Leica D-LUX 5 vs Sony NEX-F3
The Leica D-LUX 5 and the Sony Alpha NEX-F3 are two digital cameras that were officially introduced, respectively, in September 2010 and May 2012. The D-LUX 5 is a fixed lens compact, while the NEX-F3 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (D-LUX 5) and an APS-C (NEX-F3) sensor. The Leica has a resolution of 10 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Sony Alpha NEX-F3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX 5 and the Sony NEX-F3. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The NEX-F3 can be obtained in three different colors (black, silver, white), while the D-LUX 5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-F3 is notably larger (10 percent) than the Leica D-LUX 5. In this context, it is worth noting that neither the D-LUX 5 nor the NEX-F3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the NEX-F3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-F3 and their specifications in the Sony E-Mount Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699|
|2.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|4.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|5.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|6.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|7.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|8.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849|
|9.||Leica X1||124 mm||60 mm||32 mm||306 g||260||n||Sep 2009||1,995|
|10.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849|
|11.||Olympus XZ-1||111 mm||65 mm||42 mm||275 g||320||n||Jan 2011||499|
|12.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|13.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|14.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|15.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Sony NEX-F3 an APS-C sensor. The sensor area in the NEX-F3 is 693 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 1.5. The sensor in the D-LUX 5 has a native 4:3 aspect ratio, while the one in the NEX-F3 offers a 3:2 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 16MP, the NEX-F3 offers a higher resolution than the D-LUX 5 (10MP), but the NEX-F3 nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 2.14μm for the D-LUX 5) due to its larger sensor. Moreover, the NEX-F3 is a somewhat more recent model (by 1 year and 7 months) than the D-LUX 5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-F3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-F3 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha NEX-F3 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..|
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|4.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|6.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|7.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|8.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..|
|10.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the NEX-F3 provides a better video resolution than the D-LUX 5. It can shoot movie footage at 1080/60i, while the Leica is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The D-LUX 5 and the NEX-F3 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF1 for the D-LUX 5 and the FDA-EV1S for the NEX-F3 – are available as accessories. The adjacent table lists some of the other core features of the Leica D-LUX 5 and Sony NEX-F3 along with similar information for a selection of comparators.
|1.||Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y|
|3.||Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|4.||Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|6.||Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|7.||Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y|
|8.||Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y|
|10.||Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y|
The D-LUX 5 writes its imaging data to SDXC cards, while the NEX-F3 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Sony Alpha NEX-F3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-|
|3.||Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|6.||Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|7.||Leica V-LUX 3||Y||stereo||-||-||-||mini||2.0||-||-||-|
|8.||Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|10.||Leica V-LUX 1||Y||mono||mono||-||-||-||2.0||-||-||-|
Both the D-LUX 5 and the NEX-F3 have been discontinued, but can regularly be found used on eBay. The D-LUX 5 was replaced by the Leica D-LUX 6, while the NEX-F3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Is the Leica D-LUX 5 better than the Sony NEX-F3 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Has a lens built-in, whereas the NEX-F3 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the NEX-F3).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been on the market for longer (launched in September 2010).
Advantages of the Sony Alpha NEX-F3:
- More detail: Has more megapixels (16 vs 10MP), which boosts linear resolution by 29%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60i vs 720/60p).
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.5 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (470 versus 400) out of a single battery charge.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the NEX-F3 is the clear winner of the contest (13 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Sony NEX-F3 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D-LUX 5 and the NEX-F3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX 5||..||..||..||4.5/5||4/5||Sep 2010||699|
|2.||Sony NEX-F3||4/5||..||74/100||4.5/5||4.5/5||May 2012||599|
|3.||Canon G7 X Mark II||4.5/5||+ +||81/100||4.5/5||4.5/5||Feb 2016||699|
|4.||Canon G7 X||4/5||+ +||77/100||4.5/5||4.5/5||Sep 2014||699|
|5.||Fujifilm X10||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|6.||Leica D-LUX 6||..||..||..||4/5||4/5||Sep 2012||699|
|7.||Leica V-LUX 3||..||..||..||..||..||Dec 2011||949|
|8.||Leica V-LUX 2||..||..||..||..||..||Sep 2010||849|
|9.||Leica X1||3/5||..||+||..||4/5||Sep 2009||1,995|
|10.||Leica V-LUX 1||..||..||..||..||..||Sep 2006||849|
|11.||Olympus XZ-1||4/5||..||74/100||4.5/5||4.5/5||Jan 2011||499|
|12.||Panasonic LX5||4/5||+||73/100||4.5/5||4.5/5||Jul 2010||499|
|13.||Sony A5100||4.5/5||+||..||4.5/5||5/5||Aug 2014||549|
|14.||Sony NEX-3N||3/5||..||..||4.5/5||4.5/5||Feb 2013||499|
|15.||Sony NEX-5N||3/5||+ +||79/100||4.5/5||4.5/5||Aug 2011||699|
|16.||Sony NEX-3||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Leica D-LUX 5 vs Sony NEX-F3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Sony NEX-F3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-90mm f/2.0-3.3||Sony E mount lenses|
|Launch Date||September 2010||May 2012|
|Launch Price||USD 699||USD 599|
|Sensor Specs||Leica D-LUX 5||Sony NEX-F3|
|Sensor Format||1/1.7" Sensor||APS-C Sensor|
|Sensor Size||7.85 x 5.89 mm||23.4 x 15.6 mm|
|Sensor Area||46.2365 mm2||365.04 mm2|
|Sensor Diagonal||9.8 mm||28.1 mm|
|Sensor Resolution||10 Megapixels||16 Megapixels|
|Image Resolution||3648 x 2736 pixels||4912 x 3264 pixels|
|Pixel Pitch||2.14 μm||4.78 μm|
|Pixel Density||21.59 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||1080/60i Video|
|ISO Setting||80 - 3,200 ISO||100 - 16,000 ISO|
|ISO Boost||80 - 12,800 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||22.7|
|DXO Dynamic Range (EV)||..||12.3|
|DXO Low Light (ISO)||..||1114|
|Screen Specs||Leica D-LUX 5||Sony NEX-F3|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica D-LUX 5||Sony NEX-F3|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||5.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Leica D-LUX 5||Sony NEX-F3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica D-LUX 5||Sony NEX-F3|
|Battery Life (CIPA)||400 shots per charge||470 shots per charge|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
117 x 67 x 42 mm
(4.6 x 2.6 x 1.7 in)
|Camera Weight||271 g (9.6 oz)||314 g (11.1 oz)|
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