Leica D-LUX 5 vs Olympus E-330
The Leica D-LUX 5 and the Olympus Evolt E-330 are two digital cameras that were announced, respectively, in September 2010 and January 2006. The D-LUX 5 is a fixed lens compact, while the E-330 is a DSLR. The cameras are based on a 1/1.7-inch (D-LUX 5) and a Four Thirds (E-330) sensor. The Leica has a resolution of 10 megapixels, whereas the Olympus provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX 5||Olympus E-330|
|Fixed lens compact camera||Digital single lens reflex|
|24-90mm f/2.0-3.3||Four Thirds lenses|
|10 MP, 1/1.7" Sensor||7.4 MP, Four Thirds Sensor|
|720/60p Video||no Video|
|ISO 80-3200 (80-12800)||ISO 100-400 (100-1600)|
|Viewfinder optional||Optical viewfinder|
|3.0" LCD, 460k dots||2.5" LCD, 215k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|2.5 shutter flaps per second||3 shutter flaps per second|
|400 shots per battery charge||750 shots per battery charge|
|110 x 65 x 43 mm, 271 g||140 x 87 x 72 mm, 637 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Olympus Evolt E-330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX 5 and the Olympus E-330. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-330 is considerably larger (70 percent) than the Leica D-LUX 5. In this context, it is worth noting that neither the D-LUX 5 nor the E-330 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the E-330 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-330 and their specifications in the Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica D-LUX 5»||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||Leica D-LUX 5|
|Olympus E-330«||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999||Olympus E-330|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||Canon G7 X|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||Canon XT|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||Fujifilm X10|
|Leica D-LUX 6« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||Leica D-LUX 6|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||Leica V-LUX 3|
|Leica V-LUX 2« »||4.9 in||3.1 in||3.7 in||18.3 oz||410||n||Sep 2010||849||Leica V-LUX 2|
|Leica X1« »||4.9 in||2.4 in||1.3 in||10.8 oz||260||n||Sep 2009||1,995||Leica X1|
|Leica Digilux 3« »||5.7 in||3.4 in||3.0 in||21.4 oz||750||n||Sep 2006||1,499||Leica Digilux 3|
|Leica V-LUX 1« »||5.6 in||3.4 in||5.6 in||25.9 oz||360||n||Sep 2006||849||Leica V-LUX 1|
|Olympus XZ-1« »||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||Olympus XZ-1|
|Olympus E-500« »||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599||Olympus E-500|
|Olympus E-300« »||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799||Olympus E-300|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
|Panasonic L1« »||5.7 in||3.4 in||2.5 in||21.4 oz||750||n||Feb 2006||999||Panasonic L1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX 5 was launched at a lower price than the E-330, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Olympus E-330 a Four Thirds sensor. The sensor area in the E-330 is 389 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Leica D-LUX 5 offers a higher resolution of 10 megapixels, compared with 7.4 MP of the Olympus E-330. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.14μm versus 5.51μm for the E-330). However, it should be noted that the D-LUX 5 is much more recent (by 4 years and 7 months) than the E-330, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Leica D-LUX 5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D-LUX 5 for good quality output (200 dots per inch) amounts to 18.2 x 13.7 inch or 46.3 x 34.7 cm, for very good quality (250 dpi) 14.6 x 10.9 inch or 37.1 x 27.8 cm, and for excellent quality (300 dpi) 12.2 x 9.1 inch or 30.9 x 23.2 cm. The corresponding values for the Olympus E-330 are 15.7 x 11.8 inch or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inch or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inch or 26.6 x 19.9 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Olympus Evolt E-330 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..||Leica D-LUX 5|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..||Olympus E-330|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G7 X Mark II|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon XT||APS-C||8.0||3456||2304||none||21.8||10.8||637||60||Canon XT|
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..||Leica D-LUX 6|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 3|
|Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Leica V-LUX 2|
|Leica X1||APS-C||12.2||4272||2856||none||..||..||..||..||Leica X1|
|Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..||Leica Digilux 3|
|Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..||Leica V-LUX 1|
|Olympus XZ-1||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..||Olympus E-500|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..||Olympus E-300|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..||Panasonic L1|
Many modern cameras are not only capable of taking still images, but can also record movies. The D-LUX 5 indeed provides movie recording capabilities, while the E-330 does not. The highest resolution format that the D-LUX 5 can use is 720/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-330 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The adjacent table lists some of the other core features of the Leica D-LUX 5 and Olympus E-330 along with similar information for a selection of comparators.
|Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Olympus E-330||optical||n||2.5||215||tilting||n||1/4000s||3.0||Y||n||Olympus E-330|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon XT||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Leica V-LUX 2|
|Leica X1||none||n||2.7||230||fixed||n||1/2000s||3.0||Y||n||Leica X1|
|Leica Digilux 3||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Leica Digilux 3|
|Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y||Leica V-LUX 1|
|Olympus XZ-1||optional||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Olympus E-500||optical||n||2.5||215||fixed||n||1/4000s||2.5||Y||n||Olympus E-500|
|Olympus E-300||optical||n||1.8||134||fixed||n||1/4000s||2.5||Y||n||Olympus E-300|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Panasonic L1||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Panasonic L1|
The D-LUX 5 writes its imaging data to SDXC cards, while the E-330 uses Compact Flash or xD Picture cards. The E-330 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 5 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Olympus Evolt E-330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Olympus E-330||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-330|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon XT||Y||none||none||-||-||none||2.0||-||-||-||Canon XT|
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Leica V-LUX 3||Y||stereo||none||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica V-LUX 2|
|Leica X1||Y||none||none||-||-||mini||2.0||-||-||-||Leica X1|
|Leica Digilux 3||Y||stereo||mono||-||-||none||2.0||-||-||-||Leica Digilux 3|
|Leica V-LUX 1||Y||mono||mono||-||-||none||2.0||-||-||-||Leica V-LUX 1|
|Olympus XZ-1||Y||mono||none||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Olympus E-500||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-500|
|Olympus E-300||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-300|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Panasonic L1||Y||none||none||-||-||none||2.0||-||-||-||Panasonic L1|
Both the D-LUX 5 and the E-330 have been discontinued, but can regularly be found used on eBay. The D-LUX 5 was replaced by the Leica D-LUX 6, while the E-330 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Olympus websites.
So what is the bottom line? Is the Leica D-LUX 5 better than the Olympus E-330 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Leica D-LUX 5:
- More detail: Offers more megapixels (10 vs 7.4MP) with a 16% higher linear resolution.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can record not only still images but also 720/60p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 215k dots).
- Ready to shoot: Comes with a built-in lens, while the E-330 requires a separate lens.
- More compact: Is smaller (110x65mm vs 140x87mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-330).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 7 months of technical progress since the E-330 launch.
Arguments in favor of the Olympus Evolt E-330:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (3 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 400) out of a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in January 2006).
If the count of relative strengths (bullet points above) is taken as a measure, the D-LUX 5 comes out slightly ahead of the E-330 (12 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Olympus E-330 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D-LUX 5 or the E-330. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 6D Mark II vs Leica D-LUX 5
- Canon G1 X Mark II vs Leica D-LUX 5
- Canon G7 X Mark III vs Olympus E-330
- Canon G9 X vs Olympus E-330
- Fujifilm X-T30 vs Leica D-LUX 5
- Leica D-LUX 5 vs Nikon D70
- Leica D-LUX 5 vs Panasonic TZ200
- Leica D-LUX 5 vs Panasonic TZ95
- Leica D-LUX 5 vs Sony NEX-5N
- Nikon D800 vs Olympus E-330
- Olympus E-330 vs Olympus E-500
- Olympus E-330 vs Pentax K-5
Specifications: Leica D-LUX 5 vs Olympus E-330
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Olympus E-330|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-90mm f/2.0-3.3||Four Thirds lenses|
|Launch Date||September 2010||January 2006|
|Launch Price||USD 699||USD 999|
|Sensor Specs||Leica D-LUX 5||Olympus E-330|
|Sensor Format||1/1.7" Sensor||Four Thirds Sensor|
|Sensor Size||7.85 x 5.89 mm||17.3 x 13.0 mm|
|Sensor Area||46.2365 mm2||224.9 mm2|
|Sensor Diagonal||9.8 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||7.4 Megapixels|
|Image Resolution||3648 x 2736 pixels||3136 x 2352 pixels|
|Pixel Pitch||2.14 μm||5.51 μm|
|Pixel Density||21.59 MP/cm2||3.28 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||no Video|
|ISO Setting||80-3200 ISO||100-400 ISO|
|ISO Boost||80-12800 ISO||100-1600 ISO|
|Screen Specs||Leica D-LUX 5||Olympus E-330|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.5 inch|
|LCD Resolution||460k dots||215k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica D-LUX 5||Olympus E-330|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Leica D-LUX 5||Olympus E-330|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica D-LUX 5||Olympus E-330|
|Battery Life (CIPA)||400 shots per charge||750 shots per charge|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
140 x 87 x 72 mm
(5.5 x 3.4 x 2.8 in)
|Camera Weight||271 g (9.6 oz)||637 g (22.5 oz)|
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