Leica D-LUX 5 vs Panasonic FZ200
The Leica D-LUX 5 and the Panasonic Lumix DMC-FZ200 are two digital cameras that were officially introduced, respectively, in September 2010 and July 2012. Both the D-LUX 5 and the FZ200 are fixed lens compact cameras that are based on a 1/1.7-inch (D-LUX 5) and a 1/2.3-inch (FZ200) sensor. The Leica has a resolution of 10 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Panasonic Lumix DMC-FZ200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Leica D-LUX 5 and the Panasonic FZ200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ200 is considerably larger (52 percent) than the Leica D-LUX 5. Moreover, the FZ200 is substantially heavier (117 percent) than the D-LUX 5. In this context, it is worth noting that neither the D-LUX 5 nor the FZ200 are weather-sealed.
Concerning battery life, the D-LUX 5 gets 400 shots out of its Leica BP-DC10 battery, while the FZ200 can take 540 images on a single charge of its Panasonic DMW-BLC12 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Sep 2010 | 699 | ebay.com | |
2. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
3. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | 699 | ebay.com | |
4. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | 699 | ebay.com | |
5. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
6. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
7. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
8. | Leica D-LUX 6 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Sep 2012 | 699 | ebay.com | |
9. | Leica V-LUX 1 | 141 mm | 86 mm | 142 mm | 734 g | 360 | n | Sep 2006 | 849 | ebay.com | |
10. | Leica V-LUX 2 | 124 mm | 80 mm | 95 mm | 520 g | 410 | n | Sep 2010 | 849 | ebay.com | |
11. | Leica V-LUX 3 | 124 mm | 81 mm | 95 mm | 540 g | 410 | n | Dec 2011 | 949 | ebay.com | |
12. | Leica X1 | 124 mm | 60 mm | 32 mm | 306 g | 260 | n | Sep 2009 | 1,995 | ebay.com | |
13. | Olympus XZ-1 | 111 mm | 65 mm | 42 mm | 275 g | 320 | n | Jan 2011 | 499 | ebay.com | |
14. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | 499 | ebay.com | |
15. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
16. | Panasonic FZ300 | 132 mm | 92 mm | 117 mm | 691 g | 380 | Y | Jul 2015 | 599 | amazon.com | |
17. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ200 was launched at a somewhat lower price (by 14 percent) than the D-LUX 5, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Panasonic FZ200 a 1/2.3-inch sensor. The sensor area in the FZ200 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the FZ200 offers a higher resolution of 12 megapixels, compared with 10 MP of the D-LUX 5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 2.14μm for the D-LUX 5). However, it should be noted that the FZ200 is a somewhat more recent model (by 1 year and 9 months) than the D-LUX 5, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ200 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ200 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
In terms of underlying technology, the D-LUX 5 is build around a CCD sensor, while the FZ200 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.5 | 10.4 | -583 | 39 | |
2. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
3. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
4. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
5. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
6. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
7. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
8. | Leica D-LUX 6 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 19.8 | 10.8 | -303 | 43 | |
9. | Leica V-LUX 1 | 1/1.8 | 10.0 | 3648 | 2736 | 480/30p | 18.4 | 9.5 | -727 | 29 | |
10. | Leica V-LUX 2 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 321 | 39 | |
11. | Leica V-LUX 3 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.7 | 11.0 | 430 | 42 | |
12. | Leica X1 | APS-C | 12.2 | 4272 | 2856 | none | 22.6 | 11.8 | 1037 | 69 | |
13. | Olympus XZ-1 | 1/1.7 | 10.1 | 3664 | 2752 | 720/30p | 18.8 | 10.4 | 117 | 34 | |
14. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
15. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
16. | Panasonic FZ300 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 19.3 | 11.0 | 97 | 38 | |
17. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ200 provides a better video resolution than the D-LUX 5. It can shoot movie footage at 1080/60p, while the Leica is limited to 720/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ200 has an electronic viewfinder (1312k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The adjacent table lists some of the other core features of the Leica D-LUX 5 and Panasonic FZ200 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
2. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
3. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
4. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
5. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
6. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
7. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
8. | Leica D-LUX 6 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
9. | Leica V-LUX 1 | 235 | n | 2.0 / 207 | tilting | n | 1/2000s | 2.0/s | Y | Y | |
10. | Leica V-LUX 2 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
11. | Leica V-LUX 3 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
12. | Leica X1 | none | n | 2.7 / 230 | fixed | n | 1/2000s | 3.0/s | Y | n | |
13. | Olympus XZ-1 | optional | n | 3.0 / 614 | fixed | n | 1/2000s | 2.0/s | Y | Y | |
14. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
15. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
16. | Panasonic FZ300 | 1440 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
17. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
Both the D-LUX 5 and the FZ200 have zoom lenses built in. The D-LUX 5 has a 24-90mm f/2.0-3.3 optic and the FZ200 offers a 25-600mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The D-LUX 5 offers the faster maximum aperture.
Concerning the storage of imaging data, both the D-LUX 5 and the FZ200 write their files to SDXC cards. The FZ200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 5 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Panasonic Lumix DMC-FZ200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
2. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
3. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
4. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
5. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
7. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Leica D-LUX 6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Leica V-LUX 1 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
10. | Leica V-LUX 2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Leica V-LUX 3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
12. | Leica X1 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
13. | Olympus XZ-1 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic FZ300 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
17. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the FZ200 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The D-LUX 5 does not feature such a mic input.
Both the D-LUX 5 and the FZ200 have been discontinued, but can regularly be found used on ebay. The D-LUX 5 was replaced by the Leica D-LUX 6, while the FZ200 was followed by the Panasonic FZ300. Further information on the features and operation of the D-LUX 5 and FZ200 can be found, respectively, in the Leica D-LUX 5 Manual (free pdf) or the online Panasonic FZ200 Manual.
Review summary
So how do things add up? Which of the two cameras – the Leica D-LUX 5 or the Panasonic FZ200 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica D-LUX 5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (110x65mm vs 125x87mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 317g or 54 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been on the market for longer (launched in September 2010).
Arguments in favor of the Panasonic Lumix DMC-FZ200:
- More detail: Has more megapixels (12 vs 10MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (1080/60p vs 720/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 2.5 flaps/sec) to capture the decisive moment.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (540 versus 400) out of a single battery charge.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was released into a lower priced segment (14 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 9 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ200 comes out slightly ahead of the D-LUX 5 (13 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Panasonic FZ200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the D-LUX 5 or the FZ200 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica D-LUX 5 | .. | .. | .. | .. | 4.5/5 | 4/5 | Sep 2010 | 699 | ebay.com | |
2. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
3. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | 699 | ebay.com | |
4. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | 699 | ebay.com | |
5. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
6. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
7. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
8. | Leica D-LUX 6 | .. | .. | .. | .. | 4/5 | 4/5 | Sep 2012 | 699 | ebay.com | |
9. | Leica V-LUX 1 | .. | .. | .. | .. | .. | .. | Sep 2006 | 849 | ebay.com | |
10. | Leica V-LUX 2 | .. | .. | .. | .. | .. | .. | Sep 2010 | 849 | ebay.com | |
11. | Leica V-LUX 3 | .. | .. | .. | .. | .. | .. | Dec 2011 | 949 | ebay.com | |
12. | Leica X1 | 3/5 | .. | .. | + | .. | 4/5 | Sep 2009 | 1,995 | ebay.com | |
13. | Olympus XZ-1 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | Jan 2011 | 499 | ebay.com | |
14. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
15. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
16. | Panasonic FZ300 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2015 | 599 | amazon.com | |
17. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G5 X Mark II vs Panasonic FZ200
- Canon M10 vs Panasonic FZ200
- Fujifilm X-A7 vs Leica D-LUX 5
- Fujifilm X-H1 vs Panasonic FZ200
- Fujifilm XP120 vs Leica D-LUX 5
- Leica CL vs Leica D-LUX 5
- Leica D-LUX 5 vs Olympus E-450
- Leica D-LUX 5 vs Panasonic GH2
- Leica D-LUX 5 vs Sony A7 II
- Nikon P900 vs Panasonic FZ200
- Panasonic FZ200 vs Panasonic GF7
- Panasonic FZ200 vs Panasonic LX5
Specifications: Leica D-LUX 5 vs Panasonic FZ200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica D-LUX 5 | Panasonic FZ200 |
---|---|---|
Camera Type | Fixed lens compact camera | Fixed lens compact camera |
Camera Lens | 24-90mm f/2.0-3.3 | 25-600mm f/2.8 |
Launch Date | September 2010 | July 2012 |
Launch Price | USD 699 | USD 599 |
Sensor Specs | Leica D-LUX 5 | Panasonic FZ200 |
Sensor Technology | CCD | BSI-CMOS |
Sensor Format | 1/1.7" Sensor | 1/2.3" Sensor |
Sensor Size | 7.85 x 5.89 mm | 6.17 x 4.55 mm |
Sensor Area | 46.2365 mm2 | 28.0735 mm2 |
Sensor Diagonal | 9.8 mm | 7.7 mm |
Crop Factor | 4.4x | 5.6x |
Sensor Resolution | 10 Megapixels | 12 Megapixels |
Image Resolution | 3648 x 2736 pixels | 4000 x 3000 pixels |
Pixel Pitch | 2.14 μm | 1.53 μm |
Pixel Density | 21.59 MP/cm2 | 42.74 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 720/60p Video | 1080/60p Video |
ISO Setting | 80 - 3,200 ISO | 100 - 3,200 ISO |
ISO Boost | 80 - 12,800 ISO | 100 - 6,400 ISO |
DXO Sensor Quality (score) | .. | 37 |
DXO Color Depth (bits) | .. | 19.1 |
DXO Dynamic Range (EV) | .. | 10.8 |
DXO Low Light (ISO) | .. | 114 |
Screen Specs | Leica D-LUX 5 | Panasonic FZ200 |
Viewfinder Type | Viewfinder optional | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.46x | |
Viewfinder Resolution | 1312k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 460k dots |
LCD Attachment | Fixed screen | Swivel screen |
Shooting Specs | Leica D-LUX 5 | Panasonic FZ200 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Continuous Shooting | 2.5 shutter flaps/s | 12 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Leica D-LUX 5 | Panasonic FZ200 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | no Wifi |
Body Specs | Leica D-LUX 5 | Panasonic FZ200 |
Battery Type | Leica BP-DC10 | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 400 shots per charge | 540 shots per charge |
Body Dimensions |
110 x 65 x 43 mm (4.3 x 2.6 x 1.7 in) |
125 x 87 x 110 mm (4.9 x 3.4 x 4.3 in) |
Camera Weight | 271 g (9.6 oz) | 588 g (20.7 oz) |
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