Leica D-LUX 5 vs Nikon D300S
The Leica D-LUX 5 and the Nikon D300S are two enthusiast cameras that were revealed to the public, respectively, in September 2010 and July 2009. The D-LUX 5 is a fixed lens compact, while the D300S is a DSLR. The cameras are based on a 1/1.7-inch (D-LUX 5) and an APS-C (D300S) sensor. The Leica has a resolution of 10 megapixels, whereas the Nikon provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica D-LUX 5||Nikon D300S|
|Fixed lens compact camera||Digital single lens reflex|
|24-90mm f/2.0-3.3||Nikon F mount lenses|
|10 MP, 1/1.7" Sensor||12.2 MP, APS-C Sensor|
|720/60p Video||720/24p Video|
|ISO 80-3200 (80-12800)||ISO 200-3200 (100-6400)|
|Viewfinder optional||Optical viewfinder|
|3.0" LCD, 460k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|2.5 shutter flaps per second||7 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|400 shots per battery charge||950 shots per battery charge|
|110 x 65 x 43 mm, 271 g||147 x 115 x 81 mm, 938 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Nikon D300S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica D-LUX 5 and the Nikon D300S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D300S is considerably larger (136 percent) than the Leica D-LUX 5. It is noteworthy in this context that the D300S is splash and dust-proof, while the D-LUX 5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the D300S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D300S and their specifications in the Nikon Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Leica D-LUX 5»||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||-||Leica D-LUX 5|
|Nikon D300S«||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||-||Nikon D300S|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 6« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||-||Leica V-LUX 3|
|Leica V-LUX 2« »||4.9 in||3.1 in||3.7 in||18.3 oz||410||n||Sep 2010||849||-||Leica V-LUX 2|
|Leica X1« »||4.9 in||2.4 in||1.3 in||10.8 oz||260||n||Sep 2009||1,995||-||Leica X1|
|Leica V-LUX 1« »||5.6 in||3.4 in||5.6 in||25.9 oz||360||n||Sep 2006||849||-||Leica V-LUX 1|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Nikon D700« »||5.8 in||4.8 in||3.0 in||37.9 oz||1000||Y||Jul 2008||2,999||-||Nikon D700|
|Nikon D300« »||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799||-||Nikon D300|
|Nikon D200« »||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||-||Nikon D200|
|Olympus XZ-1« »||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||-||Olympus XZ-1|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX 5 was launched at a lower price than the D300S, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Nikon D300S an APS-C sensor. The sensor area in the D300S is 711 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 1.5. The sensor in the D-LUX 5 has a native 4:3 aspect ratio, while the one in the D300S offers a 3:2 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 12.2MP, the D300S offers a higher resolution than the D-LUX 5 (10MP), but the D300S nevertheless has larger individual pixels (pixel pitch of 5.53μm versus 2.14μm for the D-LUX 5) due to its larger sensor. However, the D-LUX 5 is a somewhat more recent model (by 1 year and 1 month) than the D300S, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon D300S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D300S for good quality output (200 dots per inch) amounts to 21.4 x 14.2 inch or 54.5 x 36.2 cm, for very good quality (250 dpi) 17.2 x 11.4 inch or 43.6 x 28.9 cm, and for excellent quality (300 dpi) 14.3 x 9.5 inch or 36.3 x 24.1 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Nikon D300S are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica D-LUX 5»||1/1.7||10.0||3648||2736||720/60p||-||-||-||-||Leica D-LUX 5|
|Nikon D300S«||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 6« »||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Leica V-LUX 3« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 3|
|Leica V-LUX 2« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Leica V-LUX 2|
|Leica X1« »||APS-C||12.2||4272||2856||-||-||-||-||-||Leica X1|
|Leica V-LUX 1« »||1/1.8||10.0||3648||2736||480/30p||-||-||-||-||Leica V-LUX 1|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Nikon D700« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2303||80||Nikon D700|
|Nikon D300« »||APS-C||12.2||4288||2848||-||22.1||12.0||679||67||Nikon D300|
|Nikon D200« »||APS-C||10.0||3872||2592||-||22.3||11.5||583||64||Nikon D200|
|Olympus XZ-1« »||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D-LUX 5 provides a higher frame rate than the D300S. It can shoot video footage at 720/60p, while the Nikon is limited to 720/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D300S has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The following table reports on some other key feature differences and similarities of the Leica D-LUX 5, the Nikon D300S, and comparable cameras.
|Leica D-LUX 5»||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Nikon D300S«||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 6« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Leica V-LUX 3« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Leica V-LUX 2« »||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Leica V-LUX 2|
|Leica X1« »||-||n||2.7||230||fixed||n||1/2000s||3.0||Y||n||Leica X1|
|Leica V-LUX 1« »||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y||Leica V-LUX 1|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Nikon D700« »||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
|Nikon D300« »||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Nikon D200« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Olympus XZ-1« »||-||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
One feature that is present on the D300S, but is missing on the D-LUX 5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D300S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 5 writes its imaging data to SDXC cards, while the D300S uses Compact Flash or SDXC cards. The D300S features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 5 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Nikon D300S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica D-LUX 5»||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Nikon D300S«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Leica V-LUX 3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Leica V-LUX 2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica V-LUX 2|
|Leica X1« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica X1|
|Leica V-LUX 1« »||Y||mono||mono||-||-||-||2.0||-||-||-||Leica V-LUX 1|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Nikon D700« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D700|
|Nikon D300« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D300|
|Nikon D200« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D200|
|Olympus XZ-1« »||Y||mono||-||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
It is notable that the D300S has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The D-LUX 5 does not feature such a mic input.
Studio photographers will appreciate that the Nikon D300S (unlike the D-LUX 5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D-LUX 5 and the D300S have been discontinued, but can regularly be found used on eBay. The D300S was replaced by the Nikon D500, while the D-LUX 5 was followed by the Leica D-LUX 6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Nikon websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica D-LUX 5 and the Nikon D300S? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher movie framerates (720/60p versus 720/24p).
- Ready to shoot: Comes with a built-in lens, while the D300S requires a separate lens.
- More compact: Is smaller (110x65mm vs 147x115mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the D300S).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 1 month after the D300S).
Reasons to prefer the Nikon D300S:
- More detail: Has more megapixels (12.2 vs 10MP), which boosts linear resolution by 13%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (950 versus 400) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in July 2009).
If the number of relative strengths (bullet points above) is taken as a guide, the D300S is the clear winner of the contest (18 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Nikon D300S place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D-LUX 5 and the D300S in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica D-LUX 5»||-||-||4.5/5||-||4/5||Sep 2010||699||-||Leica D-LUX 5|
|Nikon D300S«||+ +||82/100||4/5||5/5||4.5/5||Jul 2009||1,799||-||Nikon D300S|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 6« »||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Leica V-LUX 3« »||-||-||-||-||-||Dec 2011||949||-||Leica V-LUX 3|
|Leica V-LUX 2« »||-||-||-||-||-||Sep 2010||849||-||Leica V-LUX 2|
|Leica X1« »||-||+||-||-||4/5||Sep 2009||1,995||-||Leica X1|
|Leica V-LUX 1« »||-||-||-||-||-||Sep 2006||849||-||Leica V-LUX 1|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Nikon D700« »||89/100||+ +||4.5/5||5/5||4.5/5||Jul 2008||2,999||-||Nikon D700|
|Nikon D300« »||+ +||+ +||5/5||o||4.5/5||Aug 2007||1,799||-||Nikon D300|
|Nikon D200« »||+ +||+ +||o||5/5||-||Nov 2005||1,699||-||Nikon D200|
|Olympus XZ-1« »||-||74/100||4.5/5||4.5/5||4.5/5||Jan 2011||499||-||Olympus XZ-1|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D vs Leica D-LUX 5
- Canon 350D vs Nikon D300S
- Canon G1 X Mark II vs Leica D-LUX 5
- Canon M vs Nikon D300S
- Fujifilm X-Pro1 vs Leica D-LUX 5
- Fujifilm X-T10 vs Nikon D300S
- Leica D-LUX 5 vs Leica X2
- Leica D-LUX 5 vs Panasonic LX100 II
- Leica D-LUX 5 vs Sony RX100 II
- Nikon D300S vs Pentax MX-1
- Nikon D300S vs Sony A7S II
- Nikon D300S vs Sony H200
Specifications: Leica D-LUX 5 vs Nikon D300S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Nikon D300S|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-90mm f/2.0-3.3||Nikon F mount lenses|
|Launch Date||September 2010||July 2009|
|Launch Price||USD 699||USD 1799|
|Sensor Specs||Leica D-LUX 5||Nikon D300S|
|Sensor Format||1/1.7" Sensor||APS-C Sensor|
|Sensor Size||7.85 x 5.89 mm||23.6 x 15.8 mm|
|Sensor Area||46.2365 mm2||372.88 mm2|
|Sensor Diagonal||9.8 mm||28.4 mm|
|Sensor Resolution||10 Megapixels||12.2 Megapixels|
|Image Resolution||3648 x 2736 pixels||4288 x 2848 pixels|
|Pixel Pitch||2.14 μm||5.53 μm|
|Pixel Density||21.59 MP/cm2||3.28 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||720/24p Video|
|ISO Setting||80-3200 ISO||200-3200 ISO|
|ISO Boost||80-12800 ISO||100-6400 ISO|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||22.5|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||787|
|Screen Specs||Leica D-LUX 5||Nikon D300S|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Leica D-LUX 5||Nikon D300S|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||7 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||no|
|Connectivity Specs||Leica D-LUX 5||Nikon D300S|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica D-LUX 5||Nikon D300S|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||950 shots per charge|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
|Camera Weight||271 g (9.6 oz)||938 g (33.1 oz)|
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