Leica C-LUX vs Panasonic S1R
The Leica C-LUX and the Panasonic Lumix DC-S1R are two digital cameras that were announced, respectively, in June 2018 and February 2019. The C-LUX is a fixed lens compact, while the S1R is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (C-LUX) and a full frame (S1R) sensor. The Leica has a resolution of 20 megapixels, whereas the Panasonic provides 46.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica C-LUX||Panasonic S1R|
|Fixed lens compact camera||Mirrorless system camera|
|24-360mm f/3.3-6.4||Leica L mount lenses|
|20 MP, 1" Sensor||46.7 MP, Full Frame Sensor|
|4K/30p Video||4K/60p Video|
|ISO 125-12800 (80-25600)||ISO 100-25600 (50-51200)|
|Electronic viewfinder (2330k dots)||Electronic viewfinder (5760k dots)|
|3.0" LCD, 1240k dots||3.2" LCD, 2100k dots|
|Fixed touchscreen||Fully flexible touchscreen|
|10 shutter flaps per second||9 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|370 shots per battery charge||380 shots per battery charge|
|113 x 67 x 46 mm, 340 g||149 x 110 x 97 mm, 1016 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica C-LUX and the Panasonic Lumix DC-S1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica C-LUX and the Panasonic S1R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The C-LUX can be obtained in two different colors (gold, blue), while the S1R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1R is considerably larger (116 percent) than the Leica C-LUX. It is noteworthy in this context that the S1R is splash and dust-proof, while the C-LUX does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the C-LUX has a lens built in, whereas the S1R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica C-LUX»||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Panasonic S1R«||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Leica V-LUX 5« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Leica D-LUX 7« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Nikon Z7« »||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299||Nikon D850|
|Panasonic S1« »||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499||Panasonic S1|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic S1H« »||5.9 in||4.5 in||4.3 in||37.1 oz||400||Y||May 2019||3,999||Panasonic S1H|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Sony RX100 VII« »||4.0 in||2.3 in||1.7 in||10.7 oz||260||n||Jul 2019||1,199||Sony RX100 VII|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||-||Sony RX100 VI|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The C-LUX was launched at a lower price than the S1R, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica C-LUX features an one-inch sensor and the Panasonic S1R a full frame sensor. The sensor area in the S1R is 645 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 46.7MP, the S1R offers a higher resolution than the C-LUX (20MP), but the S1R nevertheless has larger individual pixels (pixel pitch of 4.30μm versus 2.41μm for the C-LUX) due to its larger sensor. Moreover, the S1R is a somewhat more recent model (by 7 months) than the C-LUX, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inch or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inch or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inch or 70.8 x 47.3 cm. The corresponding values for the Leica C-LUX are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
Unlike the C-LUX, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica C-LUX has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DC-S1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica C-LUX»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Panasonic S1R«||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Canon G5 X Mark II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Leica V-LUX 5« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX 5|
|Leica D-LUX 7« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Leica D-LUX 7|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Panasonic S1« »||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic S1H« »||Full Frame||24.0||6000||4000||6K/30p||-||-||-||-||Panasonic S1H|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony RX100 VII« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VII|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1R provides a faster frame rate than the C-LUX. It can shoot movie footage at 4K/60p, while the Leica is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1R offers a substantially higher resolution than the one in the C-LUX (5760k vs 2330k dots). The table below summarizes some of the other core capabilities of the Leica C-LUX and Panasonic S1R in connection with corresponding information for a sample of similar cameras.
|Leica C-LUX»||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Panasonic S1R«||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Canon G5 X Mark II« »||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Leica V-LUX 5« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Leica D-LUX 7« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Leica D-LUX 7|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Panasonic S1« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic S1H« »||5760||Y||3.2||2330||swivel||Y||1/8000s||9.0||n||Y||Panasonic S1H|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony RX100 VII« »||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y||Sony RX100 VII|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
One difference between the cameras concerns the presence of an on-board flash. The C-LUX has one, while the S1R does not. While the built-in flash of the C-LUX is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica C-LUX has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The C-LUX writes its imaging data to SDXC cards, while the S1R uses SDHC or XQD cards. The S1R features dual card slots, which can be very useful in case a memory card fails. In contrast, the C-LUX only has one slot. The S1R supports UHS-II cards (on both slots), while the C-LUX can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica C-LUX and Panasonic Lumix DC-S1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica C-LUX»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Panasonic S1R«||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Canon G5 X Mark II« »||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Leica V-LUX 5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Leica D-LUX 7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Panasonic S1« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic S1H« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1H|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony RX100 VII« »||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony RX100 VII|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the S1R has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The C-LUX does not feature such a mic input.
Studio photographers will appreciate that the Panasonic S1R (unlike the C-LUX) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the C-LUX and the S1R are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Leica and Panasonic. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So what conclusions can be drawn? Is the Leica C-LUX better than the Panasonic S1R or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Leica C-LUX:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the S1R requires a separate lens.
- More compact: Is smaller (113x67mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the S1R).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in June 2018).
Reasons to prefer the Panasonic Lumix DC-S1R:
- More detail: Has more megapixels (46.7 vs 20MP), which boosts linear resolution by 53%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2330k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.53x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1240k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (7 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the S1R is the clear winner of the contest (27 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica C-LUX and the Panasonic S1R place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the C-LUX or the S1R perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Leica C-LUX»||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Panasonic S1R«||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Canon G5 X Mark II« »||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Leica V-LUX 5« »||-||-||4/5||-||4/5||Jul 2019||1,249||Leica V-LUX 5|
|Leica D-LUX 7« »||-||-||-||-||4.5/5||Nov 2018||1,195||Leica D-LUX 7|
|Nikon Z7« »||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Nikon D850« »||+ +||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Panasonic S1« »||+ +||88/100||4.5/5||-||4/5||Feb 2019||2,499||Panasonic S1|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic S1H« »||-||-||-||-||-||May 2019||3,999||Panasonic S1H|
|Panasonic LX100 II« »||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Sony RX100 VII« »||-||-||-||-||-||Jul 2019||1,199||Sony RX100 VII|
|Sony RX100 VI« »||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||-||Sony RX100 VI|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 40D vs Panasonic S1R
- Canon D60 vs Leica C-LUX
- Canon G5 X vs Leica C-LUX
- Fujifilm X-H1 vs Leica C-LUX
- Leica C-LUX vs Nikon D5100
- Leica C-LUX vs Olympus E-500
- Leica C-LUX vs Sony H200
- Leica C-LUX vs Sony H300
- Nikon L840 vs Panasonic S1R
- Panasonic G10 vs Panasonic S1R
- Panasonic S1R vs Sony A6600
- Panasonic S1R vs Sony HX95
Specifications: Leica C-LUX vs Panasonic S1R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica C-LUX||Panasonic S1R|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-360mm f/3.3-6.4||Leica L mount lenses|
|Launch Date||June 2018||February 2019|
|Launch Price||USD 1049||USD 3699|
|Sensor Specs||Leica C-LUX||Panasonic S1R|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||36.0 x 24.0 mm|
|Sensor Area||116.16 mm2||864 mm2|
|Sensor Diagonal||15.9 mm||43.3 mm|
|Sensor Resolution||20 Megapixels||46.7 Megapixels|
|Image Resolution||5472 x 3648 pixels||8368 x 5584 pixels|
|Pixel Pitch||2.41 μm||4.30 μm|
|Pixel Density||17.18 MP/cm2||5.41 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||125-12800 ISO||100-25600 ISO|
|ISO Boost||80-25600 ISO||50-51200 ISO|
|DXO Sensor Quality (score)||..||100|
|DXO Color Depth (bits)||..||26.4|
|DXO Dynamic Range (EV)||..||14.1|
|DXO Low Light (ISO)||..||3525|
|Screen Specs||Leica C-LUX||Panasonic S1R|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1240k dots||2100k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Leica C-LUX||Panasonic S1R|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||10 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Leica C-LUX||Panasonic S1R|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica C-LUX||Panasonic S1R|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||380 shots per charge|
|In-Camera Charging||USB charging||USB charging|
113 x 67 x 46 mm
(4.4 x 2.6 x 1.8 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||340 g (12.0 oz)||1016 g (35.8 oz)|
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