Kodak S-1 vs Sony H200
The Kodak PixPro S-1 and the Sony Cyber-shot DSC-H200 are two digital cameras that were revealed to the public, respectively, in January 2012 and January 2013. The S-1 is a mirrorless interchangeable lens camera, while the H200 is a fixed lens compact. The cameras are based on a Four Thirds (S-1) and a 1/2.3-inch (H200) sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Sony provides 15.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the Sony Cyber-shot DSC-H200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Kodak S-1 and the Sony H200. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the H200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H200 is notably larger (29 percent) than the Kodak S-1. In this context, it is worth noting that neither the S-1 nor the H200 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H200 has a lens built in, whereas the S-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the S-1 and their specifications in the Micro Four Thirds Lens Catalog.
The power pack in the S-1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299||ebay.com|
|2.||Sony H200||123 mm||83 mm||87 mm||530 g||240||n||Jan 2013||249||ebay.com|
|3.||Canon SX520||120 mm||82 mm||92 mm||441 g||210||n||Jul 2014||399||ebay.com|
|4.||Nikon B500||114 mm||78 mm||95 mm||541 g||600||n||Jan 2016||299||ebay.com|
|5.||Nikon L840||113 mm||78 mm||96 mm||538 g||590||n||Feb 2015||299||ebay.com|
|6.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|7.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599||ebay.com|
|8.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599||ebay.com|
|9.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499||ebay.com|
|10.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|11.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499||ebay.com|
|12.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|13.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|14.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|15.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|16.||Sony H400||130 mm||95 mm||122 mm||628 g||300||n||Feb 2014||319||ebay.com|
|17.||Sony H300||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The H200 was launched at a lower price than the S-1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Kodak S-1 features a Four Thirds sensor and the Sony H200 a 1/2.3-inch sensor. The sensor area in the H200 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 16.1MP, the S-1 offers a slightly higher resolution than the H200 (15.2MP), but the S-1 nevertheless has larger individual pixels (pixel pitch of 3.74μm versus 1.36μm for the H200) due to its larger sensor. However, the H200 is a somewhat more recent model (by 11 months) than the S-1, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the H200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Sony Cyber-shot DSC-H200 are ISO 100 to ISO 3200 (no boost).
In terms of underlying technology, the S-1 is build around a CMOS sensor, while the H200 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||22.2||11.8||598||65|
|6.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|7.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||22.5||12.0||717||68|
|8.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|9.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|10.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|11.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|12.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|13.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|14.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|15.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S-1 provides a higher video resolution than the H200. It can shoot video footage at 1080/30p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The S-1 and the H200 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The following table reports on some other key feature differences and similarities of the Kodak S-1, the Sony H200, and comparable cameras.
|1.||Kodak S-1||none||n||3.0 / 920||tilting||n||1/4000s||4.0/s||n||Y|
|2.||Sony H200||none||n||3.0 / 460||fixed||n||1/1500s||0.8/s||Y||Y|
|3.||Canon SX520||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|4.||Nikon B500||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|5.||Nikon L840||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|6.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|7.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|8.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|9.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0/s||n||Y|
|10.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|11.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5/s||n||Y|
|12.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|13.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|14.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|15.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|16.||Sony H400||210||n||3.0 / 460||fixed||n||1/2000s||0.7/s||Y||Y|
|17.||Sony H300||none||n||3.0 / 460||fixed||n||1/1500s||0.8/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The H200 has one, while the S-1 does not. While the built-in flash of the H200 is not very powerful, it can at times be useful as a fill-in light.The S-1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the H200 does not have a selfie-screen.
The S-1 writes its imaging data to SDXC cards, while the H200 uses SDXC or Memory Stick PRO Duo cards. The S-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the H200 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and Sony Cyber-shot DSC-H200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Kodak S-1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony H200||-||mono / mono||-||-||-||2.0||-||-||-|
|3.||Canon SX520||-||stereo / mono||-||-||mini||2.0||-||-||-|
|4.||Nikon B500||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Nikon L840||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|14.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony H400||-||mono / mono||-||-||micro||2.0||Y||-||-|
|17.||Sony H300||-||mono / mono||-||-||micro||2.0||Y||-||-|
It is notable that the S-1 has a hotshoe, while the H200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the S-1 and the H200 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Kodak and Sony. Further information on the features and operation of the S-1 and H200 can be found, respectively, in the Kodak S-1 Manual (free pdf) or the online Sony H200 Manual.
So what is the bottom line? Is there a clear favorite between the Kodak S-1 and the Sony H200? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Kodak PixPro S-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (4 vs 0.8 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (116x68mm vs 123x83mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (410 versus 240) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in January 2012).
Reasons to prefer the Sony Cyber-shot DSC-H200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has an integrated lens, whereas the S-1 necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (11 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the S-1 is the clear winner of the match-up (19 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Sony H200 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the S-1 or the H200 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Kodak S-1||..||..||..||..||4/5||4/5||Jan 2012||299||ebay.com|
|2.||Sony H200||..||..||..||..||3.5/5||3.5/5||Jan 2013||249||ebay.com|
|3.||Canon SX520||..||+||..||..||3.5/5||3.5/5||Jul 2014||399||ebay.com|
|4.||Nikon B500||..||+||..||..||4/5||3.5/5||Jan 2016||299||ebay.com|
|5.||Nikon L840||..||+ +||..||..||3.5/5||4/5||Feb 2015||299||ebay.com|
|6.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|7.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599||ebay.com|
|8.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|9.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499||ebay.com|
|10.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|11.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499||ebay.com|
|12.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|13.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|14.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|15.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|16.||Sony H400||..||o||..||..||3.5/5||3.5/5||Feb 2014||319||ebay.com|
|17.||Sony H300||..||+||..||..||4.5/5||4/5||Feb 2014||219||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Kodak S-1 vs Sony H200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||Sony H200|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-633mm f/3.1-5.9|
|Launch Date||January 2012||January 2013|
|Launch Price||USD 299||USD 249|
|Sensor Specs||Kodak S-1||Sony H200|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||16.1 Megapixels||15.2 Megapixels|
|Image Resolution||4640 x 3480 pixels||5184 x 2930 pixels|
|Pixel Pitch||3.74 μm||1.36 μm|
|Pixel Density||7.18 MP/cm2||54.10 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||200 - 12,800 ISO||100 - 3,200 ISO|
|Screen Specs||Kodak S-1||Sony H200|
|Viewfinder Type||no viewfinder||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Kodak S-1||Sony H200|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||0.8 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Kodak S-1||Sony H200|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Kodak S-1||Sony H200|
|Battery Life (CIPA)||410 shots per charge||240 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
123 x 83 x 87 mm
(4.8 x 3.3 x 3.4 in)
|Camera Weight||290 g (10.2 oz)||530 g (18.7 oz)|
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