Leica D-LUX 5 vs Panasonic FT7
The Leica D-LUX 5 and the Panasonic Lumix DC-FT7 (labelled Panasonic TS7 in some countries) are two digital cameras that were officially introduced, respectively, in September 2010 and May 2018. Both the D-LUX 5 and the FT7 are fixed lens compact cameras that are based on a 1/1.7-inch (D-LUX 5) and a 1/2.3-inch (FT7) sensor. The Leica has a resolution of 10 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX 5||Panasonic FT7|
|Fixed lens compact camera||Fixed lens compact camera|
|24-90mm f/2.0-3.3||28-128mm f/3.3-5.9|
|10 MP, 1/1.7" Sensor||20.2 MP, 1/2.3" Sensor|
|720/60p Video||4K/30p Video|
|ISO 80-3,200 (80 - 12,800)||ISO 80-3,200 (80 - 6,400)|
|Viewfinder optional||Electronic viewfinder (1170k dots)|
|3.0 LCD, 460k dots||3.0 LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|2.5 shutter flaps per second||10 shutter flaps per second|
|not weather sealed||Waterproof body (31m)|
|400 shots per battery charge||300 shots per battery charge|
|110 x 65 x 43 mm, 271 g||117 x 76 x 37 mm, 319 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Panasonic Lumix DC-FT7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica D-LUX 5 and the Panasonic FT7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The FT7 can be obtained in three different colors (black, blue, orange), while the D-LUX 5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 is notably larger (24 percent) than the Leica D-LUX 5. Moreover, the FT7 is markedly heavier (18 percent) than the D-LUX 5. It is noteworthy in this context that the FT7 is splash and dust-proof, while the D-LUX 5 does not feature any corresponding weather-sealing. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
Concerning battery life, the D-LUX 5 gets 400 shots out of its BP-DC10 battery, while the FT7 can take 300 images on a single charge of its DMW-BCM13 power pack. The power pack in the FT7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699|
|Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849|
|Leica X1||124 mm||60 mm||32 mm||306 g||260||n||Sep 2009||1,995|
|Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849|
|Panasonic TZ95||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FT7 was launched at a markedly lower price (by 36 percent) than the D-LUX 5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Panasonic FT7 a 1/2.3-inch sensor. The sensor area in the FT7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the FT7 offers a higher resolution of 20.2 megapixels, compared with 10 MP of the D-LUX 5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.14μm for the D-LUX 5). However, it should be noted that the FT7 is much more recent (by 7 years and 7 months) than the D-LUX 5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FT7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FT7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DC-FT7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..|
|Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..|
|Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FT7 provides a better video resolution than the D-LUX 5. It can shoot movie footage at 4K/30p, while the Leica is limited to 720/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FT7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The table below summarizes some of the other core capabilities of the Leica D-LUX 5 and Panasonic FT7 in connection with corresponding information for a sample of similar cameras.
|Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y|
|Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y|
|Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FT7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the D-LUX 5 and the FT7 have zoom lenses built in. The D-LUX 5 has a 24-90mm f/2.0-3.3 optic and the FT7 offers a 28-128mm f/3.3-5.9 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The D-LUX 5 offers the faster maximum aperture.
Concerning the storage of imaging data, both the D-LUX 5 and the FT7 write their files to SDXC cards. The FT7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Panasonic Lumix DC-FT7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica V-LUX 3||Y||stereo||-||-||-||mini||2.0||-||-||-|
|Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Leica V-LUX 1||Y||mono||mono||-||-||-||2.0||-||-||-|
It is notable that the D-LUX 5 has a hotshoe, while the FT7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The FT7 is a recent model that features in the current product line-up of Panasonic. In contrast, the D-LUX 5 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D-LUX 5 was succeeded by the Leica D-LUX 6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Leica D-LUX 5 and the Panasonic FT7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/3.3).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (110x65mm vs 117x76mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 48g or 15 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (400 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More heavily discounted: Has been available for much longer (launched in September 2010).
Reasons to prefer the Panasonic Lumix DC-FT7:
- More detail: Has more megapixels (20.2 vs 10MP), which boosts linear resolution by 42%.
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More modern: Reflects 7 years and 7 months of technical progress since the D-LUX 5 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FT7 emerges as the winner of the match-up (13 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Panasonic FT7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D-LUX 5 or the FT7 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica D-LUX 5||..||..||4.5/5||..||4/5||Sep 2010||699|
|Panasonic FT7||+||..||3.5/5||..||3.5/5||May 2018||449|
|Canon SX740||+||..||4/5||..||4/5||Jul 2018||399|
|Canon SX730||+||..||4/5||..||4/5||Apr 2017||399|
|Canon G7 X Mark II||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon G7 X||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699|
|Fujifilm XF10||..||75/100||4/5||..||4.5/5||Jul 2018||499|
|Fujifilm X20||+ +||77/100||4.5/5||..||5/5||Jan 2013||599|
|Fujifilm X10||..||76/100||4/5||3.5/5||4.5/5||Sep 2011||599|
|Leica D-LUX 6||..||..||4/5||..||4/5||Sep 2012||699|
|Leica V-LUX 3||..||..||..||..||..||Dec 2011||949|
|Leica V-LUX 2||..||..||..||..||..||Sep 2010||849|
|Leica X1||..||+||..||..||4/5||Sep 2009||1,995|
|Leica V-LUX 1||..||..||..||..||..||Sep 2006||849|
|Panasonic TZ95||+ +||..||4.5/5||..||..||Feb 2019||449|
|Panasonic TZ90||+ +||..||4/5||..||4/5||Apr 2017||449|
|Panasonic LX5||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5DS vs Panasonic FT7
- Canon 800D vs Leica D-LUX 5
- Canon M200 vs Panasonic FT7
- Canon SX520 vs Leica D-LUX 5
- Fujifilm X-T1 vs Leica D-LUX 5
- Leica D-LUX 5 vs Olympus E-300
- Leica D-LUX 5 vs Panasonic G7
- Leica D-LUX 5 vs Panasonic GX9
- Leica D-LUX 5 vs Sony A77 II
- Olympus E-510 vs Panasonic FT7
- Olympus E-M5 III vs Panasonic FT7
- Panasonic FT7 vs Sony A7R IV
Specifications: Leica D-LUX 5 vs Panasonic FT7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Panasonic FT7|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-90mm f/2.0-3.3||28-128mm f/3.3-5.9|
|Launch Date||September 2010||May 2018|
|Launch Price||USD 699||USD 449|
|Sensor Specs||Leica D-LUX 5||Panasonic FT7|
|Sensor Format||1/1.7" Sensor||1/2.3" Sensor|
|Sensor Size||7.85 x 5.89 mm||6.17 x 4.55 mm|
|Sensor Area||46.2365 mm2||28.0735 mm2|
|Sensor Diagonal||9.8 mm||7.7 mm|
|Sensor Resolution||10 Megapixels||20.2 Megapixels|
|Image Resolution||3648 x 2736 pixels||5184 x 3888 pixels|
|Pixel Pitch||2.14 μm||1.18 μm|
|Pixel Density||21.59 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||4K/30p Video|
|ISO Setting||80 - 3,200 ISO||80 - 3,200 ISO|
|ISO Boost||80 - 12,800 ISO||80 - 6,400 ISO|
|Screen Specs||Leica D-LUX 5||Panasonic FT7|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1170k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Leica D-LUX 5||Panasonic FT7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Leica D-LUX 5||Panasonic FT7|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Leica D-LUX 5||Panasonic FT7|
|Environmental Sealing||not weather sealed||Waterproof body (31m)|
|Battery Life (CIPA)||400 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
|Camera Weight||271 g (9.6 oz)||319 g (11.3 oz)|
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