Kodak S-1 vs Panasonic LF1
The Kodak PixPro S-1 and the Panasonic Lumix DMC-LF1 are two digital cameras that were officially introduced, respectively, in January 2012 and April 2013. The S-1 is a mirrorless interchangeable lens camera, while the LF1 is a fixed lens compact. The cameras are based on a Four Thirds (S-1) and a 1/1.7-inch (LF1) sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the Panasonic Lumix DMC-LF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Kodak S-1 and the Panasonic LF1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the LF1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LF1 is notably smaller (19 percent) than the Kodak S-1. In this context, it is worth noting that neither the S-1 nor the LF1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the S-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the S-1 and their specifications in the Micro Four Thirds Lens Catalog.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299|
|2.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|4.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|5.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|6.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|7.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|8.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|9.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|10.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|11.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|12.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|13.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|14.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|15.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|16.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|17.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Kodak S-1 features a Four Thirds sensor and the Panasonic LF1 a 1/1.7-inch sensor. The sensor area in the LF1 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.5. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 16.1MP, the S-1 offers a higher resolution than the LF1 (12MP), but the S-1 nevertheless has larger individual pixels (pixel pitch of 3.74μm versus 1.89μm for the LF1) due to its larger sensor. However, the LF1 is a somewhat more recent model (by 1 year and 3 months) than the S-1, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Kodak S-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S-1 for good quality output (200 dots per inch) amounts to 23.2 x 17.4 inches or 58.9 x 44.2 cm, for very good quality (250 dpi) 18.6 x 13.9 inches or 47.1 x 35.4 cm, and for excellent quality (300 dpi) 15.5 x 11.6 inches or 39.3 x 29.5 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-LF1 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||..||..||..||..|
|6.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|7.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|8.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|9.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|10.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|11.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|12.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|13.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|17.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LF1 provides a faster frame rate than the S-1. It can shoot movie footage at 1080/60i, while the Kodak is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LF1 has an electronic viewfinder (200k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Kodak S-1, the Panasonic LF1, and comparable cameras.
One difference between the cameras concerns the presence of an on-board flash. The LF1 has one, while the S-1 does not. While the built-in flash of the LF1 is not very powerful, it can at times be useful as a fill-in light.The S-1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LF1 does not have a selfie-screen.
Concerning the storage of imaging data, both the S-1 and the LF1 write their files to SDXC cards. The S-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LF1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and Panasonic Lumix DMC-LF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
It is notable that the S-1 has a hotshoe, while the LF1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The LF1 is a recent model that features in the current product line-up of Panasonic. In contrast, the S-1 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the S-1 from Kodak. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Kodak and Panasonic websites.
So how do things add up? Is the Kodak S-1 better than the Panasonic LF1 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Kodak PixPro S-1:
- More detail: Offers more megapixels (16.1 vs 12MP) with a 16% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (410 versus 250) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in January 2012).
Reasons to prefer the Panasonic Lumix DMC-LF1:
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the S-1 necessitates an extra lens.
- More compact: Is smaller (103x62mm vs 116x68mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the S-1).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (1 year and 3 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the S-1 emerges as the winner of the contest (12 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Panasonic LF1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the S-1 and the LF1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Kodak S-1||..||..||..||4/5||4/5||Jan 2012||299|
|2.||Panasonic LF1||3/5||+||..||4/5||4.5/5||Apr 2013||499|
|3.||Canon G16||4/5||+||..||4.5/5||4.5/5||Aug 2013||549|
|4.||Canon S120||..||+ +||..||4.5/5||4.5/5||Aug 2013||449|
|5.||Nikon P7800||3/5||..||..||4/5||4.5/5||Sep 2013||549|
|6.||Olympus E-P5||5/5||+ +||78/100||4.5/5||5/5||May 2013||999|
|7.||Olympus E-PL6||..||..||..||..||..||May 2013||599|
|8.||Olympus E-PL5||3/5||+ +||..||4.5/5||4.5/5||Sep 2012||599|
|9.||Olympus E-PM2||3/5||..||77/100||5/5||4.5/5||Sep 2012||499|
|10.||Olympus E-PL3||3/5||+ +||72/100||4.5/5||4/5||Jun 2011||599|
|11.||Olympus E-PM1||..||86/100||71/100||4.5/5||4.5/5||Jun 2011||499|
|12.||Panasonic GF6||..||+ +||..||4.5/5||4.5/5||Apr 2013||499|
|13.||Panasonic GX7||4/5||+||79/100||5/5||5/5||Aug 2013||999|
|14.||Panasonic FZ200||3/5||+ +||80/100||4.5/5||4.5/5||Jul 2012||599|
|15.||Panasonic LX7||3/5||+ +||75/100||4/5||4.5/5||Jul 2012||499|
|16.||Panasonic G3||3/5||+ +||75/100||4.5/5||5/5||May 2011||599|
|17.||Panasonic GX1||3/5||+||77/100||4.5/5||4.5/5||Nov 2011||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Kodak S-1 vs Panasonic LF1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||Panasonic LF1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||28-200mm f/2.0-5.9|
|Launch Date||January 2012||April 2013|
|Launch Price||USD 299||USD 499|
|Sensor Specs||Kodak S-1||Panasonic LF1|
|Sensor Format||Four Thirds Sensor||1/1.7" Sensor|
|Sensor Size||17.3 x 13.0 mm||7.6 x 5.7 mm|
|Sensor Area||224.9 mm2||43.32 mm2|
|Sensor Diagonal||21.6 mm||9.5 mm|
|Sensor Resolution||16.1 Megapixels||12 Megapixels|
|Image Resolution||4640 x 3480 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.74 μm||1.89 μm|
|Pixel Density||7.18 MP/cm2||27.70 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||200 - 12,800 ISO||80 - 6,400 ISO|
|ISO Boost||no Enhancement||80 - 12,800 ISO|
|DXO Sensor Quality (score)||..||52|
|DXO Color Depth (bits)||..||20.8|
|DXO Dynamic Range (EV)||..||11.6|
|DXO Low Light (ISO)||..||211|
|Screen Specs||Kodak S-1||Panasonic LF1|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||200k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Kodak S-1||Panasonic LF1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||10 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Kodak S-1||Panasonic LF1|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Kodak S-1||Panasonic LF1|
|Battery Life (CIPA)||410 shots per charge||250 shots per charge|
|In-Camera Charging||USB charging||USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
103 x 62 x 28 mm
(4.1 x 2.4 x 1.1 in)
|Camera Weight||290 g (10.2 oz)||192 g (6.8 oz)|
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