Leica C-LUX vs Nikon Z6 II
The Leica C-LUX and the Nikon Z6 II are two digital cameras that were announced, respectively, in June 2018 and October 2020. The C-LUX is a fixed lens compact, while the Z6 II is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (C-LUX) and a full frame (Z6 II) sensor. The Leica has a resolution of 20 megapixels, whereas the Nikon provides 24.3 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica C-LUX and the Nikon Z6 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica C-LUX and the Nikon Z6 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The C-LUX can be obtained in two different colors (gold, blue), while the Z6 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z6 II is considerably larger (79 percent) than the Leica C-LUX. It is noteworthy in this context that the Z6 II is splash and dust-proof, while the C-LUX does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the C-LUX has a lens built in, whereas the Z6 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|2.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|4.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|5.||Leica D-LUX 7||115 mm||66 mm||65 mm||392 g||300||n||Nov 2018||1,195|
|6.||Nikon D780||144 mm||116 mm||76 mm||840 g||2260||Y||Jan 2020||2,299|
|7.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|8.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|9.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|10.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|11.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|12.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|13.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|14.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|15.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|16.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The C-LUX was launched at a lower price than the Z6 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica C-LUX features an one-inch sensor and the Nikon Z6 II a full frame sensor. The sensor area in the Z6 II is 640 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.3MP, the Z6 II offers a higher resolution than the C-LUX (20MP), but the Z6 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.41μm for the C-LUX) due to its larger sensor. Moreover, the Z6 II is a much more recent model (by 2 years and 4 months) than the C-LUX, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon Z6 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z6 II for good quality output (200 dots per inch) amounts to 30.2 x 20.1 inches or 76.8 x 51.1 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 40.9 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Leica C-LUX are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Z6 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica C-LUX has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Nikon Z6 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|2.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||..||..||..||..|
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|4.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|5.||Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|6.||Nikon D780||Full Frame||24.3||6048||4024||4K/30p||..||..||..||..|
|7.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|8.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||..||..||..||..|
|9.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|10.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||..||..||..||..|
|11.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|12.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|14.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|15.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|16.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z6 II provides a faster frame rate than the C-LUX. It can shoot movie footage at 4K/60p, while the Leica is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the Z6 II offers a substantially higher resolution than the one in the C-LUX (3690k vs 2330k dots). The adjacent table lists some of the other core features of the Leica C-LUX and Nikon Z6 II along with similar information for a selection of comparators.
|2.||Nikon Z6 II||3690||Y||3.2||2100||tilting||Y||1/8000s||14.0||n||Y|
|3.||Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|5.||Leica D-LUX 7||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|8.||Nikon Z7 II||3690||Y||3.2||2100||tilting||Y||1/8000s||10.0||n||Y|
|11.||Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|12.||Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
|14.||Sony RX100 VII||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y|
|15.||Sony RX100 VI||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y|
|16.||Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The C-LUX has one, while the Z6 II does not. While the built-in flash of the C-LUX is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica C-LUX and the Nikon Z6 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The C-LUX writes its imaging data to SDXC cards, while the Z6 II uses CFexpress or SDXC cards. The Z6 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the C-LUX only has one slot. The Z6 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the C-LUX can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica C-LUX and Nikon Z6 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|2.||Nikon Z6 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|4.||Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|5.||Leica D-LUX 7||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|8.||Nikon Z7 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|11.||Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|12.||Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|14.||Sony RX100 VII||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony RX100 VI||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the Z6 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The C-LUX does not feature such a mic input.
Both the C-LUX and the Z6 II are recent models that are part of the current product line-up. The Z6 II replaced the earlier Nikon Z6, while the C-LUX does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Nikon websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica C-LUX and the Nikon Z6 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica C-LUX:
- Ready to shoot: Has a lens built-in, whereas the Z6 II requires a separate lens.
- More compact: Is smaller (113x67mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the Z6 II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in June 2018).
Advantages of the Nikon Z6 II:
- More detail: Has more megapixels (24.3 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2330k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.53x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1240k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (410 versus 370) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 4 months of technical progress since the C-LUX launch.
If the count of individual advantages (bullet points above) is taken as a guide, the Z6 II is the clear winner of the contest (26 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica C-LUX and the Nikon Z6 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the C-LUX and the Z6 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica C-LUX||..||..||..||4.5/5||4/5||Jun 2018||1,049|
|2.||Nikon Z6 II||4.5/5||..||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|3.||Canon G5 X Mark II||4/5||+||82/100||..||4/5||Jul 2019||899|
|4.||Leica V-LUX 5||..||..||..||4/5||4/5||Jul 2019||1,249|
|5.||Leica D-LUX 7||..||..||..||..||4.5/5||Nov 2018||1,195|
|6.||Nikon D780||5/5||..||87/100||4.5/5||4.5/5||Jan 2020||2,299|
|7.||Nikon Z5||4/5||..||89/100||4.5/5||4/5||Jul 2020||1,399|
|8.||Nikon Z7 II||4.5/5||..||..||4.5/5||4.5/5||Oct 2020||2,999|
|9.||Nikon Z6||5/5||..||..||4.5/5||5/5||Aug 2018||1,999|
|10.||Panasonic S5||4.5/5||+ +||..||4.5/5||4.5/5||Sep 2020||1,999|
|11.||Panasonic FZ1000 II||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|12.||Panasonic LX100 II||4.5/5||+||82/100||4.5/5||4.5/5||Aug 2018||999|
|13.||Panasonic FZ1000||4/5||+ +||82/100||4.5/5||4.5/5||Jun 2014||899|
|14.||Sony RX100 VII||4.5/5||..||..||4/5||5/5||Jul 2019||1,199|
|15.||Sony RX100 VI||4.5/5||+ +||83/100||4/5||4.5/5||Jun 2018||1,199|
|16.||Sony RX100 V||4.5/5||+ +||83/100||4/5||4.5/5||Oct 2016||999|
|17.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Leica C-LUX vs Nikon Z6 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica C-LUX||Nikon Z6 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-360mm f/3.3-6.4||Nikon Z mount lenses|
|Launch Date||June 2018||October 2020|
|Launch Price||USD 1,049||USD 1,999|
|Sensor Specs||Leica C-LUX||Nikon Z6 II|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||35.9 x 23.9 mm|
|Sensor Area||116.16 mm2||858.01 mm2|
|Sensor Diagonal||15.9 mm||43.1 mm|
|Sensor Resolution||20 Megapixels||24.3 Megapixels|
|Image Resolution||5472 x 3648 pixels||6048 x 4024 pixels|
|Pixel Pitch||2.41 μm||5.94 μm|
|Pixel Density||17.18 MP/cm2||2.84 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||125 - 12,800 ISO||100 - 51,200 ISO|
|ISO Boost||80 - 25,600 ISO||50 - 204,800 ISO|
|Screen Specs||Leica C-LUX||Nikon Z6 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1240k dots||2100k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Leica C-LUX||Nikon Z6 II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexpress or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Leica C-LUX||Nikon Z6 II|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica C-LUX||Nikon Z6 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||USB charging|
113 x 67 x 46 mm
(4.4 x 2.6 x 1.8 in)
134 x 101 x 70 mm
(5.3 x 4.0 x 2.8 in)
|Camera Weight||340 g (12.0 oz)||705 g (24.9 oz)|
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