Leica CL versus Kodak S-1
The Leica CL (Typ 7323) and the Kodak PIXPRO S-1 are two digital cameras that were announced, respectively, in November 2017 and January 2012. Both the CL and the S-1 are mirrorless interchangeable lens cameras that are based on an APS-C (CL) and a Four Thirds sensor. The Leica has a resolution of 24.1 megapixel, whereas the Kodak provides 16.1 MP.
The side-by-side display below illustrates the physical size and weight of the Leica CL and the Kodak S-1. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the CL – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Kodak S-1 is notably smaller (23 percent) than the Leica CL. Moreover, the S-1 is markedly lighter (28 percent) than the CL. In this context, it is worth noting that neither the CL nor the S-1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Leica CL (⇒ rgt)||131 mm||78 mm||45 mm||403 g||220||no||2017||2,795||latest||check|
|Kodak S-1 (⇒ lft)||116 mm||68 mm||36 mm||290 g||410||no||2012||299||latest||check|
|Canon 200D (⇒ lft | rgt)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon M6 (⇒ lft | rgt)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Leica M10 (⇒ lft | rgt)||139 mm||80 mm||39 mm||660 g||210||no||2017||6,595||latest||check|
|Leica TL2 (⇒ lft | rgt)||134 mm||69 mm||33 mm||399 g||250||no||2017||1,950||latest||check|
|Leica TL (⇒ lft | rgt)||134 mm||69 mm||33 mm||384 g||400||no||2016||1,695||discont.||check|
|Leica X Vario (⇒ lft | rgt)||133 mm||73 mm||95 mm||680 g||450||no||2013||2,850||latest||check|
|Nikon D3400 (⇒ lft | rgt)||124 mm||98 mm||76 mm||445 g||1200||no||2016||499||latest||check|
|Nikon D5600 (⇒ lft | rgt)||124 mm||97 mm||70 mm||465 g||970||no||2016||699||latest||check|
|Olympus E-P5 (⇒ lft | rgt)||122 mm||69 mm||37 mm||420 g||330||no||2013||999||discont.||check|
|Panasonic GF6 (⇒ lft | rgt)||111 mm||65 mm||38 mm||323 g||340||no||2013||499||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||123 mm||71 mm||55 mm||402 g||350||no||2013||999||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||115 mm||84 mm||47 mm||336 g||270||no||2011||599||discont.||check|
|Panasonic GX1 (⇒ lft | rgt)||116 mm||68 mm||39 mm||318 g||320||no||2011||949||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 89 percent) than the CL, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica CL features an APS-C sensor and the Kodak S-1 a Four Thirds sensor. The sensor area in the S-1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the CL has a native 3:2 aspect ratio, while the one in the S-1 offers a 4:3 aspect.
With 24.1MP, the CL offers a higher resolution than the S-1 (16.1MP), but the CL nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.74μm for the S-1) due to its larger sensor. Moreover, the CL is a somewhat more recent model (by 5 years and 10 months) than the S-1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the CL has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica CL (⇒ rgt)||APS-C||24.1||6014||4014||4K/30p||..||..||..||..|
|Kodak S-1 (⇒ lft)||Four Thirds||16.1||4640||3480||1080/30p||-||-||-||-|
|Canon 200D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Leica M10 (⇒ lft | rgt)||Full Frame||23.8||5952||3992||no||24.4||13.2||2133||86|
|Leica TL2 (⇒ lft | rgt)||APS-C||24.1||6014||4014||4K/30p||..||..||..||..|
|Leica TL (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Leica X Vario (⇒ lft | rgt)||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|Nikon D3400 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Nikon D5600 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84|
|Olympus E-P5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Panasonic GF6 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic GX7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic G3 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||21||10.6||667||56|
|Panasonic GX1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the CL provides a higher video resolution than the S-1. It can shoot video footage at 4K/30p, while the Kodak is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the CL has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Leica CL, the Kodak S-1, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Leica CL (⇒ rgt)||2360||YES||3.0||1040||fixed||YES||8000||10.0||no||no|
|Kodak S-1 (⇒ lft)||no||no||3.0||920||tilting||no||4000||4.0||no||YES|
|Canon 200D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Leica M10 (⇒ lft | rgt)||optical||no||3.0||1037||fixed||no||4000||5.0||no||no|
|Leica TL2 (⇒ lft | rgt)||no||no||3.7||1230||fixed||YES||4000||7.0||no||no|
|Leica TL (⇒ lft | rgt)||no||no||3.7||1230||fixed||YES||4000||5.0||YES||no|
|Leica X Vario (⇒ lft | rgt)||no||no||3.0||920||fixed||no||2000||5.0||YES||no|
|Nikon D3400 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||7||no|
|Nikon D5600 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Olympus E-P5 (⇒ lft | rgt)||no||no||3.0||1037||tilting||YES||8000||9.0||7||YES|
|Panasonic GF6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||6.3||no|
|Panasonic GX7 (⇒ lft | rgt)||2760||no||3.0||1040||tilting||YES||8000||5.0||7||YES|
|Panasonic G3 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||4.0||11||no|
|Panasonic GX1 (⇒ lft | rgt)||no||no||3.0||460||fixed||YES||4000||4.2||7.6||no|
Both the CL and the S-1 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Leica and Kodak.
So how do things add up? Is the Leica CL better than the Kodak S-1 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Leica CL (Typ 7323):
- More detail: Offers more megapixels (24.1 vs 16.1MP) with a 25% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 5 years and 10 months of technical progress since the S-1 launch.
Reasons to prefer the Kodak PIXPRO S-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (116x68mm vs 131x78mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 113g or 28 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (410 versus 220) out of a single battery charge.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the CL is the clear winner of the match-up (12 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the CL and the S-1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Leica CL (⇒ rgt)||..||..||..||..||4/5||2017||2,795||latest||check|
|Kodak S-1 (⇒ lft)||-||-||4/5||-||4/5||2012||299||latest||check|
|Canon 200D (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Leica M10 (⇒ lft | rgt)||-||-||4/5||-||4.5/5||2017||6,595||latest||check|
|Leica TL2 (⇒ lft | rgt)||..||..||4/5||..||4/5||2017||1,950||latest||check|
|Leica TL (⇒ lft | rgt)||-||-||-||-||4/5||2016||1,695||discont.||check|
|Leica X Vario (⇒ lft | rgt)||-||-||4/5||4/5||4/5||2013||2,850||latest||check|
|Nikon D3400 (⇒ lft | rgt)||Rec||76/100||4/5||4.5/5||4.5/5||2016||499||latest||check|
|Nikon D5600 (⇒ lft | rgt)||-||79/100 Silver||4.5/5||4.5/5||4/5||2016||699||latest||check|
|Olympus E-P5 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4.5/5||5/5||2013||999||discont.||check|
|Panasonic GF6 (⇒ lft | rgt)||HiRec||-||4.5/5||-||4.5/5||2013||499||discont.||check|
|Panasonic GX7 (⇒ lft | rgt)||Rec||79/100 Silver||5/5||4.5/5||5/5||2013||999||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||88/100 HiRec||75/100 Silver||4.5/5||4.5/5||5/5||2011||599||discont.||check|
|Panasonic GX1 (⇒ lft | rgt)||85/100 Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2011||949||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please send me an email, and I will try to add information on that model to the database.
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