Leica D-LUX 5 vs Sony A9
The Leica D-LUX 5 and the Sony Alpha A9 are two digital cameras that were officially introduced, respectively, in September 2010 and April 2017. The D-LUX 5 is a fixed lens compact, while the A9 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (D-LUX 5) and a full frame (A9) sensor. The Leica has a resolution of 10 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Sony Alpha A9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX 5 and the Sony A9. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is considerably larger (71 percent) than the Leica D-LUX 5. It is noteworthy in this context that the A9 is splash and dust-proof, while the D-LUX 5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the A9 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A9 and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the D-LUX 5 gets 400 shots out of its BP-DC10 battery, while the A9 can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A9 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699||ebay.com|
|2.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||ebay.com|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699||ebay.com|
|4.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|5.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599||ebay.com|
|6.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||ebay.com|
|7.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699||ebay.com|
|8.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949||ebay.com|
|9.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849||ebay.com|
|10.||Leica X1||124 mm||60 mm||32 mm||306 g||260||n||Sep 2009||1,995||ebay.com|
|11.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849||ebay.com|
|12.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|13.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|14.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||amazon.com|
|15.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||amazon.com|
|16.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|17.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D-LUX 5 was launched at a lower price than the A9, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Sony A9 a full frame sensor. The sensor area in the A9 is 1741 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 1.0. The sensor in the D-LUX 5 has a native 4:3 aspect ratio, while the one in the A9 offers a 3:2 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the A9 offers a higher resolution than the D-LUX 5 (10MP), but the A9 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.14μm for the D-LUX 5) due to its larger sensor. Moreover, the A9 is a much more recent model (by 6 years and 6 months) than the D-LUX 5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The A9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha A9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the D-LUX 5 is build around a CCD sensor, while the A9 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||19.5||10.4||-583||39|
|2.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|4.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|7.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||19.8||10.8||-303||43|
|8.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||19.7||11.0||430||42|
|9.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||19.4||10.7||321||39|
|11.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||18.4||9.5||-727||29|
|12.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|14.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|15.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|16.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A9 provides a better video resolution than the D-LUX 5. It can shoot movie footage at 4K/30p, while the Leica is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A9 has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The following table reports on some other key feature differences and similarities of the Leica D-LUX 5, the Sony A9, and comparable cameras.
|1.||Leica D-LUX 5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|2.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|3.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|4.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|5.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0/s||Y||Y|
|6.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|7.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|8.||Leica V-LUX 3||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|9.||Leica V-LUX 2||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|10.||Leica X1||none||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||n|
|11.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0/s||Y||Y|
|12.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|13.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|14.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|15.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|17.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The D-LUX 5 has one, while the A9 does not. While the built-in flash of the D-LUX 5 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The D-LUX 5 writes its imaging data to SDXC cards, while the A9 uses SDXC or Memory Stick PRO Duo cards. The A9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 5 only has one slot. The A9 supports UHS-II cards on its first slot and UHS-I on its second one, while the D-LUX 5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Sony Alpha A9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica D-LUX 5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|3.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|6.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Leica V-LUX 3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Leica V-LUX 2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Leica X1||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|12.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|14.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D-LUX 5 does not provide wifi capability.
Studio photographers will appreciate that the Sony A9 (unlike the D-LUX 5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D-LUX 5 and the A9 have been discontinued, but can regularly be found used on ebay. The D-LUX 5 was replaced by the Leica D-LUX 6, while the A9 was followed by the Sony A9 II. Further information on the features and operation of the D-LUX 5 and A9 can be found, respectively, in the Leica D-LUX 5 Manual (free pdf) or the online Sony A9 Manual.
So how do things add up? Which of the two cameras – the Leica D-LUX 5 or the Sony A9 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Has a lens built-in, whereas the A9 requires a separate lens.
- More compact: Is smaller (110x65mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A9).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2010).
Arguments in favor of the Sony Alpha A9:
- More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 58%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (650 versus 400) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 6 years and 6 months of technical progress since the D-LUX 5 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A9 is the clear winner of the contest (27 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Sony A9 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D-LUX 5 and the A9 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX 5||..||..||..||..||4.5/5||4/5||Sep 2010||699||ebay.com|
|2.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499||ebay.com|
|3.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699||ebay.com|
|4.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|5.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599||ebay.com|
|6.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599||ebay.com|
|7.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699||ebay.com|
|8.||Leica V-LUX 3||..||..||..||..||..||..||Dec 2011||949||ebay.com|
|9.||Leica V-LUX 2||..||..||..||..||..||..||Sep 2010||849||ebay.com|
|10.||Leica X1||3/5||..||..||+||..||4/5||Sep 2009||1,995||ebay.com|
|11.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849||ebay.com|
|12.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|13.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|14.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499||amazon.com|
|15.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999||amazon.com|
|16.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|17.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 40D vs Leica D-LUX 5
- Canon 60D vs Leica D-LUX 5
- Canon M50 vs Leica D-LUX 5
- Canon T5i vs Leica D-LUX 5
- Hasselblad X1D II vs Sony A9
- Leica D-LUX 5 vs Panasonic FZ200
- Leica D-LUX 5 vs Panasonic S1R
- Nikon D3S vs Sony A9
- Nikon D800 vs Sony A9
- Panasonic GM1 vs Sony A9
- Pentax K-3 vs Sony A9
- Samsung NX1 vs Sony A9
Specifications: Leica D-LUX 5 vs Sony A9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Sony A9|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-90mm f/2.0-3.3||Sony E mount lenses|
|Launch Date||September 2010||April 2017|
|Launch Price||USD 699||USD 4,499|
|Sensor Specs||Leica D-LUX 5||Sony A9|
|Sensor Technology||CCD||Stacked BSI-CMOS|
|Sensor Format||1/1.7" Sensor||Full Frame Sensor|
|Sensor Size||7.85 x 5.89 mm||35.6 x 23.8 mm|
|Sensor Area||46.2365 mm2||847.28 mm2|
|Sensor Diagonal||9.8 mm||42.8 mm|
|Sensor Resolution||10 Megapixels||24 Megapixels|
|Image Resolution||3648 x 2736 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.14 μm||5.94 μm|
|Pixel Density||21.59 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||4K/30p Video|
|ISO Setting||80 - 3,200 ISO||100 - 51,200 ISO|
|ISO Boost||80 - 12,800 ISO||50 - 204,800 ISO|
|DXO Sensor Quality (score)||..||92|
|DXO Color Depth (bits)||..||24.9|
|DXO Dynamic Range (EV)||..||13.3|
|DXO Low Light (ISO)||..||3517|
|Screen Specs||Leica D-LUX 5||Sony A9|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica D-LUX 5||Sony A9|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||2.5 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Leica D-LUX 5||Sony A9|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica D-LUX 5||Sony A9|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||650 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
127 x 96 x 63 mm
(5.0 x 3.8 x 2.5 in)
|Camera Weight||271 g (9.6 oz)||673 g (23.7 oz)|
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