Fujifilm XQ2 vs Pentax K-5
The Fujifilm XQ2 and the Pentax K-5 are two digital cameras that were officially introduced, respectively, in January 2015 and September 2010. The XQ2 is a fixed lens compact, while the K-5 is a DSLR. The cameras are based on a 2/3 (XQ2) and an APS-C (K-5) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Pentax provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm XQ2||Pentax K-5|
|Fixed lens compact camera||Digital single lens reflex|
|25-100mm f/1.8-4.9||Pentax K mount lenses|
|12 MP, Two Thirds Sensor||16.1 MP, APS-C Sensor|
|1080/60p Video||1080/25p Video|
|ISO 100-12800||ISO 100-12800 (80-51200)|
|No viewfinder, LCD framing||Optical viewfinder|
|3.0" LCD, 920k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|12 shutter flaps per second||7 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|240 shots per battery charge||740 shots per battery charge|
|100 x 59 x 33 mm, 206 g||131 x 97 x 73 mm, 760 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm XQ2 and the Pentax K-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm XQ2 and the Pentax K-5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The XQ2 can be obtained in three different colors (black, silver, white), while the K-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-5 is considerably larger (115 percent) than the Fujifilm XQ2. It is noteworthy in this context that the K-5 is splash and dust-proof, while the XQ2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XQ2 has a lens built in, whereas the K-5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm XQ2»||100 mm||59 mm||33 mm||206 g||240||n||Jan 2015||399||Fujifilm XQ2|
|Pentax K-5«||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099||Pentax K-5|
|Canon S120« »||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449||Canon S120|
|Fujifilm X70« »||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799||Fujifilm X70|
|Fujifilm X-A3« »||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||Fujifilm X-A3|
|Fujifilm X-A10« »||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399||Fujifilm X-A10|
|Fujifilm X30« »||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599||Fujifilm X30|
|Fujifilm XQ1« »||100 mm||59 mm||33 mm||206 g||240||n||Oct 2013||499||Fujifilm XQ1|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Pentax KP« »||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax K-3 II« »||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||Pentax K-3|
|Sony HX99« »||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||Sony HX95|
|Sony HX80« »||102 mm||58 mm||36 mm||245 g||390||n||Mar 2016||349||Sony HX80|
|Sony HX90V« »||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429||Sony HX90V|
|Sony A77« »||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The XQ2 was launched at a lower price than the K-5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm XQ2 features a 2/3 sensor and the Pentax K-5 an APS-C sensor. The sensor area in the K-5 is 541 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.5. The sensor in the XQ2 has a native 4:3 aspect ratio, while the one in the K-5 offers a 3:2 aspect.
With 16.1MP, the K-5 offers a higher resolution than the XQ2 (12MP), but the K-5 nevertheless has larger individual pixels (pixel pitch of 4.81μm versus 2.20μm for the XQ2) due to its larger sensor. However, the XQ2 is a much more recent model (by 4 years and 3 months) than the K-5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the XQ2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-5 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inch or 62.6 x 41.5 cm, for very good quality (250 dpi) 19.7 x 13.1 inch or 50.1 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inch or 41.7 x 27.6 cm. The corresponding values for the Fujifilm XQ2 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The XQ2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm XQ2 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Pentax K-5 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm XQ2||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm XQ2|
|Pentax K-5||APS-C||16.1||4928||3264||1080/25p||23.7||14.1||1162||82||Pentax K-5|
|Canon S120||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Fujifilm X70||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X70|
|Fujifilm X-A3||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-A3|
|Fujifilm X-A10||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A10|
|Fujifilm X30||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X30|
|Fujifilm XQ1||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm XQ1|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Pentax KP||APS-C||24.1||6016||4000||1080/60i||..||..||..||..||Pentax KP|
|Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Pentax K-3||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Sony HX99||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX99|
|Sony HX95||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX95|
|Sony HX80||1/2.3||18.0||4896||3672||1080/60p||..||..||..||..||Sony HX80|
|Sony HX90V||1/2.3||18.0||4896||3672||1080/60p||..||..||..||..||Sony HX90V|
|Sony A77||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the XQ2 provides a higher frame rate than the K-5. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/25p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the K-5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the XQ2 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm XQ2 and Pentax K-5 in connection with corresponding information for a sample of similar cameras.
|Fujifilm XQ2||none||n||3.0||920||fixed||n||1/4000s||12.0||Y||Y||Fujifilm XQ2|
|Pentax K-5||optical||Y||3.0||921||fixed||n||1/8000s||7.0||Y||Y||Pentax K-5|
|Canon S120||none||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Fujifilm X70||optional||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X70|
|Fujifilm X-A3||none||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-A10||none||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X30||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Fujifilm XQ1||none||n||3.0||920||fixed||n||1/4000s||12.0||Y||Y||Fujifilm XQ1|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Pentax KP||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Pentax K-3 II||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Pentax K-3||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Sony HX99||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony HX80||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX80|
|Sony HX90V||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
|Sony A77||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that is present on the K-5, but is missing on the XQ2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Pentax K-5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the XQ2 and the K-5 write their files to SDXC cards. The XQ2 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the K-5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm XQ2 and Pentax K-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm XQ2||-||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm XQ2|
|Pentax K-5||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Pentax K-5|
|Canon S120||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Fujifilm X70||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Fujifilm X-A3||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-A10||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X30||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Fujifilm XQ1||-||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm XQ1|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Pentax KP||Y||stereo||mono||Y||-||none||2.0||Y||-||-||Pentax KP|
|Pentax K-3 II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Pentax K-3||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Sony HX99||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony HX80||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX80|
|Sony HX90V||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
|Sony A77||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the XQ2 offers wifi support, while the K-5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax K-5 (unlike the XQ2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The XQ2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the K-5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the K-5 was succeeded by the Pentax K-5 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Pentax websites.
So how do things add up? Is the Fujifilm XQ2 better than the Pentax K-5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm XQ2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/25p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (12 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a built-in lens, while the K-5 requires a separate lens.
- More compact: Is smaller (100x59mm vs 131x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-5).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 3 months of technical progress since the K-5 launch.
Advantages of the Pentax K-5:
- More detail: Has more megapixels (16.1 vs 12MP), which boosts linear resolution by 18%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (740 versus 240) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the K-5 is the clear winner of the contest (17 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XQ2 and the Pentax K-5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the XQ2 or the K-5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds vs Fujifilm XQ2
- Canon 6D Mark II vs Pentax K-5
- Canon G16 vs Pentax K-5
- Canon SX510 vs Pentax K-5
- Canon T6i vs Pentax K-5
- Fujifilm XQ2 vs Leica D-LUX 7
- Fujifilm XQ2 vs Pentax K-70
- Nikon D5 vs Pentax K-5
- Nikon P900 vs Pentax K-5
- Olympus E-600 vs Pentax K-5
- Pentax K-5 vs Sony A3000
- Pentax K-5 vs Sony A6600
Specifications: Fujifilm XQ2 vs Pentax K-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XQ2||Pentax K-5|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||25-100mm f/1.8-4.9||Pentax K mount lenses|
|Launch Date||January 2015||September 2010|
|Launch Price||USD 399||USD 1099|
|Sensor Specs||Fujifilm XQ2||Pentax K-5|
|Sensor Format||Two Thirds Sensor||APS-C Sensor|
|Sensor Size||8.8 x 6.6 mm||23.7 x 15.7 mm|
|Sensor Area||58.08 mm2||372.09 mm2|
|Sensor Diagonal||11 mm||28.4 mm|
|Sensor Resolution||12 Megapixels||16.1 Megapixels|
|Image Resolution||4000 x 3000 pixels||4928 x 3264 pixels|
|Pixel Pitch||2.20 μm||4.81 μm|
|Pixel Density||20.66 MP/cm2||4.32 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/25p Video|
|ISO Setting||100-12800 ISO||100-12800 ISO|
|ISO Boost||no Enhancement||80-51200 ISO|
|DXO Sensor Quality (score)||..||82|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||14.1|
|DXO Low Light (ISO)||..||1162|
|Screen Specs||Fujifilm XQ2||Pentax K-5|
|Viewfinder Type||No viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm XQ2||Pentax K-5|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||7 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Fujifilm XQ2||Pentax K-5|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm XQ2||Pentax K-5|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||240 shots per charge||740 shots per charge|
100 x 59 x 33 mm
(3.9 x 2.3 x 1.3 in)
131 x 97 x 73 mm
(5.2 x 3.8 x 2.9 in)
|Camera Weight||206 g (7.3 oz)||760 g (26.8 oz)|
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