Leica C-LUX vs Sony NEX-5N
The Leica C-LUX and the Sony Alpha NEX-5N are two digital cameras that were announced, respectively, in June 2018 and August 2011. The C-LUX is a fixed lens compact, while the NEX-5N is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (C-LUX) and an APS-C (NEX-5N) sensor. The Leica has a resolution of 20 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica C-LUX and the Sony Alpha NEX-5N? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica C-LUX and the Sony NEX-5N are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The C-LUX can be obtained in two different colors (gold, blue), while the NEX-5N is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5N is notably smaller (13 percent) than the Leica C-LUX. In this context, it is worth noting that neither the C-LUX nor the NEX-5N are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the C-LUX has a lens built in, whereas the NEX-5N is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-5N and their specifications in the Sony E-Mount Lens Catalog.
The power pack in the C-LUX can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||amazon.com|
|2.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699||ebay.com|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899||amazon.com|
|4.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|5.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195||amazon.com|
|6.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||amazon.com|
|7.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|8.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|9.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199||amazon.com|
|10.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||ebay.com|
|11.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||ebay.com|
|12.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|13.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749||ebay.com|
|14.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599||ebay.com|
|15.||Sony NEX-C3||110 mm||60 mm||33 mm||225 g||400||n||Jun 2011||599||ebay.com|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599||ebay.com|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica C-LUX features an one-inch sensor and the Sony NEX-5N an APS-C sensor. The sensor area in the NEX-5N is 215 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Leica C-LUX offers a higher resolution of 20 megapixels, compared with 16 MP of the Sony NEX-5N. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.78μm for the NEX-5N). However, it should be noted that the C-LUX is much more recent (by 6 years and 9 months) than the NEX-5N, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Leica C-LUX implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the C-LUX for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Sony NEX-5N are 24.6 x 16.3 inches or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.6 x 27.6 cm for excellent quality prints.
The Leica C-LUX has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha NEX-5N are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|4.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|5.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||22.9||12.8||1002||72|
|6.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||22.1||12.4||546||65|
|7.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|9.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|10.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|11.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|12.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the C-LUX provides a higher video resolution than the NEX-5N. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the C-LUX has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5N relies on live view and the rear LCD for framing. That said, the NEX-5N can be equipped with an optional viewfinder – the FDA-EV1S. The adjacent table lists some of the other core features of the Leica C-LUX and Sony NEX-5N along with similar information for a selection of comparators.
|1.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|2.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|3.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|4.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|5.||Leica D-LUX 7||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|6.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|7.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|8.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|9.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0/s||Y||Y|
|10.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|11.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0/s||Y||Y|
|12.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|13.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|14.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5/s||Y||n|
|15.||Sony NEX-C3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5/s||n||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The C-LUX has one, while the NEX-5N does not. While the built-in flash of the C-LUX is not very powerful, it can at times be useful as a fill-in light.The NEX-5N has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the C-LUX does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the C-LUX is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica C-LUX has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The C-LUX writes its imaging data to SDXC cards, while the NEX-5N uses SDXC or Memory Stick PRO Duo cards. The C-LUX supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5N cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica C-LUX and Sony Alpha NEX-5N and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|4.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|5.||Leica D-LUX 7||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|9.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|10.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|11.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|14.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony NEX-C3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the C-LUX offers wifi support, while the NEX-5N does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The C-LUX is a recent model that features in the current product line-up of Leica. In contrast, the NEX-5N has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the NEX-5N was succeeded by the Sony NEX-5R. Further information on the features and operation of the C-LUX and NEX-5N can be found, respectively, in the Leica C-LUX Manual (free pdf) or the online Sony NEX-5N Manual.
So what conclusions can be drawn? Is the Leica C-LUX better than the Sony NEX-5N or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Leica C-LUX:
- More detail: Offers more megapixels (20 vs 16MP) with a 12% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 920k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the NEX-5N requires a separate lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 6 years and 9 months of technical progress since the NEX-5N launch.
Arguments in favor of the Sony Alpha NEX-5N:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (111x59mm vs 113x67mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (460 versus 370) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the number of relative strengths (bullet points above) is taken as a guide, the C-LUX is the clear winner of the match-up (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica C-LUX and the Sony NEX-5N place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the C-LUX and the NEX-5N in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049||amazon.com|
|2.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699||ebay.com|
|3.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899||amazon.com|
|4.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|5.||Leica D-LUX 7||..||..||..||..||..||4.5/5||Nov 2018||1,195||amazon.com|
|6.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899||amazon.com|
|7.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|8.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|9.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199||amazon.com|
|10.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199||ebay.com|
|11.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999||ebay.com|
|12.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|13.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749||ebay.com|
|14.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599||ebay.com|
|15.||Sony NEX-C3||3/5||+ +||..||74/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599||ebay.com|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 350D vs Leica C-LUX
- Canon 5D vs Sony NEX-5N
- Canon 6D vs Leica C-LUX
- Canon 80D vs Leica C-LUX
- Canon T100 vs Leica C-LUX
- Fujifilm GFX 50S vs Sony NEX-5N
- Leica C-LUX vs Pentax K-3
- Leica C-LUX vs Ricoh GR
- Leica D-LUX Typ 109 vs Sony NEX-5N
- Nikon D1 vs Sony NEX-5N
- Panasonic S1H vs Sony NEX-5N
- Sony NEX-5N vs Sony RX0 II
Specifications: Leica C-LUX vs Sony NEX-5N
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica C-LUX||Sony NEX-5N|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-360mm f/3.3-6.4||Sony E mount lenses|
|Launch Date||June 2018||August 2011|
|Launch Price||USD 1,049||USD 699|
|Sensor Specs||Leica C-LUX||Sony NEX-5N|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.4 x 15.6 mm|
|Sensor Area||116.16 mm2||365.04 mm2|
|Sensor Diagonal||15.9 mm||28.1 mm|
|Sensor Resolution||20 Megapixels||16 Megapixels|
|Image Resolution||5472 x 3648 pixels||4912 x 3264 pixels|
|Pixel Pitch||2.41 μm||4.78 μm|
|Pixel Density||17.18 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||125 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||80 - 25,600 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||77|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||12.7|
|DXO Low Light (ISO)||..||1079|
|Screen Specs||Leica C-LUX||Sony NEX-5N|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica C-LUX||Sony NEX-5N|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Leica C-LUX||Sony NEX-5N|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Leica C-LUX||Sony NEX-5N|
|Battery Life (CIPA)||370 shots per charge||460 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
113 x 67 x 46 mm
(4.4 x 2.6 x 1.8 in)
111 x 59 x 38 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||340 g (12.0 oz)||269 g (9.5 oz)|
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