Leica D-LUX 6 vs Panasonic GM5
The Leica D-LUX 6 and the Panasonic Lumix DMC-GM5 are two digital cameras that were revealed to the public, respectively, in September 2012 and September 2014. The D-LUX 6 is a fixed lens compact, while the GM5 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (D-LUX 6) and a Four Thirds (GM5) sensor. The Leica has a resolution of 10 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX 6||Panasonic GM5|
|Fixed lens compact camera||Mirrorless system camera|
|24-90mm f/1.4-2.3||Micro Four Thirds lenses|
|10 MP, 1/1.7" Sensor||15.8 MP, Four Thirds Sensor|
|1080/60p Video||1080/60p Video|
|ISO 80-6,400 (80 - 12,800)||ISO 200-25,600|
|Viewfinder optional||Electronic viewfinder (1166k dots)|
|3.0 LCD, 920k dots||3.0 LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|11 shutter flaps per second||5.8 shutter flaps per second|
|330 shots per battery charge||220 shots per battery charge|
|111 x 68 x 46 mm, 298 g||99 x 60 x 36 mm, 211 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 6 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX 6 and the Panasonic GM5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The D-LUX 6 can be obtained in three different colors (black, silver, white), while the GM5 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is notably smaller (21 percent) than the Leica D-LUX 6. In this context, it is worth noting that neither the D-LUX 6 nor the GM5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 6 has a lens built in, whereas the GM5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GM5 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica D-LUX 6||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699|
|Panasonic GM5||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749|
|Canon G16||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549|
|Fujifilm X20||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599|
|Fujifilm X10||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599|
|Leica D-LUX Typ 109||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195|
|Leica X2||4.9 in||2.7 in||2.0 in||12.2 oz||450||n||May 2012||1,995|
|Leica D-LUX 5||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699|
|Panasonic G7||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649|
|Panasonic G6||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599|
|Panasonic GM1||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749|
|Panasonic FZ200||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599|
|Panasonic LX7||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499|
|Panasonic GX1||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699|
|Panasonic GH2||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899|
|Ricoh GR||4.6 in||2.4 in||1.4 in||8.6 oz||290||n||Apr 2013||799|
|Sony RX100 II||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX 6 was launched at a lower price than the GM5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 6 features a 1/1.7-inch sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 436 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 15.8MP, the GM5 offers a higher resolution than the D-LUX 6 (10MP), but the GM5 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 2.05μm for the D-LUX 6) due to its larger sensor. Moreover, the GM5 is a somewhat more recent model (by 1 year and 11 months) than the D-LUX 6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic GM5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM5 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Leica D-LUX 6 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 6 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||..||..||..||..|
|Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GM5 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 6 relies on live view and the rear LCD for framing. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The table below summarizes some of the other core capabilities of the Leica D-LUX 6 and Panasonic GM5 in connection with corresponding information for a sample of similar cameras.
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|Leica D-LUX Typ 109||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y|
|Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The D-LUX 6 has one, while the GM5 does not. While the built-in flash of the D-LUX 6 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 6 and the Panasonic GM5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D-LUX 6 and the GM5 write their files to SDXC cards. The GM5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 6 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica D-LUX Typ 109||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the GM5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D-LUX 6 does not provide wifi capability.
Both the D-LUX 6 and the GM5 have been discontinued, but can regularly be found used on eBay. The D-LUX 6 was replaced by the Leica D-LUX Typ 109, while the GM5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what conclusions can be drawn? Is the Leica D-LUX 6 better than the Panasonic GM5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica D-LUX 6:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (11 vs 5.8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GM5 requires a separate lens.
- Longer lasting: Can take more shots (330 versus 220) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
Advantages of the Panasonic Lumix DMC-GM5:
- More detail: Has more megapixels (15.8 vs 10MP), which boosts linear resolution by 26%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (99x60mm vs 111x68mm) and will fit more readily into a bag.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GM5 emerges as the winner of the match-up (13 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 6 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D-LUX 6 and the GM5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica D-LUX 6||..||..||4/5||..||4/5||Sep 2012||699|
|Panasonic GM5||+||77/100||5/5||5/5||4.5/5||Sep 2014||749|
|Canon G16||+||..||4.5/5||4.5/5||4.5/5||Aug 2013||549|
|Fujifilm X20||+ +||77/100||4.5/5||..||5/5||Jan 2013||599|
|Fujifilm X10||..||76/100||4/5||3.5/5||4.5/5||Sep 2011||599|
|Leica D-LUX Typ 109||..||..||4.5/5||..||4.5/5||Sep 2014||1,195|
|Leica X2||..||..||3/5||..||4/5||May 2012||1,995|
|Leica D-LUX 5||..||..||4.5/5||..||4/5||Sep 2010||699|
|Panasonic G7||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic GM1||+||78/100||5/5||4.5/5||4.5/5||Oct 2013||749|
|Panasonic FZ200||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Panasonic LX7||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Panasonic GH2||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899|
|Ricoh GR||..||79/100||4.5/5||4.5/5||4.5/5||Apr 2013||799|
|Sony RX100 II||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark III vs Leica D-LUX 6
- Canon 90D vs Panasonic GM5
- Canon G1 X vs Leica D-LUX 6
- Fujifilm GFX 50R vs Panasonic GM5
- Leica D-LUX 6 vs Leica Q Typ 116
- Leica D-LUX 6 vs Nikon D100
- Leica D-LUX 6 vs Nikon D2X
- Leica D-LUX 6 vs Olympus E-PL2
- Leica D-LUX 6 vs Sony A58
- Panasonic G10 vs Panasonic GM5
- Panasonic GM5 vs Sony A6100
- Panasonic GM5 vs Sony A850
Specifications: Leica D-LUX 6 vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 6||Panasonic GM5|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-90mm f/1.4-2.3||Micro Four Thirds lenses|
|Launch Date||September 2012||September 2014|
|Launch Price||USD 699||USD 749|
|Sensor Specs||Leica D-LUX 6||Panasonic GM5|
|Sensor Format||1/1.7" Sensor||Four Thirds Sensor|
|Sensor Size||7.44 x 5.58 mm||17.3 x 13.0 mm|
|Sensor Area||41.5152 mm2||224.9 mm2|
|Sensor Diagonal||9.3 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||15.8 Megapixels|
|Image Resolution||3648 x 2736 pixels||4592 x 3448 pixels|
|Pixel Pitch||2.05 μm||3.77 μm|
|Pixel Density||24.04 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||80 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||80 - 12,800 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||..||66|
|DXO Color Depth (bits)||..||22.1|
|DXO Dynamic Range (EV)||..||11.7|
|DXO Low Light (ISO)||..||721|
|Screen Specs||Leica D-LUX 6||Panasonic GM5|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica D-LUX 6||Panasonic GM5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||11 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica D-LUX 6||Panasonic GM5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Leica D-LUX 6||Panasonic GM5|
|Battery Life (CIPA)||330 shots per charge||220 shots per charge|
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
|Camera Weight||298 g (10.5 oz)||211 g (7.4 oz)|
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