Leica D-LUX 5 vs Sony A7S II
The Leica D-LUX 5 and the Sony Alpha 7S II are two digital cameras that were officially introduced, respectively, in September 2010 and September 2015. The D-LUX 5 is a fixed lens compact, while the A7S II is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (D-LUX 5) and a full frame (A7S II) sensor. The Leica has a resolution of 10 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX 5||Sony A7S II|
|Fixed lens compact camera||Mirrorless system camera|
|24-90mm f/2.0-3.3||Sony E mount lenses|
|10 MP, 1/1.7" Sensor||12 MP, Full Frame Sensor|
|720/60p Video||4K/30p Video|
|ISO 80-3,200 (80 - 12,800)||ISO 100-102,400 (50 - 409,600)|
|Viewfinder optional||Electronic viewfinder (2400k dots)|
|3.0 LCD, 460k dots||3.0 LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|2.5 shutter flaps per second||5 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|400 shots per battery charge||370 shots per battery charge|
|110 x 65 x 43 mm, 271 g||127 x 96 x 60 mm, 627 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX 5 and the Sony A7S II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is considerably larger (71 percent) than the Leica D-LUX 5. It is noteworthy in this context that the A7S II is splash and dust-proof, while the D-LUX 5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the A7S II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7S II and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the D-LUX 5 gets 400 shots out of its BP-DC10 battery, while the A7S II can take 370 images on a single charge of its NP-FW50 power pack. The power pack in the A7S II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Leica D-LUX 5||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699|
|Sony A7S II||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999|
|Canon G7 X Mark II||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Canon G7 X||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699|
|Fujifilm X10||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599|
|Leica D-LUX 6||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699|
|Leica V-LUX 3||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949|
|Leica V-LUX 2||4.9 in||3.1 in||3.7 in||18.3 oz||410||n||Sep 2010||849|
|Leica X1||4.9 in||2.4 in||1.3 in||10.8 oz||260||n||Sep 2009||1,995|
|Leica V-LUX 1||5.6 in||3.4 in||5.6 in||25.9 oz||360||n||Sep 2006||849|
|Olympus XZ-1||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499|
|Panasonic LX5||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499|
|Sony A7S III||5.0 in||3.8 in||3.2 in||24.7 oz||600||Y||Jul 2020||3,499|
|Sony A99 II||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony A7R II||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199|
|Sony A7 II||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999|
|Sony A7S||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D-LUX 5 was launched at a lower price than the A7S II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 1741 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 1.0. The sensor in the D-LUX 5 has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 12MP, the A7S II offers a higher resolution than the D-LUX 5 (10MP), but the A7S II nevertheless has larger individual pixels (pixel pitch of 8.40μm versus 2.14μm for the D-LUX 5) due to its larger sensor. Moreover, the A7S II is a much more recent model (by 4 years and 11 months) than the D-LUX 5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7S II for good quality output (200 dots per inch) amounts to 21.2 x 14.2 inches or 53.8 x 36 cm, for very good quality (250 dpi) 17 x 11.3 inches or 43.1 x 28.8 cm, and for excellent quality (300 dpi) 14.1 x 9.4 inches or 35.9 x 24 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..|
|Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..|
|Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||..||..||..||..|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7S II provides a better video resolution than the D-LUX 5. It can shoot movie footage at 4K/30p, while the Leica is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7S II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The table below summarizes some of the other core capabilities of the Leica D-LUX 5 and Sony A7S II in connection with corresponding information for a sample of similar cameras.
|Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y|
|Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y|
|Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y|
|Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The D-LUX 5 has one, while the A7S II does not. While the built-in flash of the D-LUX 5 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The D-LUX 5 writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The A7S II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica V-LUX 3||Y||stereo||-||-||-||mini||2.0||-||-||-|
|Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica V-LUX 1||Y||mono||mono||-||-||-||2.0||-||-||-|
|Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7S II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D-LUX 5 does not provide wifi capability.
Both the D-LUX 5 and the A7S II have been discontinued, but can regularly be found used on eBay. The D-LUX 5 was replaced by the Leica D-LUX 6, while the A7S II was followed by the Sony A7S III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Is the Leica D-LUX 5 better than the Sony A7S II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Has a lens built-in, whereas the A7S II requires a separate lens.
- More compact: Is smaller (110x65mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7S II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2010).
Advantages of the Sony Alpha 7S II:
- More detail: Has more megapixels (12 vs 10MP), which boosts linear resolution by 12%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 11 months of technical progress since the D-LUX 5 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7S II is the clear winner of the contest (20 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D-LUX 5 and the A7S II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica D-LUX 5||..||..||4.5/5||..||4/5||Sep 2010||699|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Canon G7 X Mark II||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon G7 X||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699|
|Fujifilm X10||..||76/100||4/5||3.5/5||4.5/5||Sep 2011||599|
|Leica D-LUX 6||..||..||4/5||..||4/5||Sep 2012||699|
|Leica V-LUX 3||..||..||..||..||..||Dec 2011||949|
|Leica V-LUX 2||..||..||..||..||..||Sep 2010||849|
|Leica X1||..||+||..||..||4/5||Sep 2009||1,995|
|Leica V-LUX 1||..||..||..||..||..||Sep 2006||849|
|Olympus XZ-1||..||74/100||4.5/5||4.5/5||4.5/5||Jan 2011||499|
|Panasonic LX5||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499|
|Sony A7S III||..||..||..||..||..||Jul 2020||3,499|
|Sony A99 II||..||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Sony A7S||..||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 4000D vs Leica D-LUX 5
- Canon 700D vs Sony A7S II
- Canon M50 vs Leica D-LUX 5
- Fujifilm X-A3 vs Leica D-LUX 5
- Leica D-LUX 5 vs Nikon D5
- Leica D-LUX 5 vs Panasonic GF2
- Leica D-LUX 5 vs Panasonic LX15
- Leica D-LUX 5 vs Panasonic ZS100
- Leica M Typ 262 vs Sony A7S II
- Nikon D70s vs Sony A7S II
- Panasonic GX85 vs Sony A7S II
- Panasonic L10 vs Sony A7S II
Specifications: Leica D-LUX 5 vs Sony A7S II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Sony A7S II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-90mm f/2.0-3.3||Sony E mount lenses|
|Launch Date||September 2010||September 2015|
|Launch Price||USD 699||USD 2,999|
|Sensor Specs||Leica D-LUX 5||Sony A7S II|
|Sensor Format||1/1.7" Sensor||Full Frame Sensor|
|Sensor Size||7.85 x 5.89 mm||35.6 x 23.8 mm|
|Sensor Area||46.2365 mm2||847.28 mm2|
|Sensor Diagonal||9.8 mm||42.8 mm|
|Sensor Resolution||10 Megapixels||12 Megapixels|
|Image Resolution||3648 x 2736 pixels||4240 x 2832 pixels|
|Pixel Pitch||2.14 μm||8.40 μm|
|Pixel Density||21.59 MP/cm2||1.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||4K/30p Video|
|ISO Setting||80 - 3,200 ISO||100 - 102,400 ISO|
|ISO Boost||80 - 12,800 ISO||50 - 409,600 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||13.3|
|DXO Low Light (ISO)||..||2993|
|Screen Specs||Leica D-LUX 5||Sony A7S II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica D-LUX 5||Sony A7S II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||2.5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica D-LUX 5||Sony A7S II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Leica D-LUX 5||Sony A7S II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||271 g (9.6 oz)||627 g (22.1 oz)|
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