Fujifilm XP140 vs Sony A7C
The Fujifilm FinePix XP140 and the Sony Alpha A7C are two digital cameras that were revealed to the public, respectively, in February 2019 and September 2020. The XP140 is a fixed lens compact, while the A7C is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (XP140) and a full frame (A7C) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP140 and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm XP140 and the Sony A7C are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The XP140 can be obtained in five different colors (black, blue, yellow, green, white), while the A7C is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is notably larger (13 percent) than the Fujifilm XP140. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the XP140 is water-proof up to 25m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP140 has a lens built in, whereas the A7C is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7C and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the XP140 gets 240 shots out of its Fujifilm NP-45S battery, while the A7C can take 740 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP140 | 110 mm | 71 mm | 28 mm | 207 g | 240 | Y | Feb 2019 | 229 | ebay.com | |
2. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | 1,799 | amazon.com | |
3. | Fujifilm XP130 | 110 mm | 71 mm | 28 mm | 207 g | 240 | Y | Jan 2018 | 229 | ebay.com | |
4. | Fujifilm XP120 | 110 mm | 71 mm | 28 mm | 203 g | 210 | Y | Jan 2017 | 229 | ebay.com | |
5. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | 389 | ebay.com | |
6. | Olympus TG-4 | 112 mm | 66 mm | 31 mm | 247 g | 380 | Y | Apr 2015 | 379 | ebay.com | |
7. | Pentax WG-90 | 123 mm | 62 mm | 30 mm | 194 g | 300 | Y | Nov 2023 | 279 | amazon.com | |
8. | Ricoh WG-6 | 118 mm | 66 mm | 33 mm | 246 g | 340 | Y | Feb 2019 | 399 | amazon.com | |
9. | Ricoh WG-60 | 123 mm | 62 mm | 30 mm | 193 g | 300 | Y | Oct 2018 | 279 | ebay.com | |
10. | Sony A7C II | 124 mm | 71 mm | 63 mm | 514 g | 540 | Y | Aug 2023 | 2,199 | amazon.com | |
11. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | 1,999 | amazon.com | |
12. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
13. | Sony HX95 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 429 | ebay.com | |
14. | Sony WX800 | 102 mm | 58 mm | 36 mm | 233 g | 370 | n | Oct 2018 | 399 | ebay.com | |
15. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | 1,999 | ebay.com | |
16. | Sony A7 | 127 mm | 94 mm | 48 mm | 474 g | 340 | Y | Oct 2013 | 1,699 | ebay.com | |
17. | Sony A850 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Aug 2009 | 1,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XP140 was launched at a lower price than the A7C, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm XP140 features a 1/2.3-inch sensor and the Sony A7C a full frame sensor. The sensor area in the A7C is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the XP140 has a native 4:3 aspect ratio, while the one in the A7C offers a 3:2 aspect.
With 24MP, the A7C offers a higher resolution than the XP140 (15.9MP), but the A7C nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.33μm for the XP140) due to its larger sensor. Moreover, the A7C is a somewhat more recent model (by 1 year and 7 months) than the XP140, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the XP140 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm XP140 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The A7C has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm FinePix XP140 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP140 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/15p | 20.7 | 12.2 | 1102 | 52 | |
2. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
3. | Fujifilm XP130 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.6 | 12.1 | 1000 | 51 | |
4. | Fujifilm XP120 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.5 | 11.9 | 900 | 49 | |
5. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
6. | Olympus TG-4 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.2 | 11.6 | 737 | 47 | |
7. | Pentax WG-90 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.9 | 12.8 | 1570 | 54 | |
8. | Ricoh WG-6 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1104 | 52 | |
9. | Ricoh WG-60 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.6 | 12.2 | 1072 | 51 | |
10. | Sony A7C II | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3237 | 96 | |
11. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
12. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
13. | Sony HX95 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1057 | 51 | |
14. | Sony WX800 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.2 | 1070 | 51 | |
15. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
16. | Sony A7 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.8 | 14.2 | 2248 | 90 | |
17. | Sony A850 | Full Frame | 24.4 | 6048 | 4032 | none | 23.8 | 12.2 | 1415 | 79 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7C provides a faster frame rate than the XP140. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 4K/15p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7C has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP140 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm XP140 and Sony A7C in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP140 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
2. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
3. | Fujifilm XP130 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
4. | Fujifilm XP120 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
5. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
6. | Olympus TG-4 | none | n | 3.0 / 460 | fixed | n | 1/2000s | 5.0/s | Y | Y | |
7. | Pentax WG-90 | none | n | 2.7 / 230 | fixed | n | 1/4000s | 8.0/s | Y | n | |
8. | Ricoh WG-6 | none | n | 3.0 / 1040 | fixed | n | 1/4000s | 1.0/s | Y | n | |
9. | Ricoh WG-60 | none | n | 2.7 / 230 | fixed | n | 1/4000s | 8.0/s | Y | n | |
10. | Sony A7C II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
11. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
12. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
13. | Sony HX95 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
14. | Sony WX800 | none | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
15. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
16. | Sony A7 | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | n | |
17. | Sony A850 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 3.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The XP140 has one, while the A7C does not. While the built-in flash of the XP140 is not very powerful, it can at times be useful as a fill-in light.
The A7C has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the XP140 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7C is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XP140 and the Sony A7C both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XP140 writes its imaging data to SDXC cards, while the A7C uses SDXC or Memory Stick PRO Duo cards. The A7C supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the XP140 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP140 and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP140 | - | mono / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
3. | Fujifilm XP130 | - | mono / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Fujifilm XP120 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
5. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
6. | Olympus TG-4 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Pentax WG-90 | - | mono / mono | - | - | micro | 2.0 | - | - | - | |
8. | Ricoh WG-6 | - | mono / mono | - | - | micro | 3.0 | - | - | - | |
9. | Ricoh WG-60 | - | mono / mono | - | - | micro | 2.0 | - | - | - | |
10. | Sony A7C II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
11. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
12. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
13. | Sony HX95 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
14. | Sony WX800 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Sony A7 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony A850 | Y | - / - | - | - | mini | 2.0 | - | - | - |
It is notable that the A7C has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The XP140 does not feature such a mic input.
The A7C is a recent model that features in the current product line-up of Sony. In contrast, the XP140 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the XP140 from Fujifilm. Further information on the features and operation of the XP140 and A7C can be found, respectively, in the Fujifilm XP140 Manual (free pdf) or the online Sony A7C Manual.
Review summary
So how do things add up? Is the Fujifilm XP140 better than the Sony A7C or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm FinePix XP140:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the A7C requires a separate lens.
- More compact: Is smaller (110x71mm vs 124x71mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7C).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 25m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in February 2019).
Advantages of the Sony Alpha A7C:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/30p versus 4K/15p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (740 versus 240) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A7C is the clear winner of the contest (23 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP140 and the Sony A7C place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the XP140 or the A7C perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP140 | .. | + | .. | .. | 3.5/5 | 4/5 | Feb 2019 | 229 | ebay.com | |
2. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | 1,799 | amazon.com | |
3. | Fujifilm XP130 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2018 | 229 | ebay.com | |
4. | Fujifilm XP120 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2017 | 229 | ebay.com | |
5. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | 389 | ebay.com | |
6. | Olympus TG-4 | .. | + | .. | 79/100 | 4/5 | 4/5 | Apr 2015 | 379 | ebay.com | |
7. | Pentax WG-90 | .. | .. | .. | .. | .. | .. | Nov 2023 | 279 | amazon.com | |
8. | Ricoh WG-6 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Feb 2019 | 399 | amazon.com | |
9. | Ricoh WG-60 | .. | .. | .. | .. | .. | .. | Oct 2018 | 279 | ebay.com | |
10. | Sony A7C II | 4/5 | .. | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2023 | 2,199 | amazon.com | |
11. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | 1,999 | amazon.com | |
12. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
13. | Sony HX95 | .. | .. | .. | .. | .. | .. | Aug 2018 | 429 | ebay.com | |
14. | Sony WX800 | .. | .. | .. | .. | .. | .. | Oct 2018 | 399 | ebay.com | |
15. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | 1,999 | ebay.com | |
16. | Sony A7 | 5/5 | + + | .. | 80/100 | 5/5 | 5/5 | Oct 2013 | 1,699 | ebay.com | |
17. | Sony A850 | 3/5 | .. | .. | 75/100 | .. | 4.5/5 | Aug 2009 | 1,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Fujifilm XP140
- Canon 50D vs Fujifilm XP140
- Canon 5D Mark III vs Sony A7C
- Canon 700D vs Fujifilm XP140
- Fujifilm XP140 vs Panasonic G7
- Fujifilm XP140 vs Ricoh WG-60
- Fujifilm XP140 vs Sony RX100 VII
- Nikon D300 vs Sony A7C
- Nikon D3200 vs Sony A7C
- Panasonic FZ330 vs Sony A7C
- Panasonic S5 II vs Sony A7C
- Sony A7C vs Sony HX350
Specifications: Fujifilm XP140 vs Sony A7C
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm XP140 | Sony A7C |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-140mm f/3.9-4.9 | Sony E mount lenses |
Launch Date | February 2019 | September 2020 |
Launch Price | USD 229 | USD 1,799 |
Sensor Specs | Fujifilm XP140 | Sony A7C |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | 1/2.3" Sensor | Full Frame Sensor |
Sensor Size | 6.17 x 4.55 mm | 35.6 x 23.8 mm |
Sensor Area | 28.0735 mm2 | 847.28 mm2 |
Sensor Diagonal | 7.7 mm | 42.8 mm |
Crop Factor | 5.6x | 1.0x |
Sensor Resolution | 15.9 Megapixels | 24 Megapixels |
Image Resolution | 4608 x 3456 pixels | 6000 x 4000 pixels |
Pixel Pitch | 1.33 μm | 5.94 μm |
Pixel Density | 56.73 MP/cm2 | 2.83 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/15p Video | 4K/30p Video |
ISO Setting | 100 - 12,800 ISO | 100 - 51,200 ISO |
ISO Boost | no Enhancement | 50 - 204,800 ISO |
DXO Sensor Quality (score) | .. | 95 |
DXO Color Depth (bits) | .. | 25.0 |
DXO Dynamic Range (EV) | .. | 14.7 |
DXO Low Light (ISO) | .. | 3407 |
Screen Specs | Fujifilm XP140 | Sony A7C |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.59x | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 920k dots | 922k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Fujifilm XP140 | Sony A7C |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-II |
Connectivity Specs | Fujifilm XP140 | Sony A7C |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Fujifilm XP140 | Sony A7C |
Environmental Sealing | Waterproof body (25m) | Weathersealed body |
Battery Type | Fujifilm NP-45S | Sony NP-FZ100 |
Battery Life (CIPA) | 240 shots per charge | 740 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
110 x 71 x 28 mm (4.3 x 2.8 x 1.1 in) |
124 x 71 x 60 mm (4.9 x 2.8 x 2.4 in) |
Camera Weight | 207 g (7.3 oz) | 509 g (18.0 oz) |
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