Leica D-LUX 5 vs Panasonic FZ2500
The Leica D-LUX 5 and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were officially introduced, respectively, in September 2010 and September 2016. Both the D-LUX 5 and the FZ2500 are fixed lens compact cameras that are based on a 1/1.7-inch (D-LUX 5) and an one-inch (FZ2500) sensor. The Leica has a resolution of 10 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX 5||Panasonic FZ2500|
|Fixed lens compact camera||Fixed lens compact camera|
|24-90mm f/2.0-3.3||24-480mm f/2.8-4.5|
|10 MP, 1/1.7" Sensor||20 MP, 1" Sensor|
|720/60p Video||4K/30p Video|
|ISO 80-3200 (80-12800)||ISO 125-12800 (80-25600)|
|Viewfinder optional||Electronic viewfinder (2360k dots)|
|3.0" LCD, 460k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|2.5 shutter flaps per second||12 shutter flaps per second|
|400 shots per battery charge||350 shots per battery charge|
|110 x 65 x 43 mm, 271 g||138 x 102 x 135 mm, 915 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica D-LUX 5 and the Panasonic FZ2500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is considerably larger (97 percent) than the Leica D-LUX 5. Moreover, the FZ2500 is substantially heavier (238 percent) than the D-LUX 5. In this context, it is worth noting that neither the D-LUX 5 nor the FZ2500 are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Leica D-LUX 5»||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||-||Leica D-LUX 5|
|Panasonic FZ2500«||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica V-LUX 5« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Leica D-LUX 6« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||-||Leica V-LUX 3|
|Leica V-LUX 2« »||4.9 in||3.1 in||3.7 in||18.3 oz||410||n||Sep 2010||849||-||Leica V-LUX 2|
|Leica X1« »||4.9 in||2.4 in||1.3 in||10.8 oz||260||n||Sep 2009||1,995||-||Leica X1|
|Leica V-LUX 1« »||5.6 in||3.4 in||5.6 in||25.9 oz||360||n||Sep 2006||849||-||Leica V-LUX 1|
|Olympus XZ-1« »||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||-||Olympus XZ-1|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX 5 was launched at a markedly lower price (by 42 percent) than the FZ2500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 152 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 2.7. The sensor in the D-LUX 5 has a native 4:3 aspect ratio, while the one in the FZ2500 offers a 3:2 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20MP, the FZ2500 offers a higher resolution than the D-LUX 5 (10MP), but the FZ2500 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.14μm for the D-LUX 5) due to its larger sensor. Moreover, the FZ2500 is a much more recent model (by 6 years) than the D-LUX 5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Leica D-LUX 5»||1/1.7||10.0||3648||2736||720/60p||-||-||-||-||Leica D-LUX 5|
|Panasonic FZ2500«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica V-LUX 5« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX 5|
|Leica D-LUX 6« »||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Leica V-LUX 3« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 3|
|Leica V-LUX 2« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Leica V-LUX 2|
|Leica X1« »||APS-C||12.2||4272||2856||-||-||-||-||-||Leica X1|
|Leica V-LUX 1« »||1/1.8||10.0||3648||2736||480/30p||-||-||-||-||Leica V-LUX 1|
|Olympus XZ-1« »||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ2500 provides a better video resolution than the D-LUX 5. It can shoot movie footage at 4K/30p, while the Leica is limited to 720/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The adjacent table lists some of the other core features of the Leica D-LUX 5 and Panasonic FZ2500 along with similar information for a selection of comparators.
|Leica D-LUX 5»||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Panasonic FZ2500«||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica V-LUX 5« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Leica D-LUX 6« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Leica V-LUX 3« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Leica V-LUX 2« »||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Leica V-LUX 2|
|Leica X1« »||-||n||2.7||230||fixed||n||1/2000s||3.0||Y||n||Leica X1|
|Leica V-LUX 1« »||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y||Leica V-LUX 1|
|Olympus XZ-1« »||-||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2500 has a touchscreen, while the D-LUX 5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D-LUX 5 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the D-LUX 5 and the FZ2500 have zoom lenses built in. The D-LUX 5 has a 24-90mm f/2.0-3.3 optic and the FZ2500 offers a 24-480mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Leica and Panasonic provide the same view at the wide-angle end, but the Panasonic has more tele-photo reach at the long end. The D-LUX 5 offers the faster maximum aperture.
Concerning the storage of imaging data, both the D-LUX 5 and the FZ2500 write their files to SDXC cards. The FZ2500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica D-LUX 5»||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Panasonic FZ2500«||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica V-LUX 5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Leica D-LUX 6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Leica V-LUX 3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Leica V-LUX 2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica V-LUX 2|
|Leica X1« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica X1|
|Leica V-LUX 1« »||Y||mono||mono||-||-||-||2.0||-||-||-||Leica V-LUX 1|
|Olympus XZ-1« »||Y||mono||-||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D-LUX 5 does not offer wifi capability.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the D-LUX 5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D-LUX 5 was succeeded by the Leica D-LUX 6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So how do things add up? Is there a clear favorite between the Leica D-LUX 5 and the Panasonic FZ2500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More compact: Is smaller (110x65mm vs 138x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 644g or 70 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2010).
Advantages of the Panasonic Lumix DMC-FZ2500:
- More detail: Has more megapixels (20 vs 10MP), which boosts linear resolution by 44%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years of technical progress since the D-LUX 5 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ2500 is the clear winner of the contest (20 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D-LUX 5 or the FZ2500 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica D-LUX 5»||-||-||4.5/5||-||4/5||Sep 2010||699||-||Leica D-LUX 5|
|Panasonic FZ2500«||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica V-LUX 5« »||-||-||4/5||-||4/5||Jul 2019||1,249||Leica V-LUX 5|
|Leica D-LUX 6« »||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Leica V-LUX 3« »||-||-||-||-||-||Dec 2011||949||-||Leica V-LUX 3|
|Leica V-LUX 2« »||-||-||-||-||-||Sep 2010||849||-||Leica V-LUX 2|
|Leica X1« »||-||+||-||-||4/5||Sep 2009||1,995||-||Leica X1|
|Leica V-LUX 1« »||-||-||-||-||-||Sep 2006||849||-||Leica V-LUX 1|
|Olympus XZ-1« »||-||74/100||4.5/5||4.5/5||4.5/5||Jan 2011||499||-||Olympus XZ-1|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G12 vs Panasonic FZ2500
- Canon M5 vs Panasonic FZ2500
- Canon SX720 vs Panasonic FZ2500
- Leica D-LUX 5 vs Nikon 1 J5
- Leica D-LUX 5 vs Nikon D3400
- Leica D-LUX 5 vs Olympus E-P3
- Leica D-LUX 5 vs Panasonic FZ150
- Leica D-LUX 5 vs Sony H200
- Leica D-LUX 5 vs Sony RX10 II
- Panasonic FZ2500 vs Panasonic GF7
- Panasonic FZ2500 vs Sony A99 II
- Panasonic FZ2500 vs Sony RX100 IV
Specifications: Leica D-LUX 5 vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Panasonic FZ2500|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-90mm f/2.0-3.3||24-480mm f/2.8-4.5|
|Launch Date||September 2010||September 2016|
|Launch Price||USD 699||USD 1199|
|Sensor Specs||Leica D-LUX 5||Panasonic FZ2500|
|Sensor Format||1/1.7" Sensor||1" Sensor|
|Sensor Size||7.85 x 5.89 mm||13.2 x 8.8 mm|
|Sensor Area||46.2365 mm2||116.16 mm2|
|Sensor Diagonal||9.8 mm||15.9 mm|
|Sensor Resolution||10 Megapixels||20 Megapixels|
|Image Resolution||3648 x 2736 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.14 μm||2.41 μm|
|Pixel Density||21.59 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||125-12800 ISO|
|ISO Boost||80-12800 ISO||80-25600 ISO|
|Screen Specs||Leica D-LUX 5||Panasonic FZ2500|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica D-LUX 5||Panasonic FZ2500|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||2.5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica D-LUX 5||Panasonic FZ2500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Leica D-LUX 5||Panasonic FZ2500|
|Battery Life (CIPA)||400 shots per charge||350 shots per charge|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||271 g (9.6 oz)||915 g (32.3 oz)|
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