Leica D-LUX 6 vs Panasonic ZS200
The Leica D-LUX 6 and the Panasonic Lumix DC-ZS200 (labelled Panasonic TZ200 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2012 and February 2018. Both the D-LUX 6 and the ZS200 are fixed lens compact cameras that are based on a 1/1.7-inch (D-LUX 6) and an one-inch (ZS200) sensor. The Leica has a resolution of 10 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX 6||Panasonic ZS200|
|Fixed lens compact camera||Fixed lens compact camera|
|24-90mm f/1.4-2.3||24-360mm f/3.3-6.4|
|10 MP, 1/1.7" Sensor||20 MP, 1" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 80-6400 (80-12800)||ISO 125-12800 (80-25600)|
|Viewfinder optional||Electronic viewfinder (2330k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1240k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|11 shutter flaps per second||10 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|330 shots per battery charge||370 shots per battery charge|
|111 x 68 x 46 mm, 298 g||111 x 65 x 45 mm, 340 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 6 and the Panasonic Lumix DC-ZS200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica D-LUX 6 and the Panasonic ZS200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The D-LUX 6 can be obtained in three different colors (black, silver, white), while the ZS200 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS200 is somewhat smaller (4 percent) than the Leica D-LUX 6. However, the ZS200 is markedly heavier (14 percent) than the D-LUX 6. In this context, it is worth noting that neither the D-LUX 6 nor the ZS200 are weather-sealed.
Concerning battery life, the D-LUX 6 gets 330 shots out of its BP-DC10 battery, while the ZS200 can take 370 images on a single charge of its DMW-BLG10 power pack. The power pack in the ZS200 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica D-LUX 6»||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Panasonic ZS200«||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Fujifilm X20« »||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||-||Fujifilm X20|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX Typ 109« »||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Leica X2« »||4.9 in||2.7 in||2.0 in||12.2 oz||450||n||May 2012||1,995||-||Leica X2|
|Leica D-LUX 5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||-||Leica D-LUX 5|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic LX10« »||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX10|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic ZS100|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Ricoh GR« »||4.6 in||2.4 in||1.4 in||8.6 oz||290||n||Apr 2013||799||-||Ricoh GR|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D-LUX 6 was launched at a somewhat lower price (by 13 percent) than the ZS200, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX 6 features a 1/1.7-inch sensor and the Panasonic ZS200 an one-inch sensor. The sensor area in the ZS200 is 176 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 2.7. The sensor in the D-LUX 6 has a native 4:3 aspect ratio, while the one in the ZS200 offers a 3:2 aspect. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20MP, the ZS200 offers a higher resolution than the D-LUX 6 (10MP), but the ZS200 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.05μm for the D-LUX 6) due to its larger sensor. Moreover, the ZS200 is a much more recent model (by 5 years and 4 months) than the D-LUX 6, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic ZS200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS200 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Leica D-LUX 6 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 6 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DC-ZS200 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica D-LUX 6»||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Panasonic ZS200«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic ZS200|
|Canon G5 X Mark II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Fujifilm X20« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X20|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX Typ 109« »||Four Thirds||12.7||4112||3088||4K/30p||-||-||-||-||Leica D-LUX Typ 109|
|Leica X2« »||APS-C||16.1||4928||3264||-||-||-||-||-||Leica X2|
|Leica D-LUX 5« »||1/1.7||10.0||3648||2736||720/60p||-||-||-||-||Leica D-LUX 5|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic LX10« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic LX10|
|Panasonic ZS100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic ZS100|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Ricoh GR« »||APS-C||16.1||4928||3264||1080/30p||23.6||13.5||972||78||Ricoh GR|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZS200 provides a better video resolution than the D-LUX 6. It can shoot movie footage at 4K/30p, while the Leica is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the ZS200 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 6 relies on live view and the rear LCD for framing. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The adjacent table lists some of the other core features of the Leica D-LUX 6 and Panasonic ZS200 along with similar information for a selection of comparators.
|Leica D-LUX 6»||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Panasonic ZS200«||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Canon G5 X Mark II« »||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Fujifilm X20« »||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX Typ 109« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Leica D-LUX Typ 109|
|Leica X2« »||-||n||2.7||230||fixed||n||1/2000s||5.0||Y||n||Leica X2|
|Leica D-LUX 5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic LX10« »||-||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX10|
|Panasonic ZS100« »||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS100|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Ricoh GR« »||-||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS200 has a touchscreen, while the D-LUX 6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS200 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 6 and the Panasonic ZS200 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the D-LUX 6 and the ZS200 have zoom lenses built in. The D-LUX 6 has a 24-90mm f/1.4-2.3 optic and the ZS200 offers a 24-360mm f/3.3-6.4 (focal lengths in full frame equivalent terms). Hence, the Leica and Panasonic provide the same view at the wide-angle end, but the Panasonic has more tele-photo reach at the long end. The D-LUX 6 offers the faster maximum aperture.
Concerning the storage of imaging data, both the D-LUX 6 and the ZS200 write their files to SDXC cards. The ZS200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 6 and Panasonic Lumix DC-ZS200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica D-LUX 6»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Panasonic ZS200«||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Canon G5 X Mark II« »||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Fujifilm X20« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX Typ 109« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica D-LUX Typ 109|
|Leica X2« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica X2|
|Leica D-LUX 5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic LX10« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX10|
|Panasonic ZS100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS100|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Ricoh GR« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Ricoh GR|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the D-LUX 6 has a hotshoe, while the ZS200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The ZS200 is a recent model that features in the current product line-up of Panasonic. In contrast, the D-LUX 6 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D-LUX 6 was succeeded by the Leica D-LUX Typ 109. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica D-LUX 6 and the Panasonic ZS200? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Leica D-LUX 6:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/3.3).
- Less heavy: Is lighter (by 42g or 12 percent) and hence easier to carry around.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced segment (13 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Advantages of the Panasonic Lumix DC-ZS200:
- More detail: Has more megapixels (20 vs 10MP), which boosts linear resolution by 44%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (370 versus 330) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 4 months of technical progress since the D-LUX 6 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the ZS200 is the clear winner of the contest (16 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 6 and the Panasonic ZS200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D-LUX 6 or the ZS200 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica D-LUX 6»||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Panasonic ZS200«||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic ZS200|
|Canon G5 X Mark II« »||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Fujifilm X20« »||+ +||77/100||4.5/5||-||5/5||Jan 2013||599||-||Fujifilm X20|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX Typ 109« »||-||-||4.5/5||-||4.5/5||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Leica X2« »||-||-||3/5||-||4/5||May 2012||1,995||-||Leica X2|
|Leica D-LUX 5« »||-||-||4.5/5||-||4/5||Sep 2010||699||-||Leica D-LUX 5|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic LX10« »||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699||Panasonic LX10|
|Panasonic ZS100« »||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic ZS100|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Ricoh GR« »||-||79/100||4.5/5||4.5/5||4.5/5||Apr 2013||799||-||Ricoh GR|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 650D vs Leica D-LUX 6
- Canon SX540 vs Leica D-LUX 6
- Canon T5 vs Leica D-LUX 6
- Fujifilm GFX 50S vs Leica D-LUX 6
- Kodak S-1 vs Leica D-LUX 6
- Leica D-LUX 6 vs Leica V-LUX 4
- Leica D-LUX 6 vs Nikon D3500
- Leica D-LUX 6 vs Olympus E-PM2
- Leica D-LUX 6 vs Panasonic GF7
- Nikon D2H vs Panasonic ZS200
- Panasonic TS7 vs Panasonic ZS200
- Panasonic ZS200 vs Sony RX1R
Specifications: Leica D-LUX 6 vs Panasonic ZS200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 6||Panasonic ZS200|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-90mm f/1.4-2.3||24-360mm f/3.3-6.4|
|Launch Date||September 2012||February 2018|
|Launch Price||USD 699||USD 799|
|Sensor Specs||Leica D-LUX 6||Panasonic ZS200|
|Sensor Format||1/1.7" Sensor||1" Sensor|
|Sensor Size||7.44 x 5.58 mm||13.2 x 8.8 mm|
|Sensor Area||41.5152 mm2||116.16 mm2|
|Sensor Diagonal||9.3 mm||15.9 mm|
|Sensor Resolution||10 Megapixels||20 Megapixels|
|Image Resolution||3648 x 2736 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.05 μm||2.41 μm|
|Pixel Density||24.04 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||80-6400 ISO||125-12800 ISO|
|ISO Boost||80-12800 ISO||80-25600 ISO|
|Screen Specs||Leica D-LUX 6||Panasonic ZS200|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1240k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica D-LUX 6||Panasonic ZS200|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica D-LUX 6||Panasonic ZS200|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica D-LUX 6||Panasonic ZS200|
|Battery Life (CIPA)||330 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
|Camera Weight||298 g (10.5 oz)||340 g (12.0 oz)|
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