Hasselblad X1D vs Sony A7S II
The Hasselblad X1D-50c and the Sony Alpha 7S II are two professional cameras that were revealed to the public, respectively, in June 2016 and September 2015. Both the X1D and the A7S II are mirrorless interchangeable lens cameras that are based on a medium format (X1D) and a full frame (A7S II) sensor. The Hasselblad has a resolution of 51.3 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Hasselblad X1D||Sony A7S II|
|Mirrorless system camera||Mirrorless system camera|
|Hasselblad X mount lenses||Sony E mount lenses|
|51.3 MP, Medium Format Sensor||12 MP, Full Frame Sensor|
|1080/25p Video||4K/30p Video|
|ISO 100-25600||ISO 100-102400 (50-409600)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1229k dots|
|Fixed touchscreen||Tilting screen (not touch-sensitive)|
|2.3 shutter flaps per second||5 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Weathersealed body||Weathersealed body|
|150 x 98 x 71 mm, 725 g||127 x 96 x 60 mm, 627 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Hasselblad X1D-50c and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Hasselblad X1D vs Sony A7S II
An illustration of the physical size and weight of the Hasselblad X1D and the Sony A7S II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably smaller (17 percent) than the Hasselblad X1D. Moreover, the A7S II is markedly lighter (14 percent) than the X1D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A7S II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Hasselblad X1D»||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995||Hasselblad X1D|
|Sony A7S II«||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Fujifilm GFX 50S« »||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Hasselblad X1D II« »||5.8 in||3.8 in||2.8 in||27.0 oz||..||Y||Jun 2019||5,750||Hasselblad X1D II|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Pentax 645Z« »||6.1 in||4.6 in||4.8 in||54.7 oz||650||Y||Apr 2014||8,499||Pentax 645Z|
|Sony A7R IV« »||5.1 in||3.8 in||3.1 in||23.5 oz||670||Y||Jul 2019||3,499||Sony A7R IV|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7S II was launched at a markedly lower price (by 67 percent) than the X1D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Hasselblad X1D vs Sony A7S II
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Hasselblad X1D features a medium format sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the X1D has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 51.3MP, the X1D offers a higher resolution than the A7S II (12MP), but the X1D has smaller individual pixels (pixel pitch of 5.30μm versus 8.40μm for the A7S II). However, the X1D is a somewhat more recent model (by 9 months) than the A7S II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X1D has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Hasselblad X1D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X1D for good quality output (200 dots per inch) amounts to 41.4 x 31 inch or 105.1 x 78.7 cm, for very good quality (250 dpi) 33.1 x 24.8 inch or 84 x 63 cm, and for excellent quality (300 dpi) 27.6 x 20.7 inch or 70 x 52.5 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inch or 53.8 x 36 cm for good quality, 17 x 11.3 inch or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inch or 35.9 x 24 cm for excellent quality prints.
The Hasselblad X1D-50c has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the X1D provides substantially higher image quality than the A7S II, with an overall score that is 17 points higher. This advantage is based on 2.6 bits higher color depth, 1.5 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Hasselblad X1D»||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102||Hasselblad X1D|
|Sony A7S II«||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Fujifilm GFX 50S« »||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50S|
|Hasselblad X1D II« »||Medium Format||51.3||8272||6200||-||-||-||-||-||Hasselblad X1D II|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Pentax 645Z« »||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101||Pentax 645Z|
|Sony A7R IV« »||Full Frame||60.2||9504||6336||4K/30p||-||-||-||-||Sony A7R IV|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S« »||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7S II provides a better video resolution than the X1D. It can shoot movie footage at 4K/30p, while the Hasselblad is limited to 1080/25p.
Feature comparison: Hasselblad X1D vs Sony A7S II
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7S II offers a slightly higher resolution than the one in the X1D (2400k vs 2360k dots). The table below summarizes some of the other core capabilities of the Hasselblad X1D and Sony A7S II in connection with corresponding information for a sample of similar cameras.
|Hasselblad X1D»||2360||n||3.0||920||fixed||Y||1/2000s||2.3||n||n||Hasselblad X1D|
|Sony A7S II«||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Fujifilm GFX 50S« »||-||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n||Fujifilm GFX 50S|
|Hasselblad X1D II« »||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n||Hasselblad X1D II|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Pentax 645Z« »||optical||Y||3.2||1037||tilting||n||1/4000s||3.0||n||n||Pentax 645Z|
|Sony A7R IV« »||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R IV|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S« »||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X1D has a touchscreen, while the A7S II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Hasselblad X1D has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X1D writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The X1D features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S II only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Hasselblad X1D vs Sony A7S II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Hasselblad X1D-50c and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Hasselblad X1D»||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Hasselblad X1D|
|Sony A7S II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Fujifilm GFX 50S« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Hasselblad X1D II« »||Y||stereo||mono||Y||Y||-||3.0||Y||-||-||Hasselblad X1D II|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Pentax 645Z« »||Y||stereo||mono||Y||-||mini||3.0||-||-||-||Pentax 645Z|
|Sony A7R IV« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R IV|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
Studio photographers will appreciate that the Hasselblad X1D (unlike the A7S II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X1D and the A7S II are recent models that are part of the current product line-up. The A7S II replaced the earlier Sony A7S, while the X1D does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Hasselblad and Sony websites.
Review summary: Hasselblad X1D vs Sony A7S II
So how do things add up? Is there a clear favorite between the Hasselblad X1D and the Sony A7S II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Hasselblad X1D-50c:
- More detail: Offers more megapixels (51.3 vs 12MP) with a 103% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (17 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More prestigious: Has the Hasselblad luxury appeal, which ensures a high resale price.
- More modern: Is somewhat more recent (announced 9 months after the A7S II).
Reasons to prefer the Sony Alpha 7S II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (127x96mm vs 150x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 98g or 14 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (13 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Hasselblad X1D and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X1D and the A7S II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Hasselblad X1D vs Sony A7S II
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Hasselblad X1D»||o||81/100||-||-||4/5||Jun 2016||8,995||Hasselblad X1D|
|Sony A7S II«||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Fujifilm GFX 50S« »||-||85/100||5/5||5/5||4.5/5||Sep 2016||6,499||Fujifilm GFX 50S|
|Hasselblad X1D II« »||-||-||-||-||-||Jun 2019||5,750||Hasselblad X1D II|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Nikon D7500« »||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Nikon D850« »||+ +||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Pentax 645Z« »||-||-||4.5/5||5/5||5/5||Apr 2014||8,499||Pentax 645Z|
|Sony A7R IV« »||-||-||-||-||-||Jul 2019||3,499||Sony A7R IV|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 800D vs Hasselblad X1D II
- Canon M10 vs Sony A7S II
- Fujifilm X-E3 vs Sony A7S II
- Fujifilm X-T100 vs Hasselblad X1D II
- Fujifilm X-T3 vs Hasselblad X1D
- Hasselblad X1D II vs Pentax K-1 II
- Hasselblad X1D II vs Sony RX100 VII
- Hasselblad X1D vs Leica SL
- Hasselblad X1D vs Leica T
- Hasselblad X1D vs Panasonic GX9
- Hasselblad X1D vs Pentax 645Z
- Leica X Vario vs Sony A7S II
Specifications: Hasselblad X1D vs Sony A7S II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Hasselblad X1D||Sony A7S II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Hasselblad X mount lenses||Sony E mount lenses|
|Launch Date||June 2016||September 2015|
|Launch Price||USD 8995||USD 2999|
|Sensor Specs||Hasselblad X1D||Sony A7S II|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||43.8 x 32.9 mm||35.6 x 23.8 mm|
|Sensor Area||1441.02 mm2||847.28 mm2|
|Sensor Diagonal||54.8 mm||42.8 mm|
|Sensor Resolution||51.3 Megapixels||12 Megapixels|
|Image Resolution||8272 x 6200 pixels||4240 x 2832 pixels|
|Pixel Pitch||5.30 μm||8.40 μm|
|Pixel Density||3.56 MP/cm2||1.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/25p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-102400 ISO|
|ISO Boost||no Enhancement||50-409600 ISO|
|DXO Sensor Quality (score)||102||85|
|DXO Color Depth (bits)||26.2||23.6|
|DXO Dynamic Range (EV)||14.8||13.3|
|DXO Low Light (ISO)||4489||2993|
|Screen Specs||Hasselblad X1D||Sony A7S II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Hasselblad X1D||Sony A7S II|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||2.3 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Hasselblad X1D||Sony A7S II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Hasselblad X1D||Sony A7S II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||H-3054752 power pack||NP-FW50 power pack|
|In-Camera Charging||no USB charging||USB charging|
150 x 98 x 71 mm
(5.9 x 3.9 x 2.8 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||725 g (25.6 oz)||627 g (22.1 oz)|
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