Kodak S-1 vs Nikon D5
The Kodak PixPro S-1 and the Nikon D5 are two digital cameras that were announced, respectively, in January 2012 and January 2016. The S-1 is a mirrorless interchangeable lens camera, while the D5 is a DSLR. The cameras are based on a Four Thirds (S-1) and a full frame (D5) sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Kodak S-1||Nikon D5|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Nikon F mount lenses|
|16.1 MP, Four Thirds Sensor||20.7 MP, Full Frame Sensor|
|1080/30p Video||4K/30p Video|
|ISO 200-12800||ISO 100-102400 (50-3280000)|
|No viewfinder, LCD framing||Optical viewfinder|
|3.0" LCD, 920k dots||3.2" LCD, 2359k dots|
|Tilting screen (no touchscreen)||Fixed touchscreen|
|4 shutter flaps per second||14 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Not weather sealed||Weathersealed body|
|410 shots per battery charge||3780 shots per battery charge|
|116 x 68 x 36 mm, 290 g||160 x 159 x 92 mm, 1415 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the Nikon D5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Kodak S-1 and the Nikon D5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the D5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5 is considerably larger (223 percent) than the Kodak S-1. Moreover, the D5 is substantially heavier (388 percent) than the S-1. It is noteworthy in this context that the D5 is splash and dust-proof, while the S-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (S-1) and the Nikon Lens Catalog (D5). Mirrorless cameras, such as the Kodak S-1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the S-1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Kodak S-1»||4.6 in||2.7 in||1.4 in||10.2 oz||410||n||Jan 2012||299||Kodak S-1|
|Nikon D5«||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499||Nikon D5|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Nikon D6« »||6.3 in||6.4 in||3.6 in||44.8 oz||3580||Y||Feb 2020||6,499||Nikon D6|
|Nikon D4S« »||6.3 in||6.2 in||3.6 in||47.6 oz||3020||Y||Feb 2014||6,499||Nikon D4S|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||Olympus E-P5|
|Olympus E-PL6« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||Olympus E-PL6|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||Olympus E-PL5|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||Olympus E-PM2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||Olympus E-PL3|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||Olympus E-PM1|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||Panasonic GF6|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||Panasonic GX7|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||Panasonic G3|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||Panasonic GX1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 95 percent) than the D5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Kodak S-1 features a Four Thirds sensor and the Nikon D5 a full frame sensor. The sensor area in the D5 is 281 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the S-1 has a native 4:3 aspect ratio, while the one in the D5 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 20.7MP, the D5 offers a higher resolution than the S-1 (16.1MP), but the D5 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 3.74μm for the S-1) due to its larger sensor. Moreover, the D5 is a much more recent model (by 3 years and 11 months) than the S-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon D5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5 for good quality output (200 dots per inch) amounts to 27.9 x 18.6 inch or 71 x 47.1 cm, for very good quality (250 dpi) 22.4 x 14.8 inch or 56.8 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inch or 47.3 x 31.4 cm. The corresponding values for the Kodak S-1 are 23.2 x 17.4 inch or 58.9 x 44.2 cm for good quality, 18.6 x 13.9 inch or 47.1 x 35.4 cm for very good quality, and 15.5 x 11.6 inch or 39.3 x 29.5 cm for excellent quality prints.
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Nikon D5 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-3280000.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||..||..||..||..||Kodak S-1|
|Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Nikon D6||Full Frame||20.7||5568||3712||4K/30p||..||..||..||..||Nikon D6|
|Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89||Nikon D4S|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..||Olympus E-PL6|
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D5 provides a better video resolution than the S-1. It can shoot movie footage at 4K/30p, while the Kodak is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Kodak S-1, the Nikon D5, and comparable cameras.
|Kodak S-1||none||n||3.0||920||tilting||n||1/4000s||4.0||n||Y||Kodak S-1|
|Nikon D5||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D5|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Nikon D6||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D6|
|Nikon D4S||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4S|
|Nikon D750||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon D610||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL6||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL6|
|Olympus E-PL5||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Olympus E-PM2||optional||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Olympus E-PL3||optional||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PM1||optional||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Panasonic GF6||none||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GX1||optional||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
One feature that differentiates the S-1 and the D5 is in-body image stabilization (IBIS). The S-1 reduces the risk of handshake-induced blur with all attached lenses, while the D5 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The S-1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D5 does not have a selfie-screen.
The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The S-1 writes its imaging data to SDXC cards, while the D5 uses Compact Flash or XQD cards. The D5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the S-1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and Nikon D5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Kodak S-1||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak S-1|
|Nikon D5||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Nikon D6||Y||stereo||mono||Y||Y||mini||3.1||Y||-||Y||Nikon D6|
|Nikon D4S||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D4S|
|Nikon D750||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D610||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL6|
|Olympus E-PL5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Olympus E-PM2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Olympus E-PL3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PM1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Panasonic GF6||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GX1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
It is notable that the S-1 offers wifi support, while the D5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Nikon D5 (unlike the S-1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S-1 is a recent model that features in the current product line-up of Kodak. In contrast, the D5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D5 was succeeded by the Nikon D6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Kodak and Nikon websites.
So what is the bottom line? Is there a clear favorite between the Kodak S-1 and the Nikon D5? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Kodak PixPro S-1:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (116x68mm vs 160x159mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 1125g or 80 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (95 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2012).
Arguments in favor of the Nikon D5:
- More detail: Has more megapixels (20.7 vs 16.1MP), which boosts linear resolution by 16%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 4 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (3780 versus 410) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 3 years and 11 months of technical progress since the S-1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D5 is the clear winner of the contest (23 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Nikon D5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the S-1 and the D5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Kodak S-1 vs Nikon D5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||Nikon D5|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Nikon F mount lenses|
|Launch Date||January 2012||January 2016|
|Launch Price||USD 299||USD 6499|
|Sensor Specs||Kodak S-1||Nikon D5|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 23.9 mm|
|Sensor Area||224.9 mm2||858.01 mm2|
|Sensor Diagonal||21.6 mm||43.1 mm|
|Sensor Resolution||16.1 Megapixels||20.7 Megapixels|
|Image Resolution||4640 x 3480 pixels||5588 x 3712 pixels|
|Pixel Pitch||3.74 μm||6.44 μm|
|Pixel Density||7.18 MP/cm2||2.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200-12800 ISO||100-102400 ISO|
|ISO Boost||no Enhancement||50-3280000 ISO|
|DXO Sensor Quality (score)||..||88|
|DXO Color Depth (bits)||..||25.1|
|DXO Dynamic Range (EV)||..||12.3|
|DXO Low Light (ISO)||..||2343|
|Screen Specs||Kodak S-1||Nikon D5|
|Viewfinder Type||No viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||920k dots||2359k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Kodak S-1||Nikon D5|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||4 shutter flaps/s||14 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Kodak S-1||Nikon D5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Kodak S-1||Nikon D5|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||410 shots per charge||3780 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
160 x 159 x 92 mm
(6.3 x 6.3 x 3.6 in)
|Camera Weight||290 g (10.2 oz)||1415 g (49.9 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.