Kodak S-1 vs Sony A7R III
The Kodak PixPro S-1 and the Sony Alpha A7R III are two digital cameras that were announced, respectively, in January 2012 and October 2017. Both the S-1 and the A7R III are mirrorless interchangeable lens cameras that are based on a Four Thirds (S-1) and a full frame (A7R III) sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Kodak S-1 and the Sony A7R III. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the A7R III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is considerably larger (55 percent) than the Kodak S-1. Moreover, the A7R III is substantially heavier (124 percent) than the S-1. It is noteworthy in this context that the A7R III is splash and dust-proof, while the S-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (S-1) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299|
|2.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|3.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|4.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|5.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|6.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|7.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|8.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|9.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|10.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|11.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|12.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|13.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|14.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|15.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|16.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|17.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The S-1 was launched at a markedly lower price (by 91 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Kodak S-1 features a Four Thirds sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the S-1 has a native 4:3 aspect ratio, while the one in the A7R III offers a 3:2 aspect.
With 42.2MP, the A7R III offers a higher resolution than the S-1 (16.1MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.74μm for the S-1) due to its larger sensor. Moreover, the A7R III is a much more recent model (by 5 years and 9 months) than the S-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Kodak S-1 are 23.2 x 17.4 inches or 58.9 x 44.2 cm for good quality, 18.6 x 13.9 inches or 47.1 x 35.4 cm for very good quality, and 15.5 x 11.6 inches or 39.3 x 29.5 cm for excellent quality prints.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the S-1, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||..||..||..||..|
|2.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|3.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|4.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|5.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|6.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|7.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|8.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|9.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|10.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|11.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|12.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|13.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|14.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|15.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|16.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|17.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R III provides a better video resolution than the S-1. It can shoot movie footage at 4K/30p, while the Kodak is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Kodak S-1 and Sony A7R III in connection with corresponding information for a sample of similar cameras.
|1.||Kodak S-1||none||n||3.0 / 920||tilting||n||1/4000s||4.0||n||Y|
|2.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|3.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0||n||Y|
|4.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|5.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|6.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|7.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0||n||Y|
|8.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5||n||Y|
|9.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5||n||Y|
|10.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|11.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|12.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|13.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|14.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|15.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0||n||Y|
|16.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|17.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A7R III has a touchscreen, while the S-1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The S-1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S-1 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the S-1 only has one slot. The A7R III supports UHS-II cards (on its first slot), while the S-1 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Kodak S-1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|4.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|11.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|12.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|16.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The S-1 lacks such a headphone port.
Studio photographers will appreciate that the Sony A7R III (unlike the S-1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the S-1 and the A7R III have been discontinued, but can regularly be found used on eBay. The A7R III was replaced by the Sony A7R IV, while the S-1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Kodak and Sony websites.
So how do things add up? Is there a clear favorite between the Kodak S-1 and the Sony A7R III? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Kodak PixPro S-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (116x68mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 360g or 55 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2012).
Advantages of the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 16.1MP), which boosts linear resolution by 65%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (650 versus 410) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 9 months of technical progress since the S-1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7R III is the clear winner of the contest (27 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S-1 or the A7R III. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Kodak S-1||..||..||..||..||4/5||4/5||Jan 2012||299|
|2.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|3.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|4.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|5.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599|
|6.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|7.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499|
|8.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|9.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499|
|10.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|11.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|12.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|13.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|14.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499|
|15.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499|
|16.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|17.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 750D vs Sony A7R III
- Fujifilm X100V vs Sony A7R III
- Kodak S-1 vs Nikon D800
- Kodak S-1 vs Panasonic G5
- Kodak S-1 vs Panasonic LF1
- Kodak S-1 vs Panasonic S1
- Kodak S-1 vs Sony A6600
- Kodak S-1 vs Sony HX99
- Leica D-LUX 5 vs Sony A7R III
- Olympus E-30 vs Sony A7R III
- Olympus E-M1 III vs Sony A7R III
- Sony A7R III vs Sony RX100 III
Specifications: Kodak S-1 vs Sony A7R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||Sony A7R III|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||January 2012||October 2017|
|Launch Price||USD 299||USD 3,199|
|Sensor Specs||Kodak S-1||Sony A7R III|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||16.1 Megapixels||42.2 Megapixels|
|Image Resolution||4640 x 3480 pixels||7952 x 5304 pixels|
|Pixel Pitch||3.74 μm||4.52 μm|
|Pixel Density||7.18 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||100 - 32,000 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|DXO Sensor Quality (score)||..||100|
|DXO Color Depth (bits)||..||26.0|
|DXO Dynamic Range (EV)||..||14.7|
|DXO Low Light (ISO)||..||3523|
|Screen Specs||Kodak S-1||Sony A7R III|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1440k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Kodak S-1||Sony A7R III|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||4 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Kodak S-1||Sony A7R III|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Kodak S-1||Sony A7R III|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||410 shots per charge||650 shots per charge|
|In-Camera Charging||USB charging||USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||290 g (10.2 oz)||650 g (22.9 oz)|
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