Leica CL vs Canon 5D Mark III
The Leica CL (Typ 7323) and the Canon EOS 5D Mark III are two digital cameras that were officially introduced, respectively, in November 2017 and March 2012. The CL is a mirrorless interchangeable lens camera, while the 5D Mark III is a DSLR. The cameras are based on an APS-C (CL) and a full frame (5D Mark III) sensor. The Leica has a resolution of 24.1 megapixels, whereas the Canon provides 22.1 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Leica CL||Canon 5D Mark III|
|Mirrorless system camera||Digital single lens reflex|
|Leica T mount lenses||Canon EF mount lenses|
|24.1 MP, APS-C Sensor||22.1 MP, Full Frame Sensor|
|4K/30p Video||1080/30p Video|
|ISO 100-50000||ISO 100-25600 (50-102400)|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||3.2" LCD, 1040k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||6 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|220 shots per battery charge||950 shots per battery charge|
|131 x 78 x 45 mm, 403 g||152 x 116 x 76 mm, 950 g|
Body comparison: Leica CL vs Canon 5D Mark III
The side-by-side display below illustrates the physical size and weight of the Leica CL and the Canon 5D Mark III. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark III is considerably larger (73 percent) than the Leica CL. Moreover, the 5D Mark III is substantially heavier (136 percent) than the CL. It is noteworthy in this context that the 5D Mark III is splash and dust-proof, while the CL does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica CL»||5.2 in||3.1 in||1.8 in||14.2 oz||220||n||Nov 2017||2,795||Leica CL|
|Canon 5D Mark III«||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Leica TL2« »||5.3 in||2.7 in||1.3 in||14.1 oz||250||n||Jul 2017||1,950||Leica TL2|
|Leica TL« »||5.3 in||2.7 in||1.3 in||13.5 oz||400||n||Nov 2016||1,695||-||Leica TL|
|Leica T« »||5.3 in||2.7 in||1.3 in||13.5 oz||400||n||Apr 2014||1,850||-||Leica T|
|Nikon D3500« »||4.9 in||3.8 in||2.8 in||12.9 oz||1550||n||Aug 2018||429||Nikon D3500|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||-||Nikon D3400|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The CL was launched at a somewhat lower price (by 20 percent) than the 5D Mark III, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Leica CL vs Canon 5D Mark III
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica CL features an APS-C sensor and the Canon 5D Mark III a full frame sensor. The sensor area in the 5D Mark III is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Leica CL offers a higher resolution of 24.1 megapixels, compared with 22.1 MP of the Canon 5D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 6.25μm for the 5D Mark III). However, it should be noted that the CL is much more recent (by 5 years and 8 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the CL has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Leica CL (Typ 7323) has a native sensitivity range from ISO 100 to ISO 50000 The corresponding ISO settings for the Canon EOS 5D Mark III are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica CL»||APS-C||24.1||6014||4014||4K/30p||-||-||-||-||Leica CL|
|Canon 5D Mark III«||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-T100|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Leica TL2« »||APS-C||24.1||6014||4014||4K/30p||-||-||-||-||Leica TL2|
|Leica TL« »||APS-C||16.1||4928||3264||1080/30p||-||-||-||-||Leica TL|
|Leica T« »||APS-C||16.2||4944||3278||1080/30p||23.0||12.7||1082||75||Leica T|
|Nikon D3500« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Nikon D3500|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the CL provides a higher video resolution than the 5D Mark III. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison: Leica CL vs Canon 5D Mark III
Apart from body and sensor, cameras can and do differ across a range of features. For example, the CL has an electronic viewfinder (2360k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Leica CL and Canon 5D Mark III along with similar information for a selection of comparators.
|Leica CL»||2360||Y||3.0||1040||fixed||Y||8000||10.0||n||n||Leica CL|
|Canon 5D Mark III«||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS R|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||4000||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n||Fujifilm X-A3|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Leica C-LUX|
|Leica TL2« »||-||n||3.7||1230||fixed||Y||4000||7.0||n||n||Leica TL2|
|Leica TL« »||-||n||3.7||1230||fixed||Y||4000||5.0||Y||n||Leica TL|
|Leica T« »||-||n||3.7||1300||fixed||Y||4000||5.0||Y||n||Leica T|
|Nikon D3500« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n||Nikon D3500|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n||Nikon D5600|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n||Nikon D3400|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||4000||6.0||Y||n||Nikon D610|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The CL has a touchscreen, while the 5D Mark III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the CL features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The CL writes its imaging data to SDXC cards, while the 5D Mark III uses Compact Flash cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the CL only has one slot.
Connectivity comparison: Leica CL vs Canon 5D Mark III
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica CL (Typ 7323) and Canon EOS 5D Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica CL»||Y||stereo||mono||-||-||-||-||Y||-||-||Leica CL|
|Canon 5D Mark III«||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Fujifilm X-T100« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X-T20« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Leica TL2« »||Y||stereo||mono||-||-||micro||3.0||Y||-||-||Leica TL2|
|Leica TL« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Leica TL|
|Leica T« »||Y||stereo||mono||-||-||-||2.0||Y||-||-||Leica T|
|Nikon D3500« »||Y||mono||mono||-||-||mini||2.0||Y||-||Y||Nikon D3500|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||Y||-||Y||Nikon D3400|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
It is notable that the CL offers wifi support, while the 5D Mark III does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Canon 5D Mark III (unlike the CL) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The CL is a recent model that features in the current product line-up of Leica. In contrast, the 5D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV.
Review summary: Leica CL vs Canon 5D Mark III
So what conclusions can be drawn? Is there a clear favorite between the Leica CL and the Canon 5D Mark III? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Leica CL (Typ 7323):
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (131x78mm vs 152x116mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 547g or 58 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
- More modern: Reflects 5 years and 8 months of technical progress since the 5D Mark III launch.
Arguments in favor of the Canon EOS 5D Mark III:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Gets more shots (950 versus 220) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in March 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the CL emerges as the winner of the contest (13 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the CL or the 5D Mark III handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Leica CL vs Canon 5D Mark III
This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Leica CL»||-||-||-||-||4/5||Nov 2017||2,795||Leica CL|
|Canon 5D Mark III«||HiRec||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Fujifilm X-T100« »||Rec||79/100||4/5||-||4.5/5||May 2018||599||Fujifilm X-T100|
|Fujifilm X-T20« »||HiRec||82/100||5/5||-||4.5/5||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Leica TL2« »||-||-||4/5||-||4/5||Jul 2017||1,950||Leica TL2|
|Leica TL« »||-||-||-||-||4/5||Nov 2016||1,695||-||Leica TL|
|Leica T« »||-||-||4/5||-||4/5||Apr 2014||1,850||-||Leica T|
|Nikon D3500« »||-||-||4/5||-||4.5/5||Aug 2018||429||Nikon D3500|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||Rec||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Nikon D610« »||HiRec||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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Specifications: Leica CL vs Canon 5D Mark III
|Camera Model||Leica CL||Canon 5D Mark III|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Leica T mount lenses||Canon EF mount lenses|
|Launch Date||November 2017||March 2012|
|Launch Price||USD 2795||USD 3499|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.7 mm||36.0 x 15.7 mm|
|Sensor Area||370.52 mm2||864 mm2|
|Sensor Diagonal||28.3 mm||43.3 mm|
|Sensor Resolution||24.1 Megapixels||22.1 Megapixels|
|Image Resolution||6014 x 4014 pixels||5760 x 3840 pixels|
|Pixel Pitch||3.92 μm||6.25 μm|
|Pixel Density||6.52 MP/cm2||2.56 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||100-50000 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-102400 ISO|
|Image Processor||Maestro II||DIGIC 5+|
|DXO Sensor Quality (score)||..||81|
|DXO Color Depth (bits)||..||24.0|
|DXO Dynamic Range (EV)||..||11.7|
|DXO Low Light (ISO)||..||2293|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||n/a|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Maximum Shutter Speed||1/8000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||6 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Single card slot||Dual card slots|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB no||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||BP-DC12 power pack||LP-E6 power pack|
|Battery Life (CIPA)||220 shots per charge||950 shots per charge|
131 x 78 x 45 mm
(5.2 x 3.1 x 1.8 in)
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
|Camera Weight||403 g (14.2 oz)||950 g (33.5 oz)|
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