Leica D-LUX 5 vs Olympus E-1

The Leica D-LUX 5 and the Olympus E-1 are two digital cameras that were announced, respectively, in September 2010 and June 2003. The D-LUX 5 is a fixed lens compact, while the E-1 is a DSLR. The cameras are based on a 1/1.7-inch (D-LUX 5) and a Four Thirds (E-1) sensor. The Leica has a resolution of 10 megapixels, whereas the Olympus provides 4.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica D-LUX 5		Olympus E-1
Fixed lens compact camera		Digital single lens reflex
24-90mm f/2.0-3.3		Four Thirds lenses
10 MP – 1/1.7" sensor		4.9 MP – Four Thirds sensor
720/60p Video		no Video
ISO 80-3,200 (80 - 12,800)		ISO 100-800 (100 - 3,200)
Viewfinder optional		Optical viewfinder
3.0" LCD – 460k dots		1.8" LCD – 134k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
2.5 shutter flaps per second		3 shutter flaps per second
not weather sealed		Weathersealed body
400 shots per battery charge		750 shots per battery charge
110 x 65 x 43 mm, 271 g		141 x 104 x 81 mm, 738 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Olympus E-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Leica D-LUX 5 and the Olympus E-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-1 is considerably larger (105 percent) than the Leica D-LUX 5. It is noteworthy in this context that the E-1 is splash and dust-proof, while the D-LUX 5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the E-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-1 and their specifications in the Four Thirds Lens Catalog.

Concerning battery life, the D-LUX 5 gets 400 shots out of its Leica BP-DC10 battery, while the E-1 can take 750 images on a single charge of its Olympus BLM-1 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica D-LUX 5	110 mm	65 mm	43 mm	271 g	400	n	Sep 2010	699	ebay.com
2.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	1,699	ebay.com
3.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	699	ebay.com
4.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	699	ebay.com
5.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
6.		Leica D-LUX 6	111 mm	68 mm	46 mm	298 g	330	n	Sep 2012	699	ebay.com
7.		Leica V-LUX 3	124 mm	81 mm	95 mm	540 g	410	n	Dec 2011	949	ebay.com
8.		Leica V-LUX 2	124 mm	80 mm	95 mm	520 g	410	n	Sep 2010	849	ebay.com
9.		Leica X1	124 mm	60 mm	32 mm	306 g	260	n	Sep 2009	1,995	ebay.com
10.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	1,499	ebay.com
11.		Leica V-LUX 1	141 mm	86 mm	142 mm	734 g	360	n	Sep 2006	849	ebay.com
12.		Olympus XZ-1	111 mm	65 mm	42 mm	275 g	320	n	Jan 2011	499	ebay.com
13.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	1,699	ebay.com
14.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	1,699	ebay.com
15.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	999	ebay.com
16.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	799	ebay.com
17.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D-LUX 5 was launched at a lower price than the E-1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Olympus E-1 a Four Thirds sensor. The sensor area in the E-1 is 389 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Despite having a smaller sensor, the Leica D-LUX 5 offers a higher resolution of 10 megapixels, compared with 4.9 MP of the Olympus E-1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.14μm versus 6.78μm for the E-1). However, it should be noted that the D-LUX 5 is much more recent (by 7 years and 2 months) than the E-1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The resolution advantage of the Leica D-LUX 5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D-LUX 5 for good quality output (200 dots per inch) amounts to 18.2 x 13.7 inches or 46.3 x 34.7 cm, for very good quality (250 dpi) 14.6 x 10.9 inches or 37.1 x 27.8 cm, and for excellent quality (300 dpi) 12.2 x 9.1 inches or 30.9 x 23.2 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.

The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Olympus E-1 are ISO 100 to ISO 800, with the possibility to increase the ISO range to 100-3200.

Technology-wise, both cameras are equipped with CCD (Charged Coupled Device) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica D-LUX 5	1/1.7	10.0	3648	2736	720/60p	19.5	10.4	-583	39
2.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
3.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
4.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
5.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
6.		Leica D-LUX 6	1/1.7	10.0	3648	2736	1080/60p	19.8	10.8	-303	43
7.		Leica V-LUX 3	1/2.3	12.0	4000	3000	1080/60p	19.7	11.0	430	42
8.		Leica V-LUX 2	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	321	39
9.		Leica X1	APS-C	12.2	4272	2856	none	22.6	11.8	1037	69
10.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
11.		Leica V-LUX 1	1/1.8	10.0	3648	2736	480/30p	18.4	9.5	-727	29
12.		Olympus XZ-1	1/1.7	10.1	3664	2752	720/30p	18.8	10.4	117	34
13.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
14.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
15.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
16.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
17.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The D-LUX 5 indeed provides movie recording capabilities, while the E-1 does not. The highest resolution format that the D-LUX 5 can use is 720/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The table below summarizes some of the other core capabilities of the Leica D-LUX 5 and Olympus E-1 in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica D-LUX 5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
2.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
3.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
4.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
5.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
6.		Leica D-LUX 6	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
7.		Leica V-LUX 3	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
8.		Leica V-LUX 2	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
9.		Leica X1	none	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	n
10.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
11.		Leica V-LUX 1	235	n	2.0 / 207	tilting	n	1/2000s	2.0/s	Y	Y
12.		Olympus XZ-1	optional	n	3.0 / 614	fixed	n	1/2000s	2.0/s	Y	Y
13.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
14.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
15.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
16.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
17.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The D-LUX 5 has one, while the E-1 does not. While the built-in flash of the D-LUX 5 is not very powerful, it can at times be useful as a fill-in light.

The D-LUX 5 writes its imaging data to SDXC cards, while the E-1 uses Compact Flash or xD Picture cards. The E-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 5 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Olympus E-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica D-LUX 5	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
4.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
5.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Leica D-LUX 6	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Leica V-LUX 3	Y	stereo / -	-	-	mini	2.0	-	-	-
8.		Leica V-LUX 2	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Leica X1	Y	- / -	-	-	mini	2.0	-	-	-
10.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
11.		Leica V-LUX 1	Y	mono / mono	-	-	-	2.0	-	-	-
12.		Olympus XZ-1	Y	mono / -	-	-	mini	2.0	-	-	-
13.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
14.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
15.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
16.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
17.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-

Studio photographers will appreciate that the Olympus E-1 (unlike the D-LUX 5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the D-LUX 5 and the E-1 have been discontinued, but can regularly be found used on ebay. The E-1 was replaced by the Olympus E-3, while the D-LUX 5 was followed by the Leica D-LUX 6. Further information on the features and operation of the D-LUX 5 and E-1 can be found, respectively, in the Leica D-LUX 5 Manual (free pdf) or the online Olympus E-1 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Leica D-LUX 5 or the Olympus E-1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Leica D-LUX 5:

• More detail: Offers more megapixels (10 vs 4.9MP) with a 43% higher linear resolution.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Broader imaging potential: Can record not only still images but also 720/60p movies.
• Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (460k vs 134k dots).
• Ready to shoot: Comes with a built-in lens, while the E-1 requires a separate lens.
• More compact: Is smaller (110x65mm vs 141x104mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-1).
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 7 years and 2 months of technical progress since the E-1 launch.

Advantages of the Olympus E-1:

• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Faster burst: Shoots at higher frequency (3 vs 2.5 flaps/sec) to capture the decisive moment.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (750 versus 400) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in June 2003).

If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (13 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Olympus E-1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D-LUX 5 or the E-1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica D-LUX 5	..	..	..	..	4.5/5	4/5	Sep 2010	699	ebay.com
2.		Olympus E-1	..	..	..	+	o	..	Jun 2003	1,699	ebay.com
3.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	699	ebay.com
4.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	699	ebay.com
5.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
6.		Leica D-LUX 6	..	..	..	..	4/5	4/5	Sep 2012	699	ebay.com
7.		Leica V-LUX 3	..	..	..	..	..	..	Dec 2011	949	ebay.com
8.		Leica V-LUX 2	..	..	..	..	..	..	Sep 2010	849	ebay.com
9.		Leica X1	3/5	..	..	+	..	4/5	Sep 2009	1,995	ebay.com
10.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	1,499	ebay.com
11.		Leica V-LUX 1	..	..	..	..	..	..	Sep 2006	849	ebay.com
12.		Olympus XZ-1	4/5	..	..	74/100	4.5/5	4.5/5	Jan 2011	499	ebay.com
13.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	1,699	ebay.com
14.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	1,699	ebay.com
15.		Olympus E-330	..	..	..	+	o	..	Jan 2006	999	ebay.com
16.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	799	ebay.com
17.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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