Leica C-LUX vs Panasonic FZ150

The Leica C-LUX and the Panasonic Lumix DMC-FZ150 are two digital cameras that were officially introduced, respectively, in June 2018 and August 2011. Both the C-LUX and the FZ150 are fixed lens compact cameras that are based on an one-inch (C-LUX) and a 1/2.3-inch (FZ150) sensor. The Leica has a resolution of 20 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica C-LUX		Panasonic FZ150
Fixed lens compact camera		Fixed lens compact camera
24-360mm f/3.3-6.4		25-600mm f/2.8-5.2
20 MP – 1" sensor		12 MP – 1/2.3" sensor
4K/30p Video		1080/60p Video
ISO 125-12,800 (80 - 25,600)		ISO 100-3,200 (100 - 6,400)
Electronic viewfinder (2330k dots)		Electronic viewfinder (202k dots)
3.0" LCD – 1240k dots		3.0" LCD – 460k dots
Fixed touchscreen		Swivel screen (not touch-sensitive)
10 shutter flaps per second		12 shutter flaps per second
370 shots per battery charge		410 shots per battery charge
113 x 67 x 46 mm, 340 g		124 x 82 x 92 mm, 528 g

Check C-LUX offers at
ebay.com
Check FZ150 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Leica C-LUX and the Panasonic Lumix DMC-FZ150? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Leica C-LUX and the Panasonic FZ150 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The C-LUX can be obtained in two different colors (gold, blue), while the FZ150 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ150 is notably larger (34 percent) than the Leica C-LUX. Moreover, the FZ150 is substantially heavier (55 percent) than the C-LUX. In this context, it is worth noting that neither the C-LUX nor the FZ150 are weather-sealed.

The power pack in the C-LUX can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	1,049	ebay.com
2.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
3.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	899	ebay.com
4.		Canon SX40	123 mm	92 mm	108 mm	600 g	380	n	Sep 2011	429	ebay.com
5.		Canon SX50	123 mm	87 mm	106 mm	595 g	315	n	Sep 2012	429	ebay.com
6.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	1,195	ebay.com
7.		Leica V-LUX 5	136 mm	97 mm	131 mm	812 g	350	n	Jul 2019	1,249	amazon.com
8.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	499	ebay.com
9.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
10.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	899	ebay.com
11.		Panasonic FZ1000 II	136 mm	97 mm	131 mm	810 g	350	n	Feb 2019	899	amazon.com
12.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
13.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	999	ebay.com
14.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
15.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	999	ebay.com
16.		Sony RX100 VI	102 mm	58 mm	43 mm	301 g	240	n	Jun 2018	1,199	ebay.com
17.		Sony RX100 VII	102 mm	58 mm	43 mm	302 g	260	n	Jul 2019	1,199	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ150 was launched at a markedly lower price (by 52 percent) than the C-LUX, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Leica C-LUX features an one-inch sensor and the Panasonic FZ150 a 1/2.3-inch sensor. The sensor area in the FZ150 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the C-LUX has a native 3:2 aspect ratio, while the one in the FZ150 offers a 4:3 aspect.

With 20MP, the C-LUX offers a higher resolution than the FZ150 (12MP), but the C-LUX nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.53μm for the FZ150) due to its larger sensor. Moreover, the C-LUX is a much more recent model (by 6 years and 9 months) than the FZ150, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ150 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Leica C-LUX implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the C-LUX for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Leica C-LUX has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ150 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
2.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
3.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
4.		Canon SX40	1/2.3	12.0	4000	3000	1080/24p	19.6	10.9	409	41
5.		Canon SX50	1/2.3	12.0	4000	3000	1080/24p	20.3	11.2	179	47
6.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
7.		Leica V-LUX 5	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	584	65
8.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
9.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
10.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
11.		Panasonic FZ1000 II	1-inch	20.0	5472	3648	4K/30p	22.1	12.4	546	65
12.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
13.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
14.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
15.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
16.		Sony RX100 VI	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	478	64
17.		Sony RX100 VII	1-inch	20.0	5472	3648	4K/30p	21.8	12.4	418	63
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the C-LUX provides a higher video resolution than the FZ150. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the C-LUX offers a substantially higher resolution than the one in the FZ150 (2330k vs 202k dots). The adjacent table lists some of the other core features of the Leica C-LUX and Panasonic FZ150 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
2.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
3.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
4.		Canon SX40	202	n	2.7 / 230	swivel	n	1/3200s	10.3/s	Y	Y
5.		Canon SX50	202	n	3.0 / 461	swivel	n	1/2000s	2.2/s	Y	Y
6.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
7.		Leica V-LUX 5	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
8.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
9.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
10.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
11.		Panasonic FZ1000 II	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
12.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
13.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
14.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
15.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
16.		Sony RX100 VI	2359	n	3.0 / 1229	tilting	Y	1/2000s	24.0/s	Y	Y
17.		Sony RX100 VII	2359	n	3.0 / 921	tilting	Y	1/2000s	90.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The C-LUX has a touchscreen, while the FZ150 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the C-LUX is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Leica C-LUX has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Both the C-LUX and the FZ150 have zoom lenses built in. The C-LUX has a 24-360mm f/3.3-6.4 optic and the FZ150 offers a 25-600mm f/2.8-5.2 (focal lengths in full frame equivalent terms). Hence, the Leica provides a wider angle of view at the short end than the Panasonic, but less tele-photo reach at the long end. The FZ150 offers the faster maximum aperture.

Concerning the storage of imaging data, both the C-LUX and the FZ150 write their files to SDXC cards. The C-LUX supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ150 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica C-LUX and Panasonic Lumix DMC-FZ150 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
3.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
4.		Canon SX40	Y	stereo / mono	-	-	YES	2.0	-	-	-
5.		Canon SX50	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
7.		Leica V-LUX 5	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
8.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
10.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
11.		Panasonic FZ1000 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
13.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
14.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony RX100 VI	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
17.		Sony RX100 VII	-	stereo / mono	Y	-	micro	2.0	Y	Y	Y

It is notable that the C-LUX offers wifi support, while the FZ150 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the C-LUX and the FZ150 have been discontinued, but can regularly be found used on ebay. The FZ150 was replaced by the Panasonic FZ200, while the C-LUX does not have a direct successor. Further information on the features and operation of the C-LUX and FZ150 can be found, respectively, in the Leica C-LUX Manual (free pdf) or the online Panasonic FZ150 Manual.

Review summary

So what conclusions can be drawn? Is the Leica C-LUX better than the Panasonic FZ150 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Leica C-LUX:

• More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (2330k vs 202k dots).
• More detailed LCD: Has a higher resolution rear screen (1240k vs 460k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
• More compact: Is smaller (113x67mm vs 124x82mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 188g or 36 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More modern: Reflects 6 years and 9 months of technical progress since the FZ150 launch.

Advantages of the Panasonic Lumix DMC-FZ150:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.3).
• More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
• Longer lasting: Gets more shots (410 versus 370) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More affordable: Was introduced into a lower priced category (52 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in August 2011).

If the count of individual advantages (bullet points above) is taken as a guide, the C-LUX is the clear winner of the match-up (20 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica C-LUX and the Panasonic FZ150 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the C-LUX and the FZ150 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	1,049	ebay.com
2.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
3.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	899	ebay.com
4.		Canon SX40	..	+	..	..	4.5/5	4/5	Sep 2011	429	ebay.com
5.		Canon SX50	3/5	+ +	..	72/100	4.5/5	4.5/5	Sep 2012	429	ebay.com
6.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	1,195	ebay.com
7.		Leica V-LUX 5	..	..	..	..	4/5	4/5	Jul 2019	1,249	amazon.com
8.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	499	ebay.com
9.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
10.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	899	ebay.com
11.		Panasonic FZ1000 II	..	..	..	83/100	4.5/5	4.5/5	Feb 2019	899	amazon.com
12.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
13.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	999	ebay.com
14.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
15.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	999	ebay.com
16.		Sony RX100 VI	4.5/5	+ +	..	83/100	4/5	4.5/5	Jun 2018	1,199	ebay.com
17.		Sony RX100 VII	4.5/5	..	4/5	..	4/5	5/5	Jul 2019	1,199	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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