PW

Leica D-LUX 5 vs Panasonic FZ2500

The Leica D-LUX 5 and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were officially introduced, respectively, in September 2010 and September 2016. Both the D-LUX 5 and the FZ2500 are fixed lens compact cameras that are based on a 1/1.7-inch (D-LUX 5) and an one-inch (FZ2500) sensor. The Leica has a resolution of 10 megapixels, whereas the Panasonic provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Leica D-LUX 5   Panasonic FZ2500
Leica D-LUX 5 Panasonic FZ2500
Fixed lens compact camera Fixed lens compact camera
24-90mm f/2.0-3.3 24-480mm f/2.8-4.5
10 MP, 1/1.7" Sensor 20 MP, 1" Sensor
720/60p Video 4K/30p Video
ISO 80-3200 (80-12800) ISO 125-12800 (80-25600)
Viewfinder optional Electronic viewfinder (2360k dots)
3.0" LCD, 460k dots 3.0" LCD, 1040k dots
Fixed screen (not touch-sensitive) Swivel touchscreen
2.5 shutter flaps per second 12 shutter flaps per second
400 shots per battery charge350 shots per battery charge
110 x 65 x 43 mm, 271 g 138 x 102 x 135 mm, 915 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Leica D-LUX 5 and the Panasonic FZ2500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

Size Leica D-LUX 5 vs Panasonic FZ2500
Compare D-LUX 5 versus FZ2500 top
Comparison D-LUX 5 or FZ2500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is considerably larger (97 percent) than the Leica D-LUX 5. Moreover, the FZ2500 is substantially heavier (238 percent) than the D-LUX 5. In this context, it is worth noting that neither the D-LUX 5 nor the FZ2500 are weather-sealed.

Concerning battery life, the D-LUX 5 gets 400 shots out of its BP-DC10 battery, while the FZ2500 can take 350 images on a single charge of its DMW-BLC12 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Leica D-LUX 5» 4.3 in 2.6 in 1.7 in 9.6 oz 400 n Sep 2010 699- i Leica D-LUX 5
 
Panasonic FZ2500« 5.4 in 4.0 in 5.3 in 32.3 oz 350 n Sep 2016 1,199 i i Panasonic FZ2500
 
Canon G7 X Mark II« » 4.2 in 2.4 in 1.7 in 11.3 oz 265 n Feb 2016 699- i Canon G7 X Mark II
 
Canon G7 X« » 4.1 in 2.4 in 1.6 in 10.7 oz 210 n Sep 2014 699- i Canon G7 X
 
Fujifilm X100F« » 5.0 in 3.0 in 2.0 in 16.5 oz 390 n Jan 2017 1,299 i i Fujifilm X100F
 
Fujifilm X10« » 4.6 in 2.8 in 2.2 in 12.3 oz 270 n Sep 2011 599- i Fujifilm X10
 
Leica V-LUX 5« » 5.4 in 3.8 in 5.2 in 28.6 oz 350 n Jul 2019 1,249 i i Leica V-LUX 5
 
Leica D-LUX 6« » 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Sep 2012 699- i Leica D-LUX 6
 
Leica V-LUX 3« » 4.9 in 3.2 in 3.7 in 19.0 oz 410 n Dec 2011 949- i Leica V-LUX 3
 
Leica V-LUX 2« » 4.9 in 3.1 in 3.7 in 18.3 oz 410 n Sep 2010 849- i Leica V-LUX 2
 
Leica X1« » 4.9 in 2.4 in 1.3 in 10.8 oz 260 n Sep 2009 1,995- i Leica X1
 
Leica V-LUX 1« » 5.6 in 3.4 in 5.6 in 25.9 oz 360 n Sep 2006 849- i Leica V-LUX 1
 
Olympus XZ-1« » 4.4 in 2.6 in 1.7 in 9.7 oz 320 n Jan 2011 499- i Olympus XZ-1
 
Panasonic FZ1000 II« » 5.4 in 3.8 in 5.2 in 28.6 oz 350 n Feb 2019 899 i i Panasonic FZ1000 II
 
Panasonic FZ1000« » 5.4 in 3.9 in 5.2 in 29.3 oz 360 n Jun 2014 899- i Panasonic FZ1000
 
Panasonic LX5« » 4.3 in 2.6 in 1.7 in 9.6 oz 400 n Jul 2010 499- i Panasonic LX5
 
Sony RX100 IV« » 4.0 in 2.3 in 1.6 in 10.5 oz 280 n Jun 2015 999- i Sony RX100 IV
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX 5 was launched at a markedly lower price (by 42 percent) than the FZ2500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 152 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 2.7. The sensor in the D-LUX 5 has a native 4:3 aspect ratio, while the one in the FZ2500 offers a 3:2 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Leica D-LUX 5 and Panasonic FZ2500 sensor measures

With 20MP, the FZ2500 offers a higher resolution than the D-LUX 5 (10MP), but the FZ2500 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.14μm for the D-LUX 5) due to its larger sensor. Moreover, the FZ2500 is a much more recent model (by 6 years) than the D-LUX 5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.

The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

D-LUX 5 versus FZ2500 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Leica D-LUX 5» 1/1.7 10.0 3648 2736720/60p----Leica D-LUX 5
 
Panasonic FZ2500« 1-inch 20.0 5472 36484K/30p----Panasonic FZ2500
 
Canon G7 X Mark II« » 1-inch 20.0 5472 36481080/60p----Canon G7 X Mark II
 
Canon G7 X« » 1-inch 20.0 5472 36481080/60p23.012.755671Canon G7 X
 
Fujifilm X100F« » APS-C 24.0 6000 40001080/60p----Fujifilm X100F
 
Fujifilm X10« » 2/3 12.0 4000 30001080/30p20.511.324550Fujifilm X10
 
Leica V-LUX 5« » 1-inch 20.0 5472 36484K/30p----Leica V-LUX 5
 
Leica D-LUX 6« » 1/1.7 10.0 3648 27361080/60p----Leica D-LUX 6
 
Leica V-LUX 3« » 1/2.3 12.0 4000 30001080/60p----Leica V-LUX 3
 
Leica V-LUX 2« » 1/2.3 14.0 4320 32401080/60i----Leica V-LUX 2
 
Leica X1« » APS-C 12.2 4272 2856-----Leica X1
 
Leica V-LUX 1« » 1/1.8 10.0 3648 2736480/30p----Leica V-LUX 1
 
Olympus XZ-1« » 1/1.7 10.1 3664 2752720/30p18.810.411734Olympus XZ-1
 
Panasonic FZ1000 II« » 1-inch 20.0 5472 36484K/30p----Panasonic FZ1000 II
 
Panasonic FZ1000« » 1-inch 20.0 5472 36484K/30p22.111.751764Panasonic FZ1000
 
Panasonic LX5« » 1/1.7 10.0 3648 2736720/60p19.610.813241Panasonic LX5
 
Sony RX100 IV« » 1-inch 20.0 5472 36484K/30p22.812.659170Sony RX100 IV

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2500 provides a better video resolution than the D-LUX 5. It can shoot movie footage at 4K/30p, while the Leica is limited to 720/60p.

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The adjacent table lists some of the other core features of the Leica D-LUX 5 and Panasonic FZ2500 along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Leica D-LUX 5»- n 3.0 460 fixed n 1/4000s 2.5 Y Y Leica D-LUX 5
 
Panasonic FZ2500«2360 n 3.0 1040 swivel Y 1/4000s 12.0 Y Y Panasonic FZ2500
 
Canon G7 X Mark II« »- n 3.0 1040 tilting Y 1/2000s 8.0 Y Y Canon G7 X Mark II
 
Canon G7 X« »- n 3.0 1040 tilting Y 1/2000s 6.5 Y Y Canon G7 X
 
Fujifilm X100F« »2360 n 3.0 1040 fixed n 1/4000s 8.0 Y n Fujifilm X100F
 
Fujifilm X10« »optical n 2.8 460 fixed n 1/4000s 10.0 Y Y Fujifilm X10
 
Leica V-LUX 5« »2360 n 3.0 1240 swivel Y 1/4000s 12.0 Y Y Leica V-LUX 5
 
Leica D-LUX 6« »- n 3.0 920 fixed n 1/4000s 11.0 Y Y Leica D-LUX 6
 
Leica V-LUX 3« »202 n 3.0 460 swivel n 1/2000s 12.0 Y Y Leica V-LUX 3
 
Leica V-LUX 2« »202 n 3.0 460 swivel n 1/2000s 11.0 Y Y Leica V-LUX 2
 
Leica X1« »- n 2.7 230 fixed n 1/2000s 3.0 Y n Leica X1
 
Leica V-LUX 1« »235 n 2.0 207 swivel n 1/2000s 2.0 Y Y Leica V-LUX 1
 
Olympus XZ-1« »- n 3.0 614 fixed n 1/2000s 2.0 Y Y Olympus XZ-1
 
Panasonic FZ1000 II« »2360 n 3.0 1240 swivel Y 1/4000s 12.0 Y Y Panasonic FZ1000 II
 
Panasonic FZ1000« »2359 n 3.0 921 swivel n 1/4000s 12.0 Y Y Panasonic FZ1000
 
Panasonic LX5« »- n 3.0 460 fixed n 1/4000s 2.5 Y Y Panasonic LX5
 
Sony RX100 IV« »2359 n 3.0 1228 tilting n 1/2000s 16.0 Y Y Sony RX100 IV

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2500 has a touchscreen, while the D-LUX 5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D-LUX 5 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Both the D-LUX 5 and the FZ2500 have zoom lenses built in. The D-LUX 5 has a 24-90mm f/2.0-3.3 optic and the FZ2500 offers a 24-480mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Leica and Panasonic provide the same view at the wide-angle end, but the Panasonic has more tele-photo reach at the long end. The D-LUX 5 offers the faster maximum aperture.

Concerning the storage of imaging data, both the D-LUX 5 and the FZ2500 write their files to SDXC cards. The FZ2500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 5 cannot take advantage of Ultra High Speed SD cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Leica D-LUX 5»Ymonomono--mini2.0---Leica D-LUX 5
 
Panasonic FZ2500«YstereomonoYYmicro2.0Y--Panasonic FZ2500
 
Canon G7 X Mark II« »-stereomono--micro2.0YY-Canon G7 X Mark II
 
Canon G7 X« »-stereomono--micro2.0YY-Canon G7 X
 
Fujifilm X100F« »YstereomonoY-micro2.0Y--Fujifilm X100F
 
Fujifilm X10« »Ystereomono--mini2.0---Fujifilm X10
 
Leica V-LUX 5« »Ystereomono--micro2.0Y-YLeica V-LUX 5
 
Leica D-LUX 6« »Ystereomono--mini2.0---Leica D-LUX 6
 
Leica V-LUX 3« »Ystereo---mini2.0---Leica V-LUX 3
 
Leica V-LUX 2« »Ystereomono--mini2.0---Leica V-LUX 2
 
Leica X1« »Y----mini2.0---Leica X1
 
Leica V-LUX 1« »Ymonomono---2.0---Leica V-LUX 1
 
Olympus XZ-1« »Ymono---mini2.0---Olympus XZ-1
 
Panasonic FZ1000 II« »Ystereomono--micro2.0Y-YPanasonic FZ1000 II
 
Panasonic FZ1000« »YstereomonoY-micro2.0YY-Panasonic FZ1000
 
Panasonic LX5« »Ymonomono--mini2.0---Panasonic LX5
 
Sony RX100 IV« »-stereomono--micro2.0YY-Sony RX100 IV

It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D-LUX 5 does not offer wifi capability.

The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the D-LUX 5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D-LUX 5 was succeeded by the Leica D-LUX 6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.


Review summary

So how do things add up? Is there a clear favorite between the Leica D-LUX 5 and the Panasonic FZ2500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

ilogo

Arguments in favor of the Leica D-LUX 5:

  • Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
  • Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
  • More compact: Is smaller (110x65mm vs 138x102mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 644g or 70 percent) and hence easier to carry around.
  • Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
  • More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
  • More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in September 2010).

ilogo

Advantages of the Panasonic Lumix DMC-FZ2500:

  • More detail: Has more megapixels (20 vs 10MP), which boosts linear resolution by 44%.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (12 vs 2.5 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
  • More modern: Reflects 6 years of technical progress since the D-LUX 5 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the FZ2500 is the clear winner of the contest (20 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

D-LUX 5 08:20 FZ2500

How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D-LUX 5 or the FZ2500 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Leica D-LUX 5»--4.5/5-4/5 Sep 2010 699- i Leica D-LUX 5
 
Panasonic FZ2500«+82/1004.5/54.5/55/5 Sep 2016 1,199 i i Panasonic FZ2500
 
Canon G7 X Mark II« »+ +81/1004.5/54/54.5/5 Feb 2016 699- i Canon G7 X Mark II
 
Canon G7 X« »+ +77/1004.5/53.5/54.5/5 Sep 2014 699- i Canon G7 X
 
Fujifilm X100F« »+83/1004.5/5-4.5/5 Jan 2017 1,299 i i Fujifilm X100F
 
Fujifilm X10« »-76/1004/53.5/54.5/5 Sep 2011 599- i Fujifilm X10
 
Leica V-LUX 5« »--4/5-4/5 Jul 2019 1,249 i i Leica V-LUX 5
 
Leica D-LUX 6« »--4/5-4/5 Sep 2012 699- i Leica D-LUX 6
 
Leica V-LUX 3« »----- Dec 2011 949- i Leica V-LUX 3
 
Leica V-LUX 2« »----- Sep 2010 849- i Leica V-LUX 2
 
Leica X1« »-+--4/5 Sep 2009 1,995- i Leica X1
 
Leica V-LUX 1« »----- Sep 2006 849- i Leica V-LUX 1
 
Olympus XZ-1« »-74/1004.5/54.5/54.5/5 Jan 2011 499- i Olympus XZ-1
 
Panasonic FZ1000 II« »--4.5/5-4.5/5 Feb 2019 899 i i Panasonic FZ1000 II
 
Panasonic FZ1000« »+ +82/1004.5/54.5/54.5/5 Jun 2014 899- i Panasonic FZ1000
 
Panasonic LX5« »+73/1004.5/55/54.5/5 Jul 2010 499- i Panasonic LX5
 
Sony RX100 IV« »+ +85/1004/54.5/54.5/5 Jun 2015 999- i Sony RX100 IV
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Leica D-LUX 5:
Check Ebay offers
Panasonic FZ2500:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

~

    Specifications: Leica D-LUX 5 vs Panasonic FZ2500

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Leica D-LUX 5 Panasonic FZ2500
    Camera Type Fixed lens compact camera Fixed lens compact camera
    Camera Lens 24-90mm f/2.0-3.3 24-480mm f/2.8-4.5
    Launch Date September 2010 September 2016
    Launch Price USD 699 USD 1199
    Sensor Specs Leica D-LUX 5 Panasonic FZ2500
    Sensor Technology CCD BSI-CMOS
    Sensor Format 1/1.7" Sensor 1" Sensor
    Sensor Size 7.85 x 5.89 mm 13.2 x 8.8 mm
    Sensor Area 46.2365 mm2 116.16 mm2
    Sensor Diagonal 9.8 mm 15.9 mm
    Crop Factor 4.4x 2.7x
    Sensor Resolution 10 Megapixels 20 Megapixels
    Image Resolution 3648 x 2736 pixels 5472 x 3648 pixels
    Pixel Pitch 2.14 μm 2.41 μm
    Pixel Density 21.59 MP/cm2 17.18 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 720/60p Video 4K/30p Video
    ISO Setting 80-3200 ISO 125-12800 ISO
    ISO Boost 80-12800 ISO 80-25600 ISO
    Screen Specs Leica D-LUX 5 Panasonic FZ2500
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.74x
    Viewfinder Resolution 2360k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 460k dots 1040k dots
    LCD Attachment Fixed screen Swivel screen
    Touch Input no Touchscreen Touchscreen
    Shooting Specs Leica D-LUX 5 Panasonic FZ2500
    Autofocus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 2.5 shutter flaps/s 12 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/16000s
    Time-Lapse Photographyno IntervalometerIntervalometer built-in
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support no UHS-I
    Connectivity Specs Leica D-LUX 5 Panasonic FZ2500
    External Flash Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support no Wifi Wifi built-in
    Body Specs Leica D-LUX 5 Panasonic FZ2500
    Battery Type BP-DC10 DMW-BLC12
    Battery Life (CIPA)400 shots per charge350 shots per charge
    Body Dimensions 110 x 65 x 43 mm
    (4.3 x 2.6 x 1.7 in)
    138 x 102 x 135 mm
    (5.4 x 4.0 x 5.3 in)
    Camera Weight 271 g (9.6 oz) 915 g (32.3 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

    You are here Home  »  CAM-parator  »  Leica D-LUX 5 vs Panasonic FZ2500