Kodak AZ901 vs Olympus E-M1X
The Kodak PixPro AZ901 and the Olympus OM-D E-M1X are two digital cameras that were revealed to the public, respectively, in January 2016 and January 2019. The AZ901 is a fixed lens compact, while the E-M1X is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (AZ901) and a Four Thirds (E-M1X) sensor. Both cameras offer a resolution of 20.2 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro AZ901 and the Olympus OM-D E-M1X? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Kodak AZ901 and the Olympus E-M1X is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M1X can be obtained in two different colors (black, silver), while the AZ901 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1X is considerably larger (46 percent) than the Kodak AZ901. It is noteworthy in this context that the E-M1X is splash and dust-proof, while the AZ901 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the AZ901 has a lens built in, whereas the E-M1X is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M1X and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the AZ901 gets 400 shots out of its Kodak LB-070 battery, while the E-M1X can take 870 images on a single charge of its Olympus BLH-1 power pack. As can be seen in the images above, the E-M1X has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the E-M1X can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak AZ901 | 139 mm | 104 mm | 119 mm | 777 g | 400 | n | Jan 2016 | 499 | amazon.com | |
2. | Olympus E-M1X | 144 mm | 147 mm | 75 mm | 997 g | 870 | Y | Jan 2019 | 2,999 | ebay.com | |
3. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | 529 | ebay.com | |
4. | Canon G9 X Mark II | 98 mm | 58 mm | 31 mm | 206 g | 235 | n | Jan 2017 | 529 | ebay.com | |
5. | Leica Q Typ 116 | 130 mm | 80 mm | 93 mm | 640 g | 300 | n | Jun 2015 | 4,249 | ebay.com | |
6. | Nikon B700 | 125 mm | 85 mm | 107 mm | 565 g | 350 | n | Feb 2016 | 499 | ebay.com | |
7. | Nikon P900 | 140 mm | 103 mm | 137 mm | 899 g | 360 | n | Mar 2015 | 599 | ebay.com | |
8. | Olympus E-M1 II | 134 mm | 91 mm | 67 mm | 574 g | 440 | Y | Sep 2016 | 1,999 | ebay.com | |
9. | Olympus E-M1 III | 134 mm | 91 mm | 69 mm | 580 g | 420 | Y | Feb 2020 | 1,799 | ebay.com | |
10. | Olympus E-M5 III | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2019 | 1,199 | ebay.com | |
11. | Panasonic FZ2500 | 138 mm | 102 mm | 135 mm | 915 g | 350 | n | Sep 2016 | 1,199 | amazon.com | |
12. | Panasonic G90 | 130 mm | 94 mm | 77 mm | 536 g | 290 | Y | Apr 2019 | 999 | ebay.com | |
13. | Panasonic S1 | 149 mm | 110 mm | 97 mm | 1017 g | 400 | Y | Feb 2019 | 2,499 | amazon.com | |
14. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
15. | Sony HX90V | 102 mm | 58 mm | 36 mm | 245 g | 360 | n | Apr 2015 | 429 | ebay.com | |
16. | Sony HX350 | 130 mm | 93 mm | 103 mm | 652 g | 300 | n | Dec 2016 | 449 | ebay.com | |
17. | Sony HX400V | 130 mm | 93 mm | 103 mm | 660 g | 300 | n | Feb 2014 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The AZ901 was launched at a lower price than the E-M1X, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Kodak AZ901 features a 1/2.3-inch sensor and the Olympus E-M1X a Four Thirds sensor. The sensor area in the E-M1X is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Even though the E-M1X has a larger sensor, both cameras offer the same resolution of 20.2 megapixels. This implies that the E-M1X has a lower pixel density and larger individual pixels (with a pixel pitch of 3.34μm versus 1.18μm for the AZ901), which gives it a potential advantage in terms of light gathering capacity. In addition, the E-M1X is much more recent (by 3 years) than the AZ901, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the E-M1X has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The E-M1X has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the AZ901, the E-M1X has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Kodak PixPro AZ901 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Olympus OM-D E-M1X are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
In terms of underlying technology, the AZ901 is build around a BSI-CMOS sensor, while the E-M1X uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak AZ901 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/30p | 20.3 | 11.7 | 806 | 48 | |
2. | Olympus E-M1X | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1254 | 75 | |
3. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
4. | Canon G9 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.9 | 12.5 | 522 | 65 | |
5. | Leica Q Typ 116 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.7 | 2221 | 85 | |
6. | Nikon B700 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.4 | 11.8 | 818 | 48 | |
7. | Nikon P900 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.2 | 11.6 | 727 | 47 | |
8. | Olympus E-M1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.7 | 12.8 | 1312 | 80 | |
9. | Olympus E-M1 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1356 | 76 | |
10. | Olympus E-M5 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1324 | 76 | |
11. | Panasonic FZ2500 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 538 | 70 | |
12. | Panasonic G90 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1273 | 75 | |
13. | Panasonic S1 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.5 | 3333 | 95 | |
14. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
15. | Sony HX90V | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.2 | 11.6 | 738 | 47 | |
16. | Sony HX350 | 1/2.3 | 19.9 | 5152 | 3864 | 1080/60p | 20.5 | 11.9 | 896 | 49 | |
17. | Sony HX400V | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M1X provides a better video resolution than the AZ901. It can shoot movie footage at 4K/30p, while the Kodak is limited to 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the E-M1X offers a substantially higher resolution than the one in the AZ901 (2360k vs 202k dots). The following table reports on some other key feature differences and similarities of the Kodak AZ901, the Olympus E-M1X, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak AZ901 | 202 | n | 3.0 / 920 | swivel | n | 1/2000s | 5.0/s | Y | Y | |
2. | Olympus E-M1X | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
3. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
4. | Canon G9 X Mark II | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 8.2/s | Y | Y | |
5. | Leica Q Typ 116 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
6. | Nikon B700 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 5.0/s | Y | Y | |
7. | Nikon P900 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 7.0/s | Y | Y | |
8. | Olympus E-M1 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
9. | Olympus E-M1 III | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
10. | Olympus E-M5 III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
11. | Panasonic FZ2500 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
12. | Panasonic G90 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
13. | Panasonic S1 | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
14. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
15. | Sony HX90V | 638 | n | 3.0 / 921 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
16. | Sony HX350 | 202 | n | 3.0 / 922 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
17. | Sony HX400V | 210 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The AZ901 has one, while the E-M1X does not. While the built-in flash of the AZ901 is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1X is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1X has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the AZ901 and the E-M1X write their files to SDXC cards. The E-M1X features dual card slots, which can be very useful in case a memory card fails. In contrast, the AZ901 only has one slot. The E-M1X supports UHS-II cards (on both slots), while the AZ901 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro AZ901 and Olympus OM-D E-M1X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak AZ901 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Olympus E-M1X | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
3. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
4. | Canon G9 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
5. | Leica Q Typ 116 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
6. | Nikon B700 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
7. | Nikon P900 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
8. | Olympus E-M1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
9. | Olympus E-M1 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
10. | Olympus E-M5 III | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
11. | Panasonic FZ2500 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
12. | Panasonic G90 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | Y | |
13. | Panasonic S1 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
14. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
15. | Sony HX90V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony HX350 | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
17. | Sony HX400V | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the E-M1X has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The AZ901 does not feature such a mic input.
Studio photographers will appreciate that the Olympus E-M1X (unlike the AZ901) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the E-M1X has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The AZ901 is a recent model that features in the current product line-up of Kodak. In contrast, the E-M1X has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the E-M1X from Olympus. Further information on the features and operation of the AZ901 and E-M1X can be found, respectively, in the Kodak AZ901 Manual (free pdf) or the online Olympus E-M1X Manual.
Review summary
So how do things add up? Is the Kodak AZ901 better than the Olympus E-M1X or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Kodak PixPro AZ901:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has a lens built-in, whereas the E-M1X requires a separate lens.
- More compact: Is smaller (139x104mm vs 144x147mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-M1X).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in January 2016).
Arguments in favor of the Olympus OM-D E-M1X:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (18 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (870 versus 400) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 3 years of technical progress since the AZ901 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M1X is the clear winner of the contest (30 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak AZ901 and the Olympus E-M1X place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the AZ901 or the E-M1X perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak AZ901 | .. | .. | .. | .. | 3.5/5 | 3/5 | Jan 2016 | 499 | amazon.com | |
2. | Olympus E-M1X | 4.5/5 | o | 5/5 | 85/100 | 4.5/5 | .. | Jan 2019 | 2,999 | ebay.com | |
3. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | 529 | ebay.com | |
4. | Canon G9 X Mark II | 4/5 | .. | 4/5 | 75/100 | 4.5/5 | 4.5/5 | Jan 2017 | 529 | ebay.com | |
5. | Leica Q Typ 116 | 5/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Jun 2015 | 4,249 | ebay.com | |
6. | Nikon B700 | .. | + | .. | .. | 4/5 | 4/5 | Feb 2016 | 499 | ebay.com | |
7. | Nikon P900 | .. | .. | .. | 77/100 | 4/5 | 4/5 | Mar 2015 | 599 | ebay.com | |
8. | Olympus E-M1 II | 5/5 | + + | 5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 1,999 | ebay.com | |
9. | Olympus E-M1 III | 5/5 | .. | 5/5 | 83/100 | 4.5/5 | 4/5 | Feb 2020 | 1,799 | ebay.com | |
10. | Olympus E-M5 III | 5/5 | + | 5/5 | 82/100 | 4.5/5 | 4.5/5 | Oct 2019 | 1,199 | ebay.com | |
11. | Panasonic FZ2500 | .. | + | .. | 82/100 | 4.5/5 | 5/5 | Sep 2016 | 1,199 | amazon.com | |
12. | Panasonic G90 | 4.5/5 | + | 4.5/5 | 83/100 | 4.5/5 | 4.5/5 | Apr 2019 | 999 | ebay.com | |
13. | Panasonic S1 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4/5 | Feb 2019 | 2,499 | amazon.com | |
14. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
15. | Sony HX90V | 4/5 | + + | .. | .. | 4/5 | 4.5/5 | Apr 2015 | 429 | ebay.com | |
16. | Sony HX350 | .. | .. | .. | .. | .. | 4/5 | Dec 2016 | 449 | ebay.com | |
17. | Sony HX400V | 4/5 | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X vs Olympus E-M1X
- Canon 200D vs Kodak AZ901
- Canon SX720 vs Olympus E-M1X
- Kodak AZ901 vs Leica V-LUX 5
- Kodak AZ901 vs Nikon D200
- Kodak AZ901 vs Panasonic FZ100
- Kodak AZ901 vs Sony A7R III
- Kodak AZ901 vs Sony RX10
- Leica SL2 vs Olympus E-M1X
- Olympus E-M1X vs Panasonic G5
- Olympus E-M1X vs Panasonic GH3
- Olympus E-M1X vs Sony A7R IV
Specifications: Kodak AZ901 vs Olympus E-M1X
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Kodak AZ901 | Olympus E-M1X |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 22-1980mm f/3.1-6.8 | Micro Four Thirds lenses |
Launch Date | January 2016 | January 2019 |
Launch Price | USD 499 | USD 2,999 |
Sensor Specs | Kodak AZ901 | Olympus E-M1X |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | Four Thirds Sensor |
Sensor Size | 6.17 x 4.55 mm | 17.3 x 13.0 mm |
Sensor Area | 28.0735 mm2 | 224.9 mm2 |
Sensor Diagonal | 7.7 mm | 21.6 mm |
Crop Factor | 5.6x | 2.0x |
Sensor Resolution | 20.2 Megapixels | 20.2 Megapixels |
Image Resolution | 5184 x 3888 pixels | 5184 x 3888 pixels |
Pixel Pitch | 1.18 μm | 3.34 μm |
Pixel Density | 71.80 MP/cm2 | 8.96 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/30p Video | 4K/30p Video |
ISO Setting | 100 - 3,200 ISO | 200 - 25,600 ISO |
ISO Boost | no Enhancement | 64 - 25,600 ISO |
Screen Specs | Kodak AZ901 | Olympus E-M1X |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.83x | |
Viewfinder Resolution | 202k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 920k dots | 1037k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Kodak AZ901 | Olympus E-M1X |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/8000s |
Continuous Shooting | 5 shutter flaps/s | 18 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | Dual UHS-II |
Connectivity Specs | Kodak AZ901 | Olympus E-M1X |
External Flash | no Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Geotagging | no internal GPS | GPS built-in |
Body Specs | Kodak AZ901 | Olympus E-M1X |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Kodak LB-070 | Olympus BLH-1 |
Battery Life (CIPA) | 400 shots per charge | 870 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
139 x 104 x 119 mm (5.5 x 4.1 x 4.7 in) |
144 x 147 x 75 mm (5.7 x 5.8 x 3.0 in) |
Camera Weight | 777 g (27.4 oz) | 997 g (35.2 oz) |
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