Fujifilm XP140 vs Panasonic S5

The Fujifilm FinePix XP140 and the Panasonic Lumix DC-S5 are two digital cameras that were officially introduced, respectively, in February 2019 and September 2020. The XP140 is a fixed lens compact, while the S5 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (XP140) and a full frame (S5) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Panasonic provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm XP140		Panasonic S5
Fixed lens compact camera		Mirrorless system camera
28-140mm f/3.9-4.9		Leica L mount lenses
15.9 MP – 1/2.3" sensor		24 MP – Full Frame sensor
4K/15p Video		4K/60p Video
ISO 100-12,800		ISO 100-51,200 (50 - 204,800)
No viewfinder, LCD framing		Electronic viewfinder (2360k dots)
3.0" LCD – 920k dots		3.0" LCD – 1840k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
10 shutter flaps per second		7 shutter flaps per second
In-body stabilization		In-body stabilization
Waterproof body (25m)		Weathersealed body
240 shots per battery charge		440 shots per battery charge
110 x 71 x 28 mm, 207 g		133 x 98 x 82 mm, 714 g

Check XP140 offers at
ebay.com
Check S5 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP140 and the Panasonic Lumix DC-S5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm XP140 and the Panasonic S5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The XP140 can be obtained in five different colors (black, blue, yellow, green, white), while the S5 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 is considerably larger (67 percent) than the Fujifilm XP140. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the XP140 is water-proof up to 25m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP140 has a lens built in, whereas the S5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the XP140 gets 240 shots out of its Fujifilm NP-45S battery, while the S5 can take 440 images on a single charge of its Panasonic DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm XP140	110 mm	71 mm	28 mm	207 g	240	Y	Feb 2019	229	ebay.com
2.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
3.		Fujifilm XP130	110 mm	71 mm	28 mm	207 g	240	Y	Jan 2018	229	ebay.com
4.		Fujifilm XP120	110 mm	71 mm	28 mm	203 g	210	Y	Jan 2017	229	ebay.com
5.		Nikon Z6 II	134 mm	101 mm	70 mm	705 g	410	Y	Oct 2020	1,999	amazon.com
6.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	389	ebay.com
7.		Olympus TG-4	112 mm	66 mm	31 mm	247 g	380	Y	Apr 2015	379	ebay.com
8.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	1,999	amazon.com
9.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	1,699	amazon.com
10.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
11.		Pentax WG-90	123 mm	62 mm	30 mm	194 g	300	Y	Nov 2023	279	amazon.com
12.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340	Y	Feb 2019	399	amazon.com
13.		Ricoh WG-60	123 mm	62 mm	30 mm	193 g	300	Y	Oct 2018	279	ebay.com
14.		Sony HX99	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	449	ebay.com
15.		Sony HX95	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	429	ebay.com
16.		Sony WX800	102 mm	58 mm	36 mm	233 g	370	n	Oct 2018	399	ebay.com
17.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The XP140 was launched at a lower price than the S5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm XP140 features a 1/2.3-inch sensor and the Panasonic S5 a full frame sensor. The sensor area in the S5 is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the XP140 has a native 4:3 aspect ratio, while the one in the S5 offers a 3:2 aspect.

With 24MP, the S5 offers a higher resolution than the XP140 (15.9MP), but the S5 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.33μm for the XP140) due to its larger sensor. Moreover, the S5 is a somewhat more recent model (by 1 year and 6 months) than the XP140, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Panasonic S5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S5 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm XP140 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

Unlike the XP140, the S5 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm FinePix XP140 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DC-S5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the XP140 is build around a BSI-CMOS sensor, while the S5 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm XP140	1/2.3	15.9	4608	3456	4K/15p	20.7	12.2	1102	52
2.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
3.		Fujifilm XP130	1/2.3	15.9	4608	3456	1080/60p	20.6	12.1	1000	51
4.		Fujifilm XP120	1/2.3	15.9	4608	3456	1080/60p	20.5	11.9	900	49
5.		Nikon Z6 II	Full Frame	24.3	6048	4024	4K/60p	25.0	14.4	3303	94
6.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
7.		Olympus TG-4	1/2.3	15.9	4608	3456	1080/30p	20.2	11.6	737	47
8.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
9.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
10.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
11.		Pentax WG-90	1/2.3	15.9	4608	3456	1080/60p	20.9	12.8	1570	54
12.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
13.		Ricoh WG-60	1/2.3	15.9	4608	3456	1080/60p	20.6	12.2	1072	51
14.		Sony HX99	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1058	51
15.		Sony HX95	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1057	51
16.		Sony WX800	1/2.3	18.0	4896	3672	4K/30p	20.6	12.2	1070	51
17.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S5 provides a faster frame rate than the XP140. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/15p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the S5 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP140 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm XP140, the Panasonic S5, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm XP140	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
2.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
3.		Fujifilm XP130	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
4.		Fujifilm XP120	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
5.		Nikon Z6 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	14.0/s	n	Y
6.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
7.		Olympus TG-4	none	n	3.0 / 460	fixed	n	1/2000s	5.0/s	Y	Y
8.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
9.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
10.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
11.		Pentax WG-90	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
12.		Ricoh WG-6	none	n	3.0 / 1040	fixed	n	1/4000s	1.0/s	Y	n
13.		Ricoh WG-60	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
14.		Sony HX99	638	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
15.		Sony HX95	638	n	3.0 / 922	tilting	n	1/2000s	10.0/s	Y	Y
16.		Sony WX800	none	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The XP140 has one, while the S5 does not. While the built-in flash of the XP140 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm XP140 and the Panasonic S5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the XP140 and the S5 write their files to SDXC cards. The S5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the XP140 only has one slot. The S5 supports UHS-II cards on its first slot and UHS-I on its second one, while the XP140 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP140 and Panasonic Lumix DC-S5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm XP140	-	mono / mono	-	-	micro	2.0	Y	-	Y
2.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Fujifilm XP130	-	mono / mono	-	-	micro	2.0	Y	-	Y
4.		Fujifilm XP120	-	mono / mono	-	-	micro	2.0	Y	-	-
5.		Nikon Z6 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
6.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
7.		Olympus TG-4	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
11.		Pentax WG-90	-	mono / mono	-	-	micro	2.0	-	-	-
12.		Ricoh WG-6	-	mono / mono	-	-	micro	3.0	-	-	-
13.		Ricoh WG-60	-	mono / mono	-	-	micro	2.0	-	-	-
14.		Sony HX99	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
15.		Sony HX95	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
16.		Sony WX800	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the S5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The XP140 does not feature such a mic input.

The S5 is a recent model that features in the current product line-up of Panasonic. In contrast, the XP140 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the XP140 from Fujifilm. Further information on the features and operation of the XP140 and S5 can be found, respectively, in the Fujifilm XP140 Manual (free pdf) or the online Panasonic S5 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm XP140 and the Panasonic S5? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Fujifilm FinePix XP140:

• Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has a lens built-in, whereas the S5 requires a separate lens.
• More compact: Is smaller (110x71mm vs 133x98mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the S5).
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 25m).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in February 2019).

Reasons to prefer the Panasonic Lumix DC-S5:

• More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (4K/60p versus 4K/15p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1840k vs 920k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (440 versus 240) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
• More modern: Was introduced somewhat (1 year and 6 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the S5 is the clear winner of the contest (23 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm XP140 and the Panasonic S5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the XP140 and the S5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm XP140	..	+	..	..	3.5/5	4/5	Feb 2019	229	ebay.com
2.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
3.		Fujifilm XP130	..	o	..	..	3.5/5	4/5	Jan 2018	229	ebay.com
4.		Fujifilm XP120	..	o	..	..	3.5/5	4/5	Jan 2017	229	ebay.com
5.		Nikon Z6 II	4.5/5	..	4/5	89/100	4.5/5	4.5/5	Oct 2020	1,999	amazon.com
6.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	389	ebay.com
7.		Olympus TG-4	..	+	..	79/100	4/5	4/5	Apr 2015	379	ebay.com
8.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	1,999	amazon.com
9.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	1,699	amazon.com
10.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
11.		Pentax WG-90	..	..	..	..	..	..	Nov 2023	279	amazon.com
12.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	399	amazon.com
13.		Ricoh WG-60	..	..	..	..	..	..	Oct 2018	279	ebay.com
14.		Sony HX99	..	..	..	..	4/5	4.5/5	Aug 2018	449	ebay.com
15.		Sony HX95	..	..	..	..	..	..	Aug 2018	429	ebay.com
16.		Sony WX800	..	..	..	..	..	..	Oct 2018	399	ebay.com
17.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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