Leica D-LUX 5 vs Nikon D3
The Leica D-LUX 5 and the Nikon D3 are two digital cameras that were announced, respectively, in September 2010 and August 2007. The D-LUX 5 is a fixed lens compact, while the D3 is a DSLR. The cameras are based on a 1/1.7-inch (D-LUX 5) and a full frame (D3) sensor. The Leica has a resolution of 10 megapixels, whereas the Nikon provides 12.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 5 and the Nikon D3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica D-LUX 5 and the Nikon D3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D3 is considerably larger (251 percent) than the Leica D-LUX 5. It is noteworthy in this context that the D3 is splash and dust-proof, while the D-LUX 5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the D3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D3 and their specifications in the Nikon Lens Catalog.
Concerning battery life, the D-LUX 5 gets 400 shots out of its BP-DC10 battery, while the D3 can take 4300 images on a single charge of its EN-EL4a power pack. As can be seen in the images above, the D3 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699|
|2.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|4.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|5.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|6.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|7.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|8.||Leica V-LUX 3||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949|
|9.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849|
|10.||Leica X1||124 mm||60 mm||32 mm||306 g||260||n||Sep 2009||1,995|
|11.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849|
|12.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|13.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|14.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|15.||Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999|
|16.||Olympus XZ-1||111 mm||65 mm||42 mm||275 g||320||n||Jan 2011||499|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D-LUX 5 was launched at a lower price than the D3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica D-LUX 5 features a 1/1.7-inch sensor and the Nikon D3 a full frame sensor. The sensor area in the D3 is 1770 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.4 and 1.0. The sensor in the D-LUX 5 has a native 4:3 aspect ratio, while the one in the D3 offers a 3:2 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 12.1MP, the D3 offers a higher resolution than the D-LUX 5 (10MP), but the D3 nevertheless has larger individual pixels (pixel pitch of 8.43μm versus 2.14μm for the D-LUX 5) due to its larger sensor. However, the D-LUX 5 is a much more recent model (by 3 years) than the D3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon D3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D3 for good quality output (200 dots per inch) amounts to 21.3 x 14.2 inches or 54.1 x 36 cm, for very good quality (250 dpi) 17 x 11.3 inches or 43.2 x 28.8 cm, and for excellent quality (300 dpi) 14.2 x 9.4 inches or 36 x 24 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Leica D-LUX 5 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-12800. The corresponding ISO settings for the Nikon D3 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||19.5||10.4||-583||39|
|2.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|4.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|5.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|7.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||19.8||10.8||-303||43|
|8.||Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||19.7||11.0||430||42|
|9.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||19.4||10.7||321||39|
|11.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||18.4||9.5||-727||29|
|12.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|13.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|14.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|15.||Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The D-LUX 5 indeed provides movie recording capabilities, while the D3 does not. The highest resolution format that the D-LUX 5 can use is 720/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The table below summarizes some of the other core capabilities of the Leica D-LUX 5 and Nikon D3 in connection with corresponding information for a sample of similar cameras.
|1.||Leica D-LUX 5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|2.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0/s||n||n|
|3.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|4.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|5.||Canon 1D Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||10.0/s||n||n|
|6.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|7.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|8.||Leica V-LUX 3||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|9.||Leica V-LUX 2||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|10.||Leica X1||none||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||n|
|11.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0/s||Y||Y|
|12.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|13.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0/s||n||n|
|14.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||n|
|15.||Nikon D700||optical||Y||3.0 / 922||fixed||n||1/8000s||8.0/s||Y||n|
|16.||Olympus XZ-1||optional||n||3.0 / 614||fixed||n||1/2000s||2.0/s||Y||Y|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The D-LUX 5 has one, while the D3 does not. While the built-in flash of the D-LUX 5 is not very powerful, it can at times be useful as a fill-in light.
The Nikon D3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D-LUX 5 writes its imaging data to SDXC cards, while the D3 uses Compact Flash cards. The D3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 5 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 5 and Nikon D3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica D-LUX 5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|3.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon 1D Mark III||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Leica V-LUX 3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Leica V-LUX 2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Leica X1||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|12.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|13.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|15.||Nikon D700||Y||- / -||-||-||mini||2.0||-||-||-|
|16.||Olympus XZ-1||Y||mono / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Nikon D3 (unlike the D-LUX 5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D-LUX 5 and the D3 have been discontinued, but can regularly be found used on eBay. The D3 was replaced by the Nikon D4, while the D-LUX 5 was followed by the Leica D-LUX 6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Nikon websites.
So what conclusions can be drawn? Which of the two cameras – the Leica D-LUX 5 or the Nikon D3 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Leica D-LUX 5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can record not only still images but also 720/60p movies.
- Ready to shoot: Comes with a built-in lens, while the D3 requires a separate lens.
- More compact: Is smaller (110x65mm vs 160x157mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the D3).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years of technical progress since the D3 launch.
Advantages of the Nikon D3:
- More detail: Has more megapixels (12.1 vs 10MP), which boosts linear resolution by 12%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (11 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (4300 versus 400) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in August 2007).
If the count of individual advantages (bullet points above) is taken as a guide, the D3 is the clear winner of the contest (18 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica D-LUX 5 and the Nikon D3 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D-LUX 5 or the D3. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica D-LUX 5||..||..||..||..||4.5/5||4/5||Sep 2010||699|
|2.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|3.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|4.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|5.||Canon 1D Mark III||..||..||..||..||..||..||Feb 2007||4,499|
|6.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|7.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699|
|8.||Leica V-LUX 3||..||..||..||..||..||..||Dec 2011||949|
|9.||Leica V-LUX 2||..||..||..||..||..||..||Sep 2010||849|
|10.||Leica X1||3/5||..||..||+||..||4/5||Sep 2009||1,995|
|11.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849|
|12.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|13.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|14.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|15.||Nikon D700||..||89/100||..||+ +||4.5/5||4.5/5||Jul 2008||2,999|
|16.||Olympus XZ-1||4/5||..||..||74/100||4.5/5||4.5/5||Jan 2011||499|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Nikon D3
- Canon 1Ds Mark II vs Nikon D3
- Canon 350D vs Leica D-LUX 5
- Canon 6D Mark II vs Leica D-LUX 5
- Canon 90D vs Nikon D3
- Canon SX730 vs Nikon D3
- Fujifilm X-Pro2 vs Leica D-LUX 5
- Leica D-LUX 5 vs Nikon B700
- Leica D-LUX 5 vs Panasonic LX100 II
- Leica D-LUX 5 vs Sony RX0
- Leica S3 vs Nikon D3
- Nikon D3 vs Nikon D700
Specifications: Leica D-LUX 5 vs Nikon D3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica D-LUX 5||Nikon D3|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-90mm f/2.0-3.3||Nikon F mount lenses|
|Launch Date||September 2010||August 2007|
|Launch Price||USD 699||USD 4,999|
|Sensor Specs||Leica D-LUX 5||Nikon D3|
|Sensor Format||1/1.7" Sensor||Full Frame Sensor|
|Sensor Size||7.85 x 5.89 mm||36.0 x 23.9 mm|
|Sensor Area||46.2365 mm2||860.4 mm2|
|Sensor Diagonal||9.8 mm||43.2 mm|
|Sensor Resolution||10 Megapixels||12.1 Megapixels|
|Image Resolution||3648 x 2736 pixels||4256 x 2832 pixels|
|Pixel Pitch||2.14 μm||8.43 μm|
|Pixel Density||21.59 MP/cm2||1.40 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/60p Video||no Video|
|ISO Setting||80 - 3,200 ISO||200 - 6,400 ISO|
|ISO Boost||80 - 12,800 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||..||81|
|DXO Color Depth (bits)||..||23.5|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||2290|
|Screen Specs||Leica D-LUX 5||Nikon D3|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Leica D-LUX 5||Nikon D3|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Leica D-LUX 5||Nikon D3|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Leica D-LUX 5||Nikon D3|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||4300 shots per charge|
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
160 x 157 x 88 mm
(6.3 x 6.2 x 3.5 in)
|Camera Weight||271 g (9.6 oz)||1300 g (45.9 oz)|
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