on ebay. The D-LUX 6 was replaced by the Leica D-LUX Typ 109, while the A7R was followed by the Sony A7R II. Further information on the features and operation of the D-LUX 6 and A7R can be found, respectively, in the Leica D-LUX 6 Manual (free pdf) or the online Sony A7R Manual.

Review summary

So how do things add up? Is the Leica D-LUX 6 better than the Sony A7R or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Leica D-LUX 6:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Faster burst: Shoots at higher frequency (11 vs 4 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the A7R requires a separate lens.
• More compact: Is smaller (111x68mm vs 127x94mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7R).
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in September 2012).

Arguments in favor of the Sony Alpha A7R:

• More detail: Has more megapixels (36.2 vs 10MP), which boosts linear resolution by 94%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1230k vs 920k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Was introduced somewhat (1 year) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the A7R is the clear winner of the contest (19 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica D-LUX 6 and the Sony A7R place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D-LUX 6 or the A7R perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica D-LUX 6	..	..	..	..	4/5	4/5	Sep 2012	699	ebay.com
2.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
3.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
4.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	599	ebay.com
5.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
6.		Leica D-LUX Typ 109	..	..	..	..	4.5/5	4.5/5	Sep 2014	1,195	ebay.com
7.		Leica X2	3/5	..	..	..	3/5	4/5	May 2012	1,995	ebay.com
8.		Leica D-LUX 5	..	..	..	..	4.5/5	4/5	Sep 2010	699	ebay.com
9.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
10.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
11.		Ricoh GR	5/5	..	..	79/100	4.5/5	4.5/5	Apr 2013	799	ebay.com
12.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	2,199	amazon.com
13.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
14.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
15.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
16.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
17.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	749	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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